Best Analogue mixers for Intermediate 2026
So, you're past the basic one-knob mixers and want something with a little more meat, huh? That's a great move. An analogue mixer can seriously elevate your sound, whether you're gigging in a smoky bar, tracking a band in a rehearsal space, or just trying to dial in a killer bedroom recording. This isn't about chasing the latest digital bells and whistles; it's about getting your hands on something you can feel.
Last updated: September 29, 2026
⚡ The best analogue mixers in 2026 are Behringer Xenyx X2442 USB Case Bundle (top pick), DAP-Audio IMIX-6.2 for tighter budgets, and Behringer Xenyx X2222 USB Bundle for pros — selected from 15 options across 7 brands, priced $221–$385, ranked by brand, price and popularity.
PRICE RANGES:
Under $50
Under $100
Under $200
Under $300
Under $500
Under $800
Under $1,000
Under $2,000
GENRES & STYLES:
For Live Sound
Behringer Xenyx X2442 USB Case Bundle
by
Behringer
Size
19"
Weight
5.9 kg
Band
Small Venues
Rehearsal
Key Feature:
This Xenyx X2442 is a great value for bands or small venues needing a compact, feature-rich mixer. It’s a workhorse for live sound and basic recording, especially if you’re on a budget and need a decent number of inputs. Just be aware of the preamps' noise floor – it's not a studio-grade solution.
PROS
- • 24 channels offer excellent routing flexibility for complex setups
- • Built-in effects unit provides usable reverb and delay options
- • Solid 60mm faders offer surprisingly precise control
- • Rack mountable design enhances portability and stability
CONS
- • Xenyx preamps are noisy; not ideal for critical recording
- • Plastic construction feels somewhat flimsy for frequent transport
- • USB interface lacks advanced routing or control options
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 257859
$363
DAP-Audio IMIX-6.2
by
DAP-Audio
Size
19"
Weight
2.6 kg
Budget Conscious
Live Sound
Small Venues
Key Feature:
The IMIX-6.2 is a surprisingly capable fixed-installation mixer. It’s a good budget-friendly option for small venues, bars, or restaurants needing basic mixing and Bluetooth connectivity—perfect if you need a simple, rack-mountable solution and aren’t chasing audiophile-grade sound.
PROS
- • Solid build quality for the price point; feels surprisingly robust.
- • Integrated Bluetooth is convenient for background music or announcements.
- • Dual-zone output provides flexible routing for different areas.
- • Microphone reverb adds a touch of polish to vocal performances.
CONS
- • EQ control is basic; lacks precision for critical mixing.
- • Limited aux sends restrict complex routing possibilities.
- • Rackmount format is restrictive; not ideal for portable setups.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
8/10
Value:
9/10
Art. 610209
$358
Behringer Xenyx X2222 USB Bundle
by
Behringer
Size
19"
Weight
4.78 kg
Small Venues
Budget Conscious
Band
Key Feature:
The Xenyx X2222 USB is a solid entry-level mixer, perfect for small bands, home recording setups, or podcasting. It’s packed with features like a built-in USB interface and effects, making it a great value for the price, although don’t expect studio-grade sonic performance.
PROS
- • Solid build for the price, feels surprisingly robust.
- • Comprehensive feature set for a budget-friendly mixer.
- • USB interface simplifies recording and playback directly.
- • Phantom power allows for condenser microphone use.
CONS
- • Xenyx preamps are noisy, especially at higher gain.
- • EQ is basic, lacks precision for nuanced tonal shaping.
- • Plastic faders feel cheap and may exhibit wear over time.
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 310701
$340
Behringer Xenyx X1222 USB Case Bundle
by
Behringer
Size
19"
Weight
3.7 kg
Band
Simple Setup
Small Venues
Key Feature:
The Xenyx X1222 USB bundle is a surprisingly capable little mixer, perfect for solo performers, small bands, or anyone needing basic recording functionality. It’s a budget-friendly way to get a decent number of inputs and some essential features, though don’t expect premium sonic performance. It’s a solid workhorse for gigging and simple studio setups.
