Best Analogue mixers for Professional 2026
Alright, let's talk analogue mixers for players who actually need them - not the bedroom hobbyist, but the working musician. We're past the days of 'vintage warmth' being a marketing gimmick; a good analogue mixer is a tool for shaping sound, handling dynamics, and surviving a gig. This isn't about nostalgia; it's about functionality and a feel you just can't replicate digitally, especially when you're wrestling a loud drummer and a fussy vocalist.
Last updated: September 2, 2026
⚡ The best analogue mixers in 2026 are Dynacord CMS1600-3 (top pick), Dynacord CMS2200-3 for tighter budgets, and Allen & Heath ZED-428 for pros — selected from 15 options across 7 brands, priced $914–$3,580, ranked by brand, price and popularity.
PRICE RANGES:
Under $50
Under $100
Under $200
Under $300
Under $500
Under $800
Under $1,000
Under $2,000
GENRES & STYLES:
For Live Sound
#1
⭐
4.7/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
2/10
Dynacord CMS1600-3
by
Dynacord
Live Sound
Band
Rehearsal
Key Feature:
This CMS1600-3 is a serious workhorse mixer – built like a tank and sounding fantastic. It's ideal for larger bands, corporate events, or rental houses needing a reliable, high-quality analogue console with integrated effects and a decent USB interface. It’s a solid, no-nonsense mixer that delivers professional results.
PROS
- • Robust metal chassis provides exceptional durability for touring applications
- • Dynacord’s integrated effects are genuinely high-quality, usable, and musical
- • Flexible routing with 6 aux sends offers versatile monitoring and effects options
- • The voicing filter provides subtle but effective tonal shaping for various vocal styles
CONS
- • The overall size and weight will require a dedicated transport and setup crew
- • Limited USB functionality; primarily playback/recording, not advanced routing
- • The 11-band EQ, while powerful, might be overwhelming for less experienced users
⭐
4.7/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
2/10
Art. 260700
$3,580
#2
⭐
4.7/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
3/10
Dynacord CMS2200-3
by
Dynacord
Rehearsal
Budget Conscious
Small Venues
Key Feature:
The CMS2200-3 is a serious workhorse mixer—Dynacord's reputation for rock-solid reliability shines through. It's a great choice for touring bands, established venues, or anyone needing a powerful, analog console with excellent effects and routing options. Just be prepared to move it – this is a hefty piece of gear.
PROS
- • Robust build quality with Dynacord’s renowned reliability
- • Parametric mids offer precise tonal sculpting capabilities
- • Built-in effects section provides convenient, high-quality processing
- • Extensive connectivity caters to complex live sound setups
CONS
- • High-end price point places it beyond budget-conscious users
- • Size and weight make portability a significant consideration
- • Limited USB functionality compared to more modern digital mixers
⭐
4.7/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
3/10
Art. 260701
$3,243
#3
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Allen & Heath ZED-428
Weight
21 kg
Live Sound
Small Venues
Simple Setup
Key Feature:
The ZED-428 is a serious analogue workhorse. Its clean preamps and flexible routing make it perfect for recording studios, live sound reinforcement for medium-sized venues, or even a complex home setup where you want tactile control and a warm, analogue sound. It's a premium-priced mixer that delivers professional results.
PROS
- • DuoPre preamps offer exceptional clarity and headroom for dynamic sources.
- • Robust, all-metal chassis inspires confidence and longevity.
- • Semi-parametric EQ provides precise tonal shaping capabilities.
- • Flexible routing options with sub-groups and matrix outputs enhance workflow.
CONS
- • Size and weight make it less ideal for mobile or smaller spaces.
- • Lacks built-in effects, requiring external processing for reverb/delay.
- • Limited USB functionality compared to more modern digital mixers.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Art. 150866
$2,502
#4
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
4/10
Dynacord CMS600-3
by
Dynacord
Size
19"
Weight
6 kg
Simple Setup
Rehearsal
Small Venues
Key Feature:
The CMS600-3 is a solid, no-frills mixer perfect for smaller bands, DJs, or venues needing a reliable core mixing solution. Dynacord's reputation for build quality shines through, and the built-in effects are a nice bonus for those wanting a little extra flavor without external gear. It's a workhorse mixer – simple, dependable, and ready for gigging.
