Mackie ProFX10 GO
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Mackie
ProFX10 GO
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The ProFX10 GO is a clever little mixer, offering a surprising amount of functionality in a portable package. It's ideal for singer-songwriters, small bands, or anyone needing a self-contained recording and live sound solution – especially where power outlets are scarce. The onboard effects are a genuine bonus for the price point.
Product Description
- Mackie ProFX10 GO
- 10-channel Mixer with Bi-Directional Bluetooth and Rechargeable Battery
- With 2 x 4 USB-C-Audio-Interface
- Recording modes: Standard
- Loopback and Interface
- GigFX effects unit with 24 effects and its own EQ
- Editable and savable via full-colour display
- Four Onyx microphone preamps
- Rechargeable battery
- Up to eight hours battery life
- Four microphone inputs with 3-band EQ
- Four 6.3 mm jack line inputs
- One 3.5 mm stereo jack input
- Headphone output with separate level & mix controls
- 100 Hz low-cut filter
- Two Hi-Z switches
- 48 V phantom power
- Full-colour LCD display
- Dimensions (W x H x D): 269 x 97 x 292 mm
- Weight: 2.7 kg (including battery)
- Includes Waveform OEM recording software
- power supply and battery
PROS
- • Onyx preamps deliver clean, low-noise gain for vocals and instruments.
- • Integrated GigFX unit offers usable effects without external processing.
- • Battery power provides genuine portability for gigs and rehearsals.
- • Compact size and rechargeable battery simplify mobile recording setups.
CONS
- • EQ is basic 3-band; lacks the precision for complex tonal shaping.
- • Bluetooth connectivity adds convenience but can introduce latency in live use.
- • Limited aux sends restrict more complex routing and monitoring options.
Product Video
Key Features
Channels
10
Aux Sends
2
EQ Bands
3
Effects
24
Phantom Power
48V
Weight
2.7kg
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Frequently Asked Questions
The Onyx preamps offer a good clean gain, but might require careful gain staging with exceptionally dynamic vocalists to avoid occasional clipping.
While possible, the channel count is limiting; you'd need to prioritize mics and potentially use stereo pairs for a full drum kit recording.
Eight hours is a reasonable estimate, but heavy use of effects and phantom power will shorten the battery life – plan accordingly.