PROS
- • Solid build quality for the price; feels surprisingly robust.
- • The integrated USB interface is genuinely useful for basic recording.
- • 7-band master EQ offers more shaping than typical entry-level mixers.
- • Phantom power is a huge plus for condenser mics – expands input options.
CONS
- • EQ isn't the most transparent; can introduce some coloration.
- • Faders feel a bit plasticky and less precise than higher-end models.
- • The built-in effects are serviceable, but not studio-grade.
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 257843
$279
Behringer Xenyx X1222USB
by
Behringer
Size
19"
Weight
3.7 kg
Budget Conscious
Live Sound
Small Venues
Key Feature:
The Xenyx X1222USB is a surprisingly capable little mixer, perfect for singer-songwriters, small bands, or anyone needing basic recording capabilities on a budget. The integrated USB interface and built-in effects make it an all-in-one solution for simple setups, though don't expect studio-grade performance.
PROS
- • Solid build for the price, feels surprisingly robust for a budget mixer
- • Xenyx preamps offer a usable, warm character for basic vocal and instrument recording
- • Built-in effects are a nice bonus, surprisingly decent for simple reverb/delay
- • USB interface simplifies recording and playback directly to a computer
CONS
- • EQ isn't exceptionally detailed; lacks the finesse of higher-end consoles
- • Plastic case feels a bit cheap; not as durable as metal-cased alternatives
- • Phantom power can be noisy with some microphones; requires careful gain staging
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 243146
$222
Soundcraft EPM8
by
Soundcraft
Weight
4.6 kg
Rehearsal
Simple Setup
Small Venues
Key Feature:
The EPM8 is a surprisingly capable little mixer – think of it as a solid workhorse for smaller bands, rehearsal rooms, or even podcasting. The sound quality is decent for the price, and the layout is logical. It's a great option for anyone needing a compact, reliable mixer without a ton of frills.
PROS
- • Solid build quality with Soundcraft's signature robust construction.
- • Swept mid EQ offers precise tonal shaping on each channel.
- • Pre/post aux sends provide flexible routing options for monitoring or effects.
- • Compact size and integrated power supply make it very portable.
CONS
- • Limited channel count restricts use for larger, complex setups.
- • EQ isn't the most expansive—lacks semi-parametric control.
- • Monitor outputs lack dedicated level controls.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
9/10
Art. 531149
$386
Soundcraft EPM6 Case Bundle
by
Soundcraft
Weight
4 kg
Rehearsal
Small Venues
Budget Conscious
Key Feature:
The EPM6 is a solid, dependable little mixer—perfect for solo performers, duos, or small bands needing a straightforward, reliable console. Its Soundcraft preamps give you a clean signal, and the EQ's adjustable mids are a nice touch for dialing in your sound. It's a great value for what you get, especially with the included case.
PROS
- • Compact size ideal for small venues and mobile setups
- • Soundcraft's renowned preamps deliver clean, reliable gain
- • EQ with tunable mids offers flexible tonal shaping
- • Included case provides excellent protection during transport
CONS
- • Limited channel count restricts larger band or complex setups
- • Integrated power supply can be a limitation for some users
- • Rackmount requires a separate purchase, adding to overall cost
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 615426
$386
Yamaha MG10XUF Case Bundle
by
Yamaha
Weight
3.3 kg
Simple Setup
Rehearsal
Band
Key Feature:
This bundle gives you a solid metal mixer with great preamps and USB recording. It comes with Cubase software so you can start mixing immediately. Perfect for gigging musicians who want quality sound without buying extra gear.
PROS
- • Includes Cubase AI DAW software for easy recording
- • Metal housing adds solid durability for transport
- • D-PRE preamps feature inverted Darlington circuit
- • USB interface supports high-resolution 24-bit audio
CONS
- • Suitable case and bag are explicitly excluded
- • No EQ bands listed in the provided specs
- • Aux sends count is not stated in description
⭐
4.9/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
9/10
Art. 627514
$386
Yamaha MG12
by
Yamaha
Weight
4 kg
Small Venues
Rehearsal
Band
Key Feature:
The MG12 is a solid, reliable workhorse mixer – a classic for a reason. It's perfect for smaller bands, singer-songwriters, or anyone needing a compact and versatile mixer for live sound or basic recording. The built-in compressors are a real bonus for live performance, giving you a little extra polish without needing external gear.