PROS
- • Solid Dynacord build quality; feels robust and dependable
- • Versatile 6 mic/line channels handle diverse sound sources well
- • Integrated effects unit offers a surprising range of usable sounds
- • Compact size allows for rack mounting, saving valuable space
CONS
- • Limited channel count may restrict complex routing needs
- • Aux sends offer basic functionality, not advanced routing options
- • USB interface is functional but lacks advanced features like MIDI
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
4/10
Art. 297387
$2,352
#5
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Tascam Model 2400
by
Tascam
Weight
14 kg
Band
Live Sound
Simple Setup
Key Feature:
The Model 2400 is a clever hybrid – a powerful analogue mixer with a built-in recorder and USB interface. It's an excellent choice for bands and songwriters who want a streamlined workflow, combining the feel of a classic console with modern digital connectivity. This is especially appealing for those wanting to capture a live band performance without a huge outboard rack.
PROS
- • Ultra HDDA preamps deliver a clean, transparent, and surprisingly warm sound.
- • Integrated 24-track recorder simplifies workflow, reducing external gear needs.
- • HUI/MCU DAW control offers precise, tactile integration with your digital setup.
- • Loop-in paths on channels provide flexible routing for effects and external processors.
CONS
- • The build quality, while solid, uses mostly metal but some plastic components feel a bit budget.
- • The 1-knob compressor is convenient but lacks the nuanced control of dedicated units.
- • The weight makes it less ideal for portable or mobile recording setups.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Art. 596800
$2,317
#6
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
4/10
Dynacord CMS1000-3
by
Dynacord
Size
19"
Rehearsal
Small Venues
Live Sound
Key Feature:
The CMS1000-3 is a solid, no-nonsense mixer geared towards touring sound engineers and rental houses needing a reliable workhorse. It's got a great feature set for the price point and Dynacord’s reputation for build quality shines through. Perfect for bands needing flexible routing and a clean, professional sound without the complexity of a massive console.
PROS
- • Robust metal chassis ensures long-term reliability and road-worthiness
- • Parametric mid-band EQ offers precise tonal sculpting capabilities
- • Dynacord's effects are surprisingly clean and usable, a real bonus
- • Comprehensive aux sends simplify complex monitor and effects routing
CONS
- • The 19-inch rack format can be restrictive for smaller setups
- • Lacks dedicated USB audio monitoring controls on the mixer itself
- • Limited headroom compared to higher-end consoles in demanding scenarios
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
4/10
Art. 260699
$2,270
#7
⭐
4.7/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
4/10
Boredbrain Music Xcelon SL
Weight
2.21 kg
Budget Conscious
Rehearsal
Live Sound
Key Feature:
This mixer feels like a real tool because its analogue path sounds natural and warm. The low-noise inputs handle microphones well, and the saturation feature gives vocals a nice punch. It fits bands needing reliable mixing without digital clutter, though you should check the weight before moving it around.
PROS
- • Fully analogue signal path keeps sound pure
- • Low-noise inputs handle mic signals cleanly
- • Switchable drive mode adds useful saturation
- • Tilt-EQ with optional MID mode shapes tone
CONS
- • No specified weight makes portability unknown
- • Phantom power capability is not mentioned
- • Price is high compared to basic mixers
⭐
4.7/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
4/10
Art. 644762
$2,259
#8
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Allen & Heath WZ4 16:2
Size
19"
Weight
13 kg
Budget Conscious
Rehearsal
Small Venues
Key Feature:
The WZ4 16:2 is a seriously capable analogue mixer, perfect for smaller bands, live sound reinforcement, or even a well-equipped home studio. It’s got that classic Allen & Heath sound – warm, reliable, and versatile – without the complexity of a digital board. A great choice if you want a hands-on mixing experience and don’t need a ton of bells and whistles.
