Best Analogue mixers for Advanced 2026
So, you've outgrown the basic 8-channel mixer and need something that can actually handle your band's dynamic range and sonic ambitions? Forget about those cheap, consumer-grade boards - we're talking about analogue mixers that offer serious playability, flexible routing, and enough headroom to avoid digital clipping when things get loud. This isn't about pushing buttons; it's about sculpting sound, shaping dynamics, and finally having a mixer that responds to your nuanced playing. Let's get into it.
Last updated: September 28, 2026
⚡ The best analogue mixers in 2026 are Dynacord CMS600-3 (top pick), Allen & Heath WZ4 16:2 for tighter budgets, and Allen & Heath WZ4 14:4:2 for pros — selected from 15 options across 6 brands, priced $909–$2,461, ranked by brand, price and popularity.
PRICE RANGES:
Under $50
Under $100
Under $200
Under $300
Under $500
Under $800
Under $1,000
Under $2,000
GENRES & STYLES:
For Live Sound
#1
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
4/10
Dynacord CMS600-3
by
Dynacord
Size
19"
Weight
6 kg
Simple Setup
Rehearsal
Small Venues
Key Feature:
The CMS600-3 is a solid, no-frills mixer perfect for smaller bands, DJs, or venues needing a reliable core mixing solution. Dynacord's reputation for build quality shines through, and the built-in effects are a nice bonus for those wanting a little extra flavor without external gear. It's a workhorse mixer – simple, dependable, and ready for gigging.
PROS
- • Solid Dynacord build quality; feels robust and dependable
- • Versatile 6 mic/line channels handle diverse sound sources well
- • Integrated effects unit offers a surprising range of usable sounds
- • Compact size allows for rack mounting, saving valuable space
CONS
- • Limited channel count may restrict complex routing needs
- • Aux sends offer basic functionality, not advanced routing options
- • USB interface is functional but lacks advanced features like MIDI
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
4/10
Art. 297387
$2,314
#2
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Allen & Heath WZ4 16:2
Size
19"
Weight
13 kg
Budget Conscious
Rehearsal
Small Venues
Key Feature:
The WZ4 16:2 is a seriously capable analogue mixer, perfect for smaller bands, live sound reinforcement, or even a well-equipped home studio. It’s got that classic Allen & Heath sound – warm, reliable, and versatile – without the complexity of a digital board. A great choice if you want a hands-on mixing experience and don’t need a ton of bells and whistles.
PROS
- • Solid build quality with robust metal chassis and reliable Allen & Heath pots
- • Flexible aux sends offer versatile routing for monitors and effects
- • Parametric mids in the EQ provide precise tonal shaping capabilities
- • Direct outs per channel are a huge boon for recording and live multitracking
CONS
- • Limited headroom compared to more modern, higher-powered mixers
- • The internal effects processor is serviceable but lacks advanced editing options
- • Rackmount ears are an optional extra, adding to the overall investment
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
5/10
Art. 319409
$1,937
#3
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Allen & Heath WZ4 14:4:2
Size
19"
Weight
12.5 kg
Band
Small Venues
Simple Setup
Key Feature:
This mixer handles big rooms well with fourteen channels and solid EQ on each input. It switches between front of house and monitor modes so you can run two shows from one rack. It fits in any standard 19-inch rack space.
PROS
- • 14 mono inputs with built-in 4-band EQ on every channel
- • Flexible 2 operating modes for front of house and monitor use
- • 6 programmable AUX paths with selectable pre or post fader routing
- • Rotatable connection panel for easy cable management
CONS
- • No external effects processor built into the mixer body
- • Weight is not listed in the provided manufacturer description
- • Only 2 stereo inputs compared to 14 mono inputs for flexibility
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Art. 319408
$1,846
Soundcraft FX 16 II
by
Soundcraft
Size
19"
Weight
8.5 kg
Small Venues
Rehearsal
Budget Conscious
Key Feature:
The FX 16 II is a workhorse mixer, perfect for smaller bands, DJs, or venues needing a reliable rackmount solution. It delivers decent Soundcraft sound and those Lexicon effects are a real bonus – a surprisingly capable unit for the price point. It's a great value for what you get.