PROS
- • Solid Yamaha build quality; feels robust for its size.
- • Excellent preamps for clean, clear vocal and instrument capture.
- • Compressors on channels 1-4 are surprisingly effective for live use.
- • Flexible aux sends are great for monitor mixes and effects loops.
CONS
- • EQ is basic; lacks the precision of more expensive mixers.
- • Limited headroom at higher gain settings; can get noisy.
- • Rack mounting requires separate purchase, adding to overall cost.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
9/10
Art. 333810
$386
Mackie ProFX12v3
by
Mackie
Weight
3.6 kg
Band
Live Sound
Budget Conscious
Key Feature:
The ProFX12v3 is a solid, budget-friendly option for smaller bands, singer-songwriters, or anyone needing a compact and versatile mixer. It's got a clean, functional sound, and the built-in effects are a nice bonus for adding some texture. Perfect for live sound reinforcement and basic recording setups where ultimate sonic purity isn’t the top priority.
PROS
- • Solid build quality for the price point; feels surprisingly robust.
- • The single-knob compressors are genuinely useful and easy to dial in.
- • GigFX effects are decent enough for basic gigs and rehearsals.
- • USB interface provides convenient recording and playback capabilities.
CONS
- • EQ isn’t the most detailed – lacks a mid sweep for precise tone shaping.
- • Phantom power can be a little noisy with some condenser mics.
- • Aux sends are a bit limited for complex monitor setups.
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 473569
$370
Allen & Heath ZED-10FX
Weight
3.3 kg
Budget Conscious
Small Venues
Band
Key Feature:
The ZED-10FX is a great little mixer for singer-songwriters, duos, or smaller bands needing a compact and affordable solution. The built-in effects are a genuine bonus, adding some creative possibilities without needing external gear. It's a workhorse mixer that punches above its weight class.
PROS
- • Solid build quality with Allen & Heath’s signature robust construction
- • Integrated effects are surprisingly usable, especially the tap delay
- • Compact size makes it ideal for small venues or home studios
- • Clean preamps deliver a relatively transparent and musical sound
CONS
- • Limited channel count restricts larger band or complex setups
- • EQ is basic – lacks the finesse of higher-end mixers
- • Aux sends are pre-EQ, which can be a workflow limitation
- • No individual channel metering – relies on master LR meters
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 246916
$363
cre8audio Assembler
by
cre8audio
Weight
0.85 kg
Band
Live Sound
Rehearsal
Key Feature:
The cre8audio Assembler is a cleverly designed mixer that bridges the gap between traditional analogue gear and modular synthesis. Its compact size and Eurorack integration make it ideal for synth-heavy setups or small-scale live rigs where a streamlined workflow is key – it's a fantastic, budget-friendly option for experimental musicians and sound designers.
PROS
- • Solid build quality for the price, feels surprisingly robust.
- • Assignable cue monitoring is a huge boon for live performance.
- • Eurorack compatibility opens unique creative routing possibilities.
- • Gain range of up to 20dB handles weak signals effectively.
CONS
- • EQ is limited to just two channels, a constraint for complex mixing.
- • Smaller channel count limits scalability for larger productions.
- • Lack of phantom power restricts microphone options considerably.
⭐
5.0/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
9/10
Art. 615157
$352
Soundcraft EPM6
by
Soundcraft
Weight
4 kg
Budget Conscious
Simple Setup
Band
Key Feature:
The EPM6 is a really solid little mixer – feels like a proper Soundcraft, not some flimsy budget thing. It's perfect for solo performers, duos, or small bands needing a reliable and compact front-of-house solution. The EQ’s tunable mids are a nice touch for dialing in a great sound.