PROS
- • Solid build quality with robust metal chassis and reliable Allen & Heath pots
- • Flexible aux sends offer versatile routing for monitors and effects
- • Parametric mids in the EQ provide precise tonal shaping capabilities
- • Direct outs per channel are a huge boon for recording and live multitracking
CONS
- • Limited headroom compared to more modern, higher-powered mixers
- • The internal effects processor is serviceable but lacks advanced editing options
- • Rackmount ears are an optional extra, adding to the overall investment
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Art. 319409
$1,969
#9
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Allen & Heath WZ4 14:4:2
Size
19"
Weight
12.5 kg
Band
Small Venues
Simple Setup
Key Feature:
This mixer handles big rooms well with fourteen channels and solid EQ on each input. It switches between front of house and monitor modes so you can run two shows from one rack. It fits in any standard 19-inch rack space.
PROS
- • 14 mono inputs with built-in 4-band EQ on every channel
- • Flexible 2 operating modes for front of house and monitor use
- • 6 programmable AUX paths with selectable pre or post fader routing
- • Rotatable connection panel for easy cable management
CONS
- • No external effects processor built into the mixer body
- • Weight is not listed in the provided manufacturer description
- • Only 2 stereo inputs compared to 14 mono inputs for flexibility
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Art. 319408
$1,876
#10
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Allen & Heath WZ4 12:2
Band
Live Sound
Simple Setup
Key Feature:
This mixer offers real power with four parametric mids and eight inputs that include inserts. It also has two built-in effects processors for quick sound changes. The deep rack depth and separate USB card might be annoying for small setups, but the flexible routing makes it great for live bands.
PROS
- • Four parametric mids give precise control over mid frequencies.
- • Eight mono inputs include insert points for signal manipulation.
- • Two digital effects processors provide 16 programs each.
- • Rotatable connector panel allows flexible rack mounting.
CONS
- • USB recording card is a separate purchase.
- • A/B output uses a jack instead of XLR.
- • Installation depth requirement is quite deep.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Art. 319405
$1,563
#11
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Tascam Model 24
by
Tascam
Weight
10.4 kg
Band
Budget Conscious
Rehearsal
Key Feature:
The Model 24 is a seriously impressive piece of kit for bands and songwriters needing a self-contained recording and mixing solution. It's a fantastic all-in-one for live sound reinforcement and tracking, particularly appealing to those who want a streamlined workflow without needing a laptop constantly involved. It's a great option for gigging musicians and smaller studios.
PROS
- • Solid build quality with robust metal chassis and reliable faders
- • Integrated 24-track recorder simplifies workflow and reduces external gear
- • Flexible I/O options including USB interface for versatile connectivity
- • Comprehensive feature set – EQ, compression, effects – all in one unit
CONS
- • Limited dynamic range compared to higher-end consoles
- • The integrated effects processor is serviceable but not studio-grade
- • Size and weight make it less ideal for mobile or small spaces
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Art. 448627
$1,309
#12
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Mackie 1604 VLZ4
by
Mackie
Weight
9.1 kg
Simple Setup
Rehearsal
Band
Key Feature:
The 1604 VLZ4 is a workhorse mixer – a classic for a reason. It's a great choice for smaller bands, recording projects, or anyone needing a reliable, affordable solution with clean preamps. It’s built tough and sounds surprisingly good for its class.
PROS
- • Onyx preamps deliver clean, punchy gain with low noise
- • Solid build quality; feels robust for gigging and studio use
- • Comprehensive I/O with ample aux sends for monitor mixes
- • Compact 4-bus design offers flexible routing capabilities
CONS
- • EQ isn't the most detailed or musical; lacks finesse
- • No built-in effects; relies on external processing
- • Plastic case feels less premium than higher-end alternatives
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 319328
$1,042
Soundcraft FX 16 II
by
Soundcraft
Size
19"
Weight
8.5 kg
Small Venues
Rehearsal
Budget Conscious
Key Feature:
The FX 16 II is a workhorse mixer, perfect for smaller bands, DJs, or venues needing a reliable rackmount solution. It delivers decent Soundcraft sound and those Lexicon effects are a real bonus – a surprisingly capable unit for the price point. It's a great value for what you get.