PROS
- • Solid Soundcraft build quality; feels robust and reliable.
- • Lexicon effects provide surprisingly good reverb and delay.
- • Compact 19in rackmount saves valuable space in mobile setups.
- • Versatile aux sends handle monitor mixes and effects sends effectively.
CONS
- • EQ is basic; lacks the finesse of higher-end consoles.
- • Limited headroom at higher gain settings; can get noisy.
- • Mono inputs only; no XLR inputs on stereo channels.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
7/10
Art. 117908
$910
#5
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Allen & Heath ZED-428
Weight
21 kg
Live Sound
Small Venues
Simple Setup
Key Feature:
The ZED-428 is a serious analogue workhorse. Its clean preamps and flexible routing make it perfect for recording studios, live sound reinforcement for medium-sized venues, or even a complex home setup where you want tactile control and a warm, analogue sound. It's a premium-priced mixer that delivers professional results.
PROS
- • DuoPre preamps offer exceptional clarity and headroom for dynamic sources.
- • Robust, all-metal chassis inspires confidence and longevity.
- • Semi-parametric EQ provides precise tonal shaping capabilities.
- • Flexible routing options with sub-groups and matrix outputs enhance workflow.
CONS
- • Size and weight make it less ideal for mobile or smaller spaces.
- • Lacks built-in effects, requiring external processing for reverb/delay.
- • Limited USB functionality compared to more modern digital mixers.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Art. 150866
$2,462
#6
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
4/10
Dynacord CMS1000-3
by
Dynacord
Size
19"
Rehearsal
Small Venues
Live Sound
Key Feature:
The CMS1000-3 is a solid, no-nonsense mixer geared towards touring sound engineers and rental houses needing a reliable workhorse. It's got a great feature set for the price point and Dynacord’s reputation for build quality shines through. Perfect for bands needing flexible routing and a clean, professional sound without the complexity of a massive console.
PROS
- • Robust metal chassis ensures long-term reliability and road-worthiness
- • Parametric mid-band EQ offers precise tonal sculpting capabilities
- • Dynacord's effects are surprisingly clean and usable, a real bonus
- • Comprehensive aux sends simplify complex monitor and effects routing
CONS
- • The 19-inch rack format can be restrictive for smaller setups
- • Lacks dedicated USB audio monitoring controls on the mixer itself
- • Limited headroom compared to higher-end consoles in demanding scenarios
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
7/10
Value:
4/10
Art. 260699
$2,336
#7
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Tascam Model 2400
by
Tascam
Weight
14 kg
Band
Live Sound
Simple Setup
Key Feature:
The Model 2400 is a clever hybrid – a powerful analogue mixer with a built-in recorder and USB interface. It's an excellent choice for bands and songwriters who want a streamlined workflow, combining the feel of a classic console with modern digital connectivity. This is especially appealing for those wanting to capture a live band performance without a huge outboard rack.
PROS
- • Ultra HDDA preamps deliver a clean, transparent, and surprisingly warm sound.
- • Integrated 24-track recorder simplifies workflow, reducing external gear needs.
- • HUI/MCU DAW control offers precise, tactile integration with your digital setup.
- • Loop-in paths on channels provide flexible routing for effects and external processors.
CONS
- • The build quality, while solid, uses mostly metal but some plastic components feel a bit budget.
- • The 1-knob compressor is convenient but lacks the nuanced control of dedicated units.
- • The weight makes it less ideal for portable or mobile recording setups.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
4/10
Art. 596800
$2,279
#8
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Boredbrain Music Xcelon SL
Weight
2.21 kg
Budget Conscious
Rehearsal
Live Sound
Key Feature:
This mixer feels like a real tool because its analogue path sounds natural and warm. The low-noise inputs handle microphones well, and the saturation feature gives vocals a nice punch. It fits bands needing reliable mixing without digital clutter, though you should check the weight before moving it around.