PROS
- • Solid Soundcraft build quality; feels surprisingly robust for its size.
- • Tunable mids on EQ offer precise tonal shaping capabilities.
- • Compact footprint makes it ideal for small venues or home studios.
- • Pre/post aux switches provide flexible routing options for effects.
CONS
- • Limited channel count restricts use for larger, complex setups.
- • Integrated power supply can be a drawback for international travel.
- • EQ isn't the most expansive; lacks a sweepable high shelf.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
8/10
Value:
9/10
Art. 531148
$329
Yamaha MG10XUF
by
Yamaha
Weight
3.3 kg
Rehearsal
Simple Setup
Live Sound
Key Feature:
The MG10XUF is a solid, compact mixer perfect for smaller bands, solo performers, or podcasters needing a reliable and affordable solution. Yamaha’s reputation for build quality shines through – it feels much more substantial than its size suggests, and the integrated effects are a real convenience. It’s a workhorse mixer that won’t break the bank.
PROS
- • Robust metal chassis offers surprising durability for its size.
- • inD preamps deliver clean gain, surprisingly quiet for this class.
- • SPX effects are usable, a genuine bonus at this price point.
- • USB interface provides convenient recording/playback capabilities.
CONS
- • EQ is basic – lacks finesse for critical mixing.
- • Limited aux sends restrict complex routing possibilities.
- • Smaller channel faders can feel cramped during live operation.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
8/10
Value:
9/10
Art. 433467
$329
Allen & Heath ZEDi-10 FX
Weight
2.3 kg
Budget Conscious
Live Sound
Rehearsal
Key Feature:
The ZEDi-10 FX is a really sweet deal for singer-songwriters, small bands, or podcasters needing a compact, feature-rich mixer. The built-in effects are surprisingly usable, and the USB interface makes getting tracks into your computer a breeze – it's a great all-rounder.
PROS
- • Solid build quality with Allen & Heath's renowned robust chassis
- • Versatile built-in effects offer immediate creative options
- • USB interface simplifies recording and playback workflows
- • EQ provides useful shaping for vocals and instruments
CONS
- • Limited channel count may restrict larger band setups
- • EQ is basic; lacks the finesse of higher-end consoles
- • Compact size means fewer features than larger mixers
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
9/10
Art. 376937
$324
Every analogue mixers that matches
145 models match this page. The 15 above are covered in detail; the rest are listed here with their published specifications.
| # | Model | Specifications | Price |
|---|---|---|---|
| 16 | Behringer Xenyx QX2442USB | Weight 5.9 kg | $324 |
| 17 | Allen & Heath ZED-10 | Weight 3.3 kg | $295 |
| 18 | Behringer Xenyx QX1832USB | Weight 4.6 kg | $295 |
| 19 | Yamaha MG10 XU | Weight 2.1 kg | $295 |
| 20 | Mackie ProFX6v3+ | Weight 1.2 kg | $283 |
| 21 | Behringer Xenyx QX2222USB | Weight 4.78 kg | $266 |
| 22 | Allen & Heath ZEDi-10 | Weight 2.2 kg | $261 |
| 23 | Mackie 1202 VLZ4 | Weight 3 kg | $261 |
| 24 | Yamaha MG10X | Weight 2.1 kg | $261 |
| 25 | the t.mix xmix 1402 FXMP Case Bundle | Weight 4.7 kg | $261 |
| 26 | the t.mix xmix 1202 FXMP USB Case Bundle | Weight 4.7 kg | $261 |