PROS
- • Solid Soundcraft build quality; feels robust and reliable.
- • Lexicon effects provide surprisingly good reverb and delay.
- • Compact 19in rackmount saves valuable space in mobile setups.
- • Versatile aux sends handle monitor mixes and effects sends effectively.
CONS
- • EQ is basic; lacks the finesse of higher-end consoles.
- • Limited headroom at higher gain settings; can get noisy.
- • Mono inputs only; no XLR inputs on stereo channels.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
7/10
Art. 117908
$914
Mackie 1642 VLZ4 Case Bundle
by
Mackie
Weight
8.3 kg
Band
Rehearsal
Small Venues
Key Feature:
The Mackie 1642 VLZ4 Case Bundle is a solid, reliable workhorse for smaller bands, recording projects, or mobile sound reinforcement. The included case is a real bonus, providing robust protection. It's a great choice for anyone needing a compact, versatile mixer without the premium price tag of more advanced models.
PROS
- • Solid German-made case offers excellent protection during transport.
- • Onyx preamps deliver surprisingly clean gain for the price point.
- • 4 aux sends provide flexible routing options for monitors and effects.
- • Compact size and rackmount option suit both studio and live scenarios.
CONS
- • The VLZ4’s EQ isn’t as surgical or detailed as higher-end mixers.
- • Phenol Brown case finish isn't universally appealing, feels a bit dated.
- • Limited headroom can become an issue with demanding gain staging.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 589294
$938
Yamaha MG20 XU
by
Yamaha
Weight
7.1 kg
Small Venues
Rehearsal
Live Sound
Key Feature:
The MG20 XU is a workhorse mixer, perfect for bands and serious gigging musicians needing a compact, reliable solution. Yamaha’s renowned preamps deliver clean sound, and the built-in compression is a real time-saver. It's a great balance of features and portability for live performance or small studio setups.
PROS
- • Solid Yamaha build quality; feels robust and dependable
- • Excellent built-in compression on the first 8 channels simplifies gain staging
- • SPX effects are surprisingly usable, a real bonus for live sound
- • USB interface is genuinely functional and convenient for recording
CONS
- • Limited headroom at higher levels; can exhibit noise at full volume
- • EQ isn't the most detailed; lacks true precision for critical mixing
- • Aux sends are a bit basic; lack sophisticated routing options
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
7/10
Art. 333839
$914
Every analogue mixers that matches
141 models match this page. The 15 above are covered in detail; the rest are listed here with their published specifications.
| # | Model | Specifications | Price |
|---|---|---|---|
| 16 | Allen & Heath ZED-22FX | Weight 11.5 kg | $868 |
| 17 | Intellijel Designs Jellymix | Weight 1.4 kg | $868 |
| 18 | Mackie ProFX16v3 Case Bundle | Weight 6.9 kg | $822 |
| 19 | Allen & Heath ZED-14 Bundle | Size 19" · Weight 7.5 kg | $578 |
| 20 | Allen & Heath ZED-14 | Size 19" · Weight 7.5 kg | $502 |
| 21 | Behringer Xenyx X2442 USB Case Bundle | Size 19" · Weight 5.9 kg | $370 |
| 22 | DAP-Audio IMIX-6.2 | Size 19" · Weight 2.6 kg | $365 |