PROS
- • Fully analogue signal path keeps sound pure
- • Low-noise inputs handle mic signals cleanly
- • Switchable drive mode adds useful saturation
- • Tilt-EQ with optional MID mode shapes tone
CONS
- • No specified weight makes portability unknown
- • Phantom power capability is not mentioned
- • Price is high compared to basic mixers
⭐
4.8/5
AudioFu Score
Specs:
8/10
Detail:
10/10
Value:
5/10
Art. 644762
$2,222
#9
⭐
4.6/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
5/10
Soundcraft Signature Plus 32
by
Soundcraft
Weight
13.9 kg
Budget Conscious
Simple Setup
Band
Key Feature:
This big mixing desk packs a built-in Lexicon effects processor so you don't need extra gear. The dbx compressors and Sapphyre EQ give each channel a polished, warm sound right out of the box. It fits well in a live house where you want solid analog control without the clutter of digital options.
PROS
- • Built-in Lexicon effects processor saves rack space
- • dbx single-knob compressors add harmonic enrichment
- • Pro Listen Bus allows instant monitor adjustments
- • Sapphyre EQ sits on every channel for shaping
CONS
- • Heavy 32-channel unit is hard to move
- • No digital processing or USB recording built-in
- • Lacks modern touch screen controls or apps
⭐
4.6/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
5/10
Art. 650479
$1,708
#10
⭐
4.7/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
6/10
Soundcraft Signature Plus 22
by
Soundcraft
Weight
9.7 kg
Band
Live Sound
Small Venues
Key Feature:
This mixer brings a clean Ghost preamp sound to your live gigs without needing extra gear. The built-in effects processor and sub groups make it perfect for bands needing quick reverb and flexible routing. While the input count is lower than digital models, its analog warmth fits smaller venues perfectly.
PROS
- • Ghost preamps deliver ultra-clean signal with -128 dBu noise floor
- • Four stereo channels handle background music and ambient tracks easily
- • Built-in Lexicon effects processor adds professional reverb and delay
- • Four sub groups allow flexible routing for complex stage setups
CONS
- • Only 17 mono inputs limits large ensemble recording needs
- • Lacks digital processing options found in modern mixers today
- • No DSP EQ bands restricts detailed frequency shaping control
⭐
4.7/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
6/10
Art. 650477
$1,366
#11
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Tascam Model 24
by
Tascam
Weight
10.4 kg
Band
Budget Conscious
Rehearsal
Key Feature:
The Model 24 is a seriously impressive piece of kit for bands and songwriters needing a self-contained recording and mixing solution. It's a fantastic all-in-one for live sound reinforcement and tracking, particularly appealing to those who want a streamlined workflow without needing a laptop constantly involved. It's a great option for gigging musicians and smaller studios.
PROS
- • Solid build quality with robust metal chassis and reliable faders
- • Integrated 24-track recorder simplifies workflow and reduces external gear
- • Flexible I/O options including USB interface for versatile connectivity
- • Comprehensive feature set – EQ, compression, effects – all in one unit
CONS
- • Limited dynamic range compared to higher-end consoles
- • The integrated effects processor is serviceable but not studio-grade
- • Size and weight make it less ideal for mobile or small spaces
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Art. 448627
$1,287
#12
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Mackie 1604 VLZ4
by
Mackie
Weight
9.1 kg
Simple Setup
Rehearsal
Band
Key Feature:
The 1604 VLZ4 is a workhorse mixer – a classic for a reason. It's a great choice for smaller bands, recording projects, or anyone needing a reliable, affordable solution with clean preamps. It’s built tough and sounds surprisingly good for its class.
PROS
- • Onyx preamps deliver clean, punchy gain with low noise
- • Solid build quality; feels robust for gigging and studio use
- • Comprehensive I/O with ample aux sends for monitor mixes
- • Compact 4-bus design offers flexible routing capabilities
CONS
- • EQ isn't the most detailed or musical; lacks finesse
- • No built-in effects; relies on external processing
- • Plastic case feels less premium than higher-end alternatives
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 319328
$1,025
Soundcraft Signature Plus 16
by
Soundcraft
Weight
7.8 kg
Simple Setup
Band
Small Venues
Key Feature:
This mixer is great for bands that need quick sound shaping without a computer. The built-in effects and group busses make setting up fast, even for beginners. It works well as a simple, reliable tool for live sound.