| 27 | Mackie ProFX10v3 | Weight 2.2 kg | $258 |
| 28 | Yamaha MG06X Case Bundle | Weight 0.9 kg | $245 |
| 29 | Mackie MobileMix | Weight 0.8 kg | $242 |
| 30 | Mackie 802 VLZ4 | Weight 2.5 kg | $226 |
| 31 | Radial Engineering MIX2:1 | Weight 0.8 kg | $225 |
| 32 | the t.mix xmix 1402 FXMP USB | Weight 4.7 kg | $225 |
| 33 | Behringer Xenyx QX1222USB | Weight 3.7 kg | $222 |
| 34 | Yamaha MG10 | Weight 1.9 kg | $222 |
| 35 | Rolls MX 28 | Weight 490 kg | $212 |
| 36 | Behringer Xenyx QX1204USB | Weight 2.8 kg | $204 |
| 37 | Yamaha MG06X | Weight 0.9 kg | $204 |
| 38 | the t.mix xmix 802 USB Case Bundle | Weight 3.2 kg | $204 |
| 39 | the t.mix xmix 1202 FXMP USB | Weight 4.7 kg | $204 |
| 40 | Allen & Heath ZEDi-8 | Weight 1.5 kg | $192 |
| 41 | Allen & Heath ZED-6 FX | Weight 1.5 kg | $192 |
| 42 | Mackie ProFX6v3 | Weight 1.2 kg | $192 |
| 43 | Rolls MX44Pro | Weight 0.45 kg | $189 |
| 44 | Soundcraft Notepad-12FX | Weight 1.7 kg | $181 |
| 45 | the t.mix xmix 1202 FX USB | Weight 4.35 kg | $181 |
| 46 | Alto TrueMix 800FX | Weight 2.1 kg | $175 |
| 47 | the t.mix xmix 1002 FX USB | Weight 3.85 kg | $170 |
| 48 | the t.mix xmix 1202 USB | Weight 4.3 kg | $170 |
| 49 | Behringer Xenyx 1003B Case Bundle | Weight 2.1 kg | $165 |
| 50 | Behringer Xenyx 1202SFX Case Bundle | Weight 1.5 kg | $165 |
| 51 | Yamaha MG06 | Weight 0.9 kg | $152 |
| 52 | the t.mix xmix 802 USB | Weight 3.2 kg | $147 |
| 53 | Rolls MX 54s | not published | $302 |
| 54 | Midas DM12 | not published | $272 |
| 55 | Rolls MX 122 | not published | $272 |
| 56 | Bastl Instruments Bestie | not published | $267 |
| 57 | Korg Nu:Tekt NTS-4 | not published | $249 |
| 58 | Rolls MX 34C | not published | $249 |
| 59 | Rolls MX 310 | not published | $225 |
| 60 | LD Systems VIBZ 10 C | not published | $207 |
| 61 | ART Promix | not published | $176 |
| 62 | Soundcraft Notepad-5 | Weight 0.62 kg | $131 |
| 63 | Allen & Heath ZED-6 | Weight 1.5 kg | $127 |
| 64 | Soundcraft Notepad-8FX | not published | $165 |
| 65 | Alto TrueMix 600 | Weight 1.4 kg | $123 |
| 66 | Behringer Xenyx 1202SFX | Weight 1.5 kg | $121 |
| 67 | Behringer Xenyx 1003B | Weight 2.1 kg | $112 |
| 68 | Behringer Xenyx 1002SFX | Weight 1.1 kg | $108 |
| 69 | Mackie 402 VLZ4 | not published | $147 |
| 70 | Mackie Mix12FX | not published | $146 |
| 71 | Rolls MX 42 | not published | $142 |
| 72 | LD Systems VIBZ 6 | not published | $134 |
| 73 | Korg Volca Mix | not published | $131 |
| 74 | Rolls MX 51S | not published | $131 |
| 75 | Rolls MX 22s | not published | $131 |
| 76 | Behringer Xenyx 802S | Weight 1.6 kg | $84 |
| 77 | Alto TrueMix 500 | Weight 0.9 kg | $79 |
| 78 | Rolls MX 41b | not published | $113 |
| 79 | Mackie Mix8 | not published | $112 |
| 80 | Behringer Xenyx 502S | Weight 1.2 kg | $61 |
| 81 | Behringer Xenyx QX602MP3 | not published | $98 |
| 82 | Dynacord CMS600-3 | Size 19" · Weight 6 kg | $2,309 |
| 83 | Allen & Heath WZ4 16:2 | Size 19" · Weight 13 kg | $1,933 |
| 84 | Allen & Heath WZ4 14:4:2 | Size 19" · Weight 12.5 kg | $1,842 |
| 85 | Soundcraft FX 16 II | Size 19" · Weight 8.5 kg | $908 |
| 86 | Allen & Heath ZED-14 Bundle | Size 19" · Weight 7.5 kg | $568 |
| 87 | Allen & Heath ZED-14 | Size 19" · Weight 7.5 kg | $493 |
| 88 | the t.mix mix 802 | not published | $85 |