| 23 | Behringer Xenyx X2222 USB Bundle | Size 19" · Weight 4.78 kg | $347 |
| 24 | Yamaha MG20 | Weight 6.9 kg | $810 |
| 25 | Mackie ProFX22v3 | Weight 9 kg | $809 |
| 26 | Mackie 1642 VLZ4 | Weight 8.3 kg | $782 |
| 27 | Heritage Audio Mix Buddy | Weight 1.92 kg | $752 |
| 28 | Allen & Heath ZED-16FX | Weight 8.5 kg | $737 |
| 29 | Mackie ProFX10 GO Case Bundle | Weight 2.7 kg | $666 |
| 30 | Allen & Heath ZED-12FX | Weight 7.4 kg | $643 |
| 31 | Yamaha MG16XU | Weight 6.8 kg | $608 |
| 32 | Yamaha MG12 XU Thon Case Bundle | Weight 4.2 kg | $602 |
| 33 | Yamaha MG16X | Weight 6.8 kg | $602 |
| 34 | Soundcraft EFX12 | Weight 4.6 kg | $578 |
| 35 | Mackie ProFX16v3 | Weight 6.9 kg | $567 |
| 36 | Yamaha MG16 | Weight 6.6 kg | $555 |
| 37 | Allen & Heath ZED60-14FX | Weight 4.4 kg | $539 |
| 38 | Allen & Heath ZED60-10FX | Weight 3.8 kg | $520 |
| 39 | Yamaha MG12 XU Case Bundle | Weight 4.2 kg | $497 |
| 40 | Mackie ProFX10 GO | Weight 2.7 kg | $486 |
| 41 | Yamaha MG12XUK | Weight 3 kg | $474 |
| 42 | Soundcraft EFX8 | Weight 4.6 kg | $473 |
| 43 | Mackie 1402 VLZ4 | Weight 4.5 kg | $439 |
| 44 | Yamaha MG12 XU | Weight 4.2 kg | $439 |
| 45 | Mackie ProFX12v3+ | Weight 3.6 kg | $435 |
| 46 | Soundcraft EPM12 | Weight 5.8 kg | $416 |
| 47 | Yamaha MG12X | Weight 4.2 kg | $416 |
| 48 | Behringer Xenyx QX1222USB Case Bundle | Weight 3.7 kg | $411 |
| 49 | Mackie ProFX10v3+ | Weight 2.2 kg | $404 |
| 50 | Soundcraft EPM8 | Weight 4.6 kg | $393 |
| 51 | Soundcraft EPM6 Case Bundle | Weight 4 kg | $393 |
| 52 | Yamaha MG10XUF Case Bundle | Weight 3.3 kg | $393 |
| 53 | Yamaha MG12 | Weight 4 kg | $393 |
| 54 | Mackie ProFX12v3 | Weight 3.6 kg | $377 |
| 55 | Allen & Heath ZED-10FX | Weight 3.3 kg | $370 |
| 56 | cre8audio Assembler | Weight 0.85 kg | $358 |
| 57 | Behringer Xenyx X1222 USB Case Bundle | Size 19" · Weight 3.7 kg | $284 |
| 58 | Soundcraft EPM6 | Weight 4 kg | $335 |
| 59 | Yamaha MG10XUF | Weight 3.3 kg | $335 |
| 60 | Allen & Heath ZEDi-10 FX | Weight 2.3 kg | $330 |
| 61 | Behringer Xenyx QX2442USB | Weight 5.9 kg | $330 |
| 62 | Allen & Heath ZED-10 | Weight 3.3 kg | $300 |
| 63 | Behringer Xenyx QX1832USB | Weight 4.6 kg | $300 |
| 64 | Yamaha MG10 XU | Weight 2.1 kg | $300 |
| 65 | Mackie Onyx16 | not published | $717 |
| 66 | Radial Engineering Gold Digger | not published | $577 |
| 67 | Mackie Onyx8 | not published | $404 |
| 68 | Behringer Xenyx X1222USB | Size 19" · Weight 3.7 kg | $226 |
| 69 | Mackie ProFX6v3+ | Weight 1.2 kg | $289 |
| 70 | Behringer Xenyx QX2222USB | Weight 4.78 kg | $271 |
| 71 | Allen & Heath ZEDi-10 | Weight 2.2 kg | $265 |
| 72 | Mackie 1202 VLZ4 | Weight 3 kg | $265 |
| 73 | Yamaha MG10X | Weight 2.1 kg | $265 |
| 74 | the t.mix xmix 1402 FXMP Case Bundle | Weight 4.7 kg | $265 |
| 75 | the t.mix xmix 1202 FXMP USB Case Bundle | Weight 4.7 kg | $265 |
| 76 | Mackie ProFX10v3 | Weight 2.2 kg | $263 |
| 77 | Yamaha MG06X Case Bundle | Weight 0.9 kg | $249 |
| 78 | Mackie MobileMix | Weight 0.8 kg | $247 |
| 79 | Mackie 802 VLZ4 | Weight 2.5 kg | $231 |
| 80 | Radial Engineering MIX2:1 | Weight 0.8 kg | $229 |
| 81 | the t.mix xmix 1402 FXMP USB | Weight 4.7 kg | $229 |