PROS
- • Four group busses help you shape your main mix easily.
- • Built-in Lexicon effects give you tap tempo presets instantly.
- • Four aux sends let you send signals to other gear.
- • Sapphyre EQ shapes the sound with simple controls.
CONS
- • Only three stereo channels limits some big mixes.
- • No digital effects means you miss out on modern plugins.
- • USB-C interface is basic compared to newer digital mixers.
⭐
4.7/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
7/10
Art. 650476
$1,024
Mackie 1642 VLZ4 Case Bundle
by
Mackie
Weight
8.3 kg
Band
Rehearsal
Small Venues
Key Feature:
The Mackie 1642 VLZ4 Case Bundle is a solid, reliable workhorse for smaller bands, recording projects, or mobile sound reinforcement. The included case is a real bonus, providing robust protection. It's a great choice for anyone needing a compact, versatile mixer without the premium price tag of more advanced models.
PROS
- • Solid German-made case offers excellent protection during transport.
- • Onyx preamps deliver surprisingly clean gain for the price point.
- • 4 aux sends provide flexible routing options for monitors and effects.
- • Compact size and rackmount option suit both studio and live scenarios.
CONS
- • The VLZ4’s EQ isn’t as surgical or detailed as higher-end mixers.
- • Phenol Brown case finish isn't universally appealing, feels a bit dated.
- • Limited headroom can become an issue with demanding gain staging.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 589294
$923
Soundcraft Signature Plus 12
by
Soundcraft
Weight
6.1 kg
Small Venues
Band
Budget Conscious
Key Feature:
This mixer handles twelve channels with ghost preamps and dbx compressors built right in. The built-in Lexicon processor saves you from buying separate gear for effects. It's a solid choice for bands needing four group busses and aux sends without extra costs. Great for venues where you want simple, reliable sound right out of the box.
PROS
- • Four independent group busses for flexible routing needs
- • Integrated Lexicon hardware effects with tap tempo
- • Four aux sends for essential signal splitting
- • TRS insert sockets on every mono channel
CONS
- • No stereo channel EQ controls listed in description
- • Limited to three stereo channels total
- • No specified weight or physical dimensions
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 650471
$910
Every analogue mixers that matches
145 models match this page. The 15 above are covered in detail; the rest are listed here with their published specifications.
| # | Model | Specifications | Price |
|---|---|---|---|
| 16 | Yamaha MG20 XU | Weight 7.1 kg | $900 |
| 17 | Allen & Heath ZED-22FX | Weight 11.5 kg | $854 |
| 18 | Intellijel Designs Jellymix | Weight 1.4 kg | $854 |
| 19 | Mackie ProFX16v3 Case Bundle | Weight 6.9 kg | $808 |
| 20 | Yamaha MG20 | Weight 6.9 kg | $797 |
| 21 | Mackie ProFX22v3 | Weight 9 kg | $796 |
| 22 | Mackie 1642 VLZ4 | Weight 8.3 kg | $770 |
| 23 | Allen & Heath ZED-14 Bundle | Size 19" · Weight 7.5 kg | $569 |
| 24 | Heritage Audio Mix Buddy | Weight 1.92 kg | $740 |
| 25 | Allen & Heath ZED-16FX | Weight 8.5 kg | $725 |
| 26 | Dynacord CMS1600-3 | not published | $3,522 |
| 27 | Dynacord CMS2200-3 | not published | $3,191 |