| 89 | Mackie Mix5 | not published | $77 |
| 90 | myVolts MickXer Black | Weight 0.07 kg | $23 |
| 91 | Rockboard LM 4 4-Channel Line Mixer | Size 4" | $22 |
| 92 | Allen & Heath ZED-428 | Weight 21 kg | $2,457 |
| 93 | Dynacord CMS1000-3 | Size 19" | $2,331 |
| 94 | Tascam Model 2400 | Weight 14 kg | $2,274 |
| 95 | Boredbrain Music Xcelon SL | Weight 2.21 kg | $2,218 |
| 96 | Soundcraft Signature Plus 32 | Weight 13.9 kg | $1,704 |
| 97 | Soundcraft Signature Plus 22 | Weight 9.7 kg | $1,363 |
| 98 | Tascam Model 24 | Weight 10.4 kg | $1,285 |
| 99 | Mackie 1604 VLZ4 | Weight 9.1 kg | $1,023 |
| 100 | Soundcraft Signature Plus 16 | Weight 7.8 kg | $1,022 |
| 101 | Mackie 1642 VLZ4 Case Bundle | Weight 8.3 kg | $920 |
| 102 | Soundcraft Signature Plus 12 | Weight 6.1 kg | $908 |
| 103 | Yamaha MG20 XU | Weight 7.1 kg | $898 |
| 104 | Allen & Heath ZED-22FX | Weight 11.5 kg | $852 |
| 105 | Intellijel Designs Jellymix | Weight 1.4 kg | $852 |
| 106 | Mackie ProFX16v3 Case Bundle | Weight 6.9 kg | $807 |
| 107 | Yamaha MG20 | Weight 6.9 kg | $795 |
| 108 | Mackie ProFX22v3 | Weight 9 kg | $794 |
| 109 | Mackie 1642 VLZ4 | Weight 8.3 kg | $768 |
| 110 | Heritage Audio Mix Buddy | Weight 1.92 kg | $738 |
| 111 | Allen & Heath ZED-16FX | Weight 8.5 kg | $724 |
| 112 | Mackie ProFX10 GO Case Bundle | Weight 2.7 kg | $654 |
| 113 | Allen & Heath ZED-12FX | Weight 7.4 kg | $631 |
| 114 | Yamaha MG16XU | Weight 6.8 kg | $597 |
| 115 | Yamaha MG12 XU Thon Case Bundle | Weight 4.2 kg | $591 |
| 116 | Yamaha MG16X | Weight 6.8 kg | $591 |
| 117 | Soundcraft EFX12 | Weight 4.6 kg | $568 |
| 118 | Mackie ProFX16v3 | Weight 6.9 kg | $556 |
| 119 | Yamaha MG16 | Weight 6.6 kg | $545 |
| 120 | Allen & Heath ZED60-14FX | Weight 4.4 kg | $529 |
| 121 | Allen & Heath ZED60-10FX | Weight 3.8 kg | $511 |
| 122 | Yamaha MG12 XU Case Bundle | Weight 4.2 kg | $488 |
| 123 | Mackie ProFX10 GO | Weight 2.7 kg | $477 |
| 124 | Yamaha MG12XUK | Weight 3 kg | $465 |
| 125 | Soundcraft EFX8 | Weight 4.6 kg | $464 |
| 126 | Mackie 1402 VLZ4 | Weight 4.5 kg | $431 |
| 127 | Yamaha MG12 XU | Weight 4.2 kg | $431 |
| 128 | Mackie ProFX12v3+ | Weight 3.6 kg | $427 |
| 129 | Soundcraft EPM12 | Weight 5.8 kg | $408 |
| 130 | Yamaha MG12X | Weight 4.2 kg | $408 |
| 131 | Behringer Xenyx QX1222USB Case Bundle | Weight 3.7 kg | $404 |
| 132 | Mackie ProFX10v3+ | Weight 2.2 kg | $397 |
| 133 | the t.mix mix 502 | not published | $55 |
| 134 | the t.mix MicroMix 2 USB | not published | $44 |
| 135 | the t.mix MicroMix 1 USB | not published | $44 |
| 136 | Millenium Pocket Mix | not published | $33 |
| 137 | the t.mix MiniMix 22 | not published | $26 |
| 138 | IMG Stageline MMX-31 | not published | $26 |
| 139 | Dynacord CMS1600-3 | not published | $3,515 |
| 140 | Dynacord CMS2200-3 | not published | $3,184 |
| 141 | Allen & Heath WZ4 12:2 | not published | $1,535 |
| 142 | Mackie Onyx16 | not published | $704 |
| 143 | Radial Engineering Gold Digger | not published | $567 |
| 144 | Mackie Onyx8 | not published | $397 |
| 145 | Behringer MX400 | not published | $17 |
Analogue mixers by the numbers
Measured across all 145 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $279
from $44 to $1,842
Weight
median 3.7 kg