| 82 | Behringer Xenyx QX1222USB | Weight 3.7 kg | $226 |
| 83 | Yamaha MG10 | Weight 1.9 kg | $226 |
| 84 | Rolls MX 28 | Weight 490 kg | $216 |
| 85 | Rolls MX 54s | not published | $284 |
| 86 | Behringer Xenyx QX1204USB | Weight 2.8 kg | $207 |
| 87 | Yamaha MG06X | Weight 0.9 kg | $207 |
| 88 | the t.mix xmix 802 USB Case Bundle | Weight 3.2 kg | $207 |
| 89 | the t.mix xmix 1202 FXMP USB | Weight 4.7 kg | $207 |
| 90 | Midas DM12 | not published | $277 |
| 91 | Rolls MX 122 | not published | $277 |
| 92 | Bastl Instruments Bestie | not published | $272 |
| 93 | Allen & Heath ZEDi-8 | Weight 1.5 kg | $196 |
| 94 | Allen & Heath ZED-6 FX | Weight 1.5 kg | $196 |
| 95 | Mackie ProFX6v3 | Weight 1.2 kg | $196 |
| 96 | Rolls MX44Pro | Weight 0.45 kg | $192 |
| 97 | Soundcraft Notepad-12FX | Weight 1.7 kg | $184 |
| 98 | the t.mix xmix 1202 FX USB | Weight 4.35 kg | $184 |
| 99 | Korg Nu:Tekt NTS-4 | not published | $254 |
| 100 | Rolls MX 34C | not published | $254 |
| 101 | Alto TrueMix 800FX | Weight 2.1 kg | $178 |
| 102 | Rolls MX 310 | not published | $229 |
| 103 | LD Systems VIBZ 10 C | not published | $211 |
| 104 | ART Promix | not published | $180 |
| 105 | the t.mix xmix 1002 FX USB | Weight 3.85 kg | $173 |
| 106 | the t.mix xmix 1202 USB | Weight 4.3 kg | $173 |
| 107 | Behringer Xenyx 1003B Case Bundle | Weight 2.1 kg | $168 |
| 108 | Behringer Xenyx 1202SFX Case Bundle | Weight 1.5 kg | $168 |
| 109 | Yamaha MG06 | Weight 0.9 kg | $155 |
| 110 | the t.mix xmix 802 USB | Weight 3.2 kg | $150 |
| 111 | Soundcraft Notepad-5 | Weight 0.62 kg | $133 |
| 112 | Allen & Heath ZED-6 | Weight 1.5 kg | $130 |
| 113 | Alto TrueMix 600 | Weight 1.4 kg | $125 |
| 114 | Behringer Xenyx 1202SFX | Weight 1.5 kg | $123 |
| 115 | Behringer Xenyx 1003B | Weight 2.1 kg | $114 |
| 116 | Behringer Xenyx 1002SFX | Weight 1.1 kg | $110 |
| 117 | Behringer Xenyx 802S | Weight 1.6 kg | $86 |
| 118 | Alto TrueMix 500 | Weight 0.9 kg | $80 |
| 119 | Behringer Xenyx 502S | Weight 1.2 kg | $63 |
| 120 | myVolts MickXer Black | Weight 0.07 kg | $23 |
| 121 | Rockboard LM 4 4-Channel Line Mixer | Size 4" | $22 |
| 122 | Soundcraft Notepad-8FX | not published | $168 |
| 123 | Mackie 402 VLZ4 | not published | $150 |
| 124 | Mackie Mix12FX | not published | $148 |
| 125 | Rolls MX 42 | not published | $145 |
| 126 | LD Systems VIBZ 6 | not published | $137 |
| 127 | Korg Volca Mix | not published | $133 |
| 128 | Rolls MX 51S | not published | $133 |
| 129 | Rolls MX 22s | not published | $133 |
| 130 | Rolls MX 41b | not published | $115 |
| 131 | Mackie Mix8 | not published | $114 |
| 132 | Behringer Xenyx QX602MP3 | not published | $100 |
| 133 | the t.mix mix 802 | not published | $87 |
| 134 | Mackie Mix5 | not published | $79 |
| 135 | the t.mix mix 502 | not published | $56 |
| 136 | the t.mix MicroMix 2 USB | not published | $45 |
| 137 | the t.mix MicroMix 1 USB | not published | $45 |
| 138 | Millenium Pocket Mix | not published | $34 |
| 139 | the t.mix MiniMix 22 | not published | $27 |
| 140 | IMG Stageline MMX-31 | not published | $27 |
| 141 | Behringer MX400 | not published | $18 |
Analogue mixers by the numbers