| 28 | Allen & Heath WZ4 12:2 | not published | $1,538 |
| 29 | Allen & Heath ZED-14 | Size 19" · Weight 7.5 kg | $494 |
| 30 | Mackie ProFX10 GO Case Bundle | Weight 2.7 kg | $656 |
| 31 | Allen & Heath ZED-12FX | Weight 7.4 kg | $633 |
| 32 | Yamaha MG16XU | Weight 6.8 kg | $599 |
| 33 | Yamaha MG12 XU Thon Case Bundle | Weight 4.2 kg | $592 |
| 34 | Yamaha MG16X | Weight 6.8 kg | $592 |
| 35 | Soundcraft EFX12 | Weight 4.6 kg | $569 |
| 36 | Mackie ProFX16v3 | Weight 6.9 kg | $558 |
| 37 | Yamaha MG16 | Weight 6.6 kg | $546 |
| 38 | Mackie Onyx16 | not published | $706 |
| 39 | Allen & Heath ZED60-14FX | Weight 4.4 kg | $530 |
| 40 | Allen & Heath ZED60-10FX | Weight 3.8 kg | $512 |
| 41 | Yamaha MG12 XU Case Bundle | Weight 4.2 kg | $489 |
| 42 | Mackie ProFX10 GO | Weight 2.7 kg | $478 |
| 43 | Yamaha MG12XUK | Weight 3 kg | $466 |
| 44 | Soundcraft EFX8 | Weight 4.6 kg | $465 |
| 45 | Mackie 1402 VLZ4 | Weight 4.5 kg | $432 |
| 46 | Yamaha MG12 XU | Weight 4.2 kg | $432 |
| 47 | Mackie ProFX12v3+ | Weight 3.6 kg | $428 |
| 48 | Soundcraft EPM12 | Weight 5.8 kg | $409 |
| 49 | Yamaha MG12X | Weight 4.2 kg | $409 |
| 50 | Behringer Xenyx QX1222USB Case Bundle | Weight 3.7 kg | $405 |
| 51 | Mackie ProFX10v3+ | Weight 2.2 kg | $398 |
| 52 | Radial Engineering Gold Digger | not published | $568 |
| 53 | Soundcraft EPM8 | Weight 4.6 kg | $387 |
| 54 | Soundcraft EPM6 Case Bundle | Weight 4 kg | $387 |
| 55 | Yamaha MG10XUF Case Bundle | Weight 3.3 kg | $387 |
| 56 | Yamaha MG12 | Weight 4 kg | $387 |
| 57 | Mackie Onyx8 | not published | $398 |
| 58 | Behringer Xenyx X2442 USB Case Bundle | Size 19" · Weight 5.9 kg | $364 |
| 59 | DAP-Audio IMIX-6.2 | Size 19" · Weight 2.6 kg | $359 |
| 60 | Behringer Xenyx X2222 USB Bundle | Size 19" · Weight 4.78 kg | $341 |
| 61 | Behringer Xenyx X1222 USB Case Bundle | Size 19" · Weight 3.7 kg | $279 |
| 62 | Behringer Xenyx X1222USB | Size 19" · Weight 3.7 kg | $222 |
| 63 | Mackie ProFX12v3 | Weight 3.6 kg | $371 |
| 64 | Allen & Heath ZED-10FX | Weight 3.3 kg | $364 |
| 65 | cre8audio Assembler | Weight 0.85 kg | $352 |
| 66 | Soundcraft EPM6 | Weight 4 kg | $330 |
| 67 | Yamaha MG10XUF | Weight 3.3 kg | $330 |
| 68 | Allen & Heath ZEDi-10 FX | Weight 2.3 kg | $325 |
| 69 | Behringer Xenyx QX2442USB | Weight 5.9 kg | $325 |
| 70 | Allen & Heath ZED-10 | Weight 3.3 kg | $295 |
| 71 | Behringer Xenyx QX1832USB | Weight 4.6 kg | $295 |
| 72 | Yamaha MG10 XU | Weight 2.1 kg | $295 |
| 73 | Mackie ProFX6v3+ | Weight 1.2 kg | $284 |
| 74 | Behringer Xenyx QX2222USB | Weight 4.78 kg | $267 |
| 75 | Allen & Heath ZEDi-10 | Weight 2.2 kg | $261 |
| 76 | Mackie 1202 VLZ4 | Weight 3 kg | $261 |
| 77 | Yamaha MG10X | Weight 2.1 kg | $261 |
| 78 | the t.mix xmix 1402 FXMP Case Bundle | Weight 4.7 kg | $261 |
| 79 | the t.mix xmix 1202 FXMP USB Case Bundle | Weight 4.7 kg | $261 |
| 80 | Mackie ProFX10v3 | Weight 2.2 kg | $259 |
| 81 | Yamaha MG06X Case Bundle | Weight 0.9 kg | $245 |
| 82 | Mackie MobileMix | Weight 0.8 kg | $243 |
| 83 | Mackie 802 VLZ4 | Weight 2.5 kg | $227 |
| 84 | Radial Engineering MIX2:1 | Weight 0.8 kg | $226 |
| 85 | the t.mix xmix 1402 FXMP USB | Weight 4.7 kg | $226 |