from 0.85 kg to 11.5 kg · 108 models
Size
median 19"
from 4" to 19" · 13 models
How to Choose the Best Analogue mixers
1
EQ Flexibility
Intermediate players need more than just bass, mid, and treble. Look for mixers with at least a semi-parametric EQ on each channel - a little sweepable midrange goes a long way for carving out space for your guitar or vocals, preventing that muddy low-mid buildup. It's about finding that sweet spot where instruments cut through without sounding harsh.
2
Preamp Quality
Those preamps are the heart of your sound. Cheap preamps can introduce noise or a lifeless quality. We're listening for warmth, headroom, and a little bit of grit when you push them - that ability to add some character without turning into a digital distortion mess.
3
Aux Sends & Returns
This is where you start getting creative. Aux sends let you build monitor mixes for the band or run effects loops. Having at least two aux sends is crucial for flexibility - one for monitors, one for effects. It's about shaping your overall sonic landscape.
4
Routing Options
Beyond just plugging in and playing, a good intermediate mixer will offer some basic routing options - subgroups, inserts, maybe even a few basic matrix functions. These aren't essential, but they open up possibilities for more complex mixing and processing.
5
Build Quality & Ergonomics
Let's be honest, you're going to be slamming this thing into the back of a van. Solid construction and intuitive layout are vital. Faders that feel good under your fingers, knobs that don't wobble - these are the details that make a mixer a joy to use, gig after gig.
Buying Guide
Don't get blinded by channel count. A massive mixer you barely use is worse than a smaller, well-featured one. Listen for preamp noise - even a little hiss can become a major problem in a quiet venue or when recording. And be realistic about your needs; don't spend a fortune on features you won't use. It's better to get something that feels good and inspires you to mix creatively than something that's just a collection of bells and whistles.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 145 analogue mixers from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Absolutely. Headroom is the amount of signal you can push before clipping. More headroom means cleaner sounds at higher volumes - vital for gigs and recording. It's the difference between a punchy, dynamic sound and a distorted mess.
The noise floor is the inherent background noise of the mixer - hiss, hum, or electrical interference. Lower noise floor is better, especially for recording. It's something you'll notice more as you improve your recording techniques.
For most intermediate applications, two aux sends are a good starting point. One for monitor mixes, and one for effects like reverb or delay. More is always nice, but it's a trade-off with price and complexity.
Mic inputs have more gain - they amplify weak signals from microphones. Line inputs are for stronger signals like keyboards or pre-amped instruments. Plugging a mic into a line input will result in a very quiet signal.
Yes, but pay attention to the preamp quality. A noisy preamp will ruin a vocal take. Look for a mixer with clean, transparent preamps and a low noise floor for the best results.