Measured across all 141 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $277
from $45 to $1,969
Weight
median 3.7 kg
from 0.85 kg to 10.4 kg · 104 models
Size
median 19"
from 4" to 19" · 13 models
How to Choose the Best Analogue mixers
1
EQ Flexibility
Forget a simple bass, mid, treble. We need surgical control - fully parametric EQ on at least the mids, high-pass filters that actually work, and enough bands to carve out space for a busy mix without muddying things up. That 'fat midrange honk' needs to be controllable, not just a lucky accident.
2
Preamp Character
Clean is boring. We're looking for preamps that impart something - a subtle saturation, a touch of grit, or a pleasing harmonic distortion. This isn't about deliberately adding noise; it's about adding character and helping instruments cut through the mix. A sterile preamp just sucks the life out of everything.
3
Routing and Aux Sends
Multiple aux sends are essential for monitor mixes and effects loops. Dedicated subgroups for drums, guitars, and vocals are a must for efficient mixing and gain staging. A decent mixer shouldn't feel like you're constantly fighting with the routing.
4
Build Quality & Reliability
Gigging isn't kind to gear. Robust construction, quality pots and faders, and a power supply that can handle voltage fluctuations are non-negotiable. Cheap plastic and flaky pots mean constant maintenance and a shortened lifespan.
5
Headroom & Noise Floor
This is where a lot of budget mixers fail. You need enough headroom to handle unexpected peaks without clipping, and a low noise floor so your quiet passages don't get drowned out. A noisy mixer makes everything sound muddy and unprofessional.
Buying Guide
Don't fall for the vintage hype if the internals are shot. Paying extra for quality components and a well-thought-out layout is worth it; you'll spend less time troubleshooting and more time actually playing. Be realistic about your needs - a 16-channel mixer is overkill for a duo, but a 12-channel might leave you wanting more. And for God's sake, check the return policy before you drop serious cash.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 141 analogue mixers from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Digital is great for recall and automation, but analogue mixers offer a tactile feel and often a more musical response. It's a trade-off; digital convenience versus analogue character.
Phantom power (48V) provides power to condenser microphones. If you're using dynamic mics, you're good. Condenser mics need it, so check your mic specs.
Absolutely. Just route the main outputs to your audio interface. You'll capture the mixer's EQ and preamp character in your recordings, which can be a huge advantage.
Mic inputs have a preamp to boost weak signals; line inputs are for signals that are already at a 'line level' - like from a keyboard or other mixer. Plugging a mic into a line input will result in a very quiet signal.
Feedback is a battle of wills. Reduce stage volume, adjust mic placement, and use your EQ to surgically cut problem frequencies. A good monitor mix is also crucial - less volume on stage means less feedback.