| 86 | Behringer Xenyx QX1222USB | Weight 3.7 kg | $222 |
| 87 | Yamaha MG10 | Weight 1.9 kg | $222 |
| 88 | Rolls MX 28 | Weight 490 kg | $212 |
| 89 | Behringer Xenyx QX1204USB | Weight 2.8 kg | $204 |
| 90 | Yamaha MG06X | Weight 0.9 kg | $204 |
| 91 | the t.mix xmix 802 USB Case Bundle | Weight 3.2 kg | $204 |
| 92 | the t.mix xmix 1202 FXMP USB | Weight 4.7 kg | $204 |
| 93 | Allen & Heath ZEDi-8 | Weight 1.5 kg | $193 |
| 94 | Allen & Heath ZED-6 FX | Weight 1.5 kg | $193 |
| 95 | Mackie ProFX6v3 | Weight 1.2 kg | $193 |
| 96 | Rolls MX44Pro | Weight 0.45 kg | $189 |
| 97 | Soundcraft Notepad-12FX | Weight 1.7 kg | $181 |
| 98 | the t.mix xmix 1202 FX USB | Weight 4.35 kg | $181 |
| 99 | Alto TrueMix 800FX | Weight 2.1 kg | $176 |
| 100 | the t.mix xmix 1002 FX USB | Weight 3.85 kg | $170 |
| 101 | the t.mix xmix 1202 USB | Weight 4.3 kg | $170 |
| 102 | Behringer Xenyx 1003B Case Bundle | Weight 2.1 kg | $165 |
| 103 | Behringer Xenyx 1202SFX Case Bundle | Weight 1.5 kg | $165 |
| 104 | Yamaha MG06 | Weight 0.9 kg | $153 |
| 105 | the t.mix xmix 802 USB | Weight 3.2 kg | $147 |
| 106 | Soundcraft Notepad-5 | Weight 0.62 kg | $131 |
| 107 | Allen & Heath ZED-6 | Weight 1.5 kg | $128 |
| 108 | Alto TrueMix 600 | Weight 1.4 kg | $123 |
| 109 | Behringer Xenyx 1202SFX | Weight 1.5 kg | $121 |
| 110 | Behringer Xenyx 1003B | Weight 2.1 kg | $112 |
| 111 | Behringer Xenyx 1002SFX | Weight 1.1 kg | $108 |
| 112 | Behringer Xenyx 802S | Weight 1.6 kg | $84 |
| 113 | Alto TrueMix 500 | Weight 0.9 kg | $79 |
| 114 | Behringer Xenyx 502S | Weight 1.2 kg | $62 |
| 115 | myVolts MickXer Black | Weight 0.07 kg | $23 |
| 116 | Rockboard LM 4 4-Channel Line Mixer | Size 4" | $22 |
| 117 | Rolls MX 54s | not published | $302 |
| 118 | Midas DM12 | not published | $273 |
| 119 | Rolls MX 122 | not published | $273 |
| 120 | Bastl Instruments Bestie | not published | $268 |
| 121 | Korg Nu:Tekt NTS-4 | not published | $250 |
| 122 | Rolls MX 34C | not published | $250 |
| 123 | Rolls MX 310 | not published | $226 |
| 124 | LD Systems VIBZ 10 C | not published | $208 |
| 125 | ART Promix | not published | $177 |
| 126 | Soundcraft Notepad-8FX | not published | $165 |
| 127 | Mackie 402 VLZ4 | not published | $147 |
| 128 | Mackie Mix12FX | not published | $146 |
| 129 | Rolls MX 42 | not published | $143 |
| 130 | LD Systems VIBZ 6 | not published | $135 |
| 131 | Korg Volca Mix | not published | $131 |
| 132 | Rolls MX 51S | not published | $131 |
| 133 | Rolls MX 22s | not published | $131 |
| 134 | Rolls MX 41b | not published | $113 |
| 135 | Mackie Mix8 | not published | $112 |
| 136 | Behringer Xenyx QX602MP3 | not published | $98 |
| 137 | the t.mix mix 802 | not published | $86 |
| 138 | Mackie Mix5 | not published | $78 |
| 139 | the t.mix mix 502 | not published | $55 |
| 140 | the t.mix MicroMix 2 USB | not published | $44 |
| 141 | the t.mix MicroMix 1 USB | not published | $44 |
| 142 | Millenium Pocket Mix | not published | $33 |
| 143 | the t.mix MiniMix 22 | not published | $26 |
| 144 | IMG Stageline MMX-31 | not published | $26 |
| 145 | Behringer MX400 | not published | $17 |
Analogue mixers by the numbers
Measured across all 145 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $279
from $44 to $1,846
Weight
median 3.7 kg
from 0.85 kg to 11.5 kg · 108 models
Size
median 19"
from 4" to 19" · 13 models
How to Choose the Best Analogue mixers
1
EQ Flexibility
Beyond basic bass, mid, treble - we want semi-parametric or fully parametric EQ for surgical tone shaping. Being able to dial in a precise midrange scoop or a subtle high-shelf boost is crucial for cutting through a dense mix, especially when you're playing alongside a screaming guitarist and a pounding drummer.
2
Routing & Aux Sends
Advanced players need flexible routing - multiple aux sends for effects loops, pre/post EQ switching, and the ability to create monitor mixes quickly and efficiently. A decent mixer needs to be more than just an input strip; it's a signal management hub.
3
Preamps & Headroom
Cheap preamps sound thin and lifeless. We're looking for clean headroom - the ability to push the preamps without introducing unwanted distortion or compression. This is especially important for recording drums or other instruments with wide dynamic ranges.
4
Build Quality & Playability
Solid construction isn't just about durability; it impacts the feel. Faders should be smooth and consistent, knobs should offer precise control, and the overall layout should be intuitive, even under the pressure of a live performance.
5
Noise Floor & Dynamic Range
A low noise floor is essential for clean recordings and a quiet stage. Dynamic range determines how much headroom you have before clipping, and a wider dynamic range allows for more expressive playing without pushing the mixer into the red.
Buying Guide
Don't fall for the "more channels = better mixer" trap. A mixer packed with features you'll never use is just wasted money. Pay attention to the EQ type - semi-parametric is a good middle ground. Be wary of mixers that boast high channel counts but skimp on preamp quality; you'll just end up adding a noisy outboard preamp anyway. Ultimately, the best mixer is the one that feels right in your hands and inspires you to create.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 145 analogue mixers from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Pre-EQ affects the signal before it hits the effects unit, allowing you to shape the tone going in. Post-EQ affects the signal after the effects, letting you tweak the processed sound. Experiment to see what works best for your monitors or sends.
Not necessarily, but it offers unparalleled control. If you're mostly running simple setups, a semi-parametric EQ might suffice. But if you're a tone obsessive or need to solve tricky mix problems, parametric is a game-changer.
Headroom is the difference between the mixer's maximum output level and the point where it starts to clip. More headroom means you can crank the gain without distortion, preserving the dynamic range of your signal.
Absolutely. A flimsy mixer will introduce unwanted noise and instability. Solid construction translates to a more reliable and consistent recording experience, even in a quiet bedroom environment.
Phantom power (+48V) provides power to condenser microphones. If you're using dynamic mics, you don't need it. If you're using condensers, you do need it, and most decent mixers will provide it.
