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Catalog

Noise Modules

14 instruments available · See the ranking

Doepfer A-117-2

Noise Modules

$89€79Check ↗

AJH Synth Entropic Doom black

Noise Modules

$369€329Check ↗

Hexinverter Électronique VCNO

Noise Modules

$193€172Check ↗

Doepfer A-118-2 VE

Noise Modules

$111€99Check ↗

Intellijel Designs Flurry

Noise Modules

$301€269Check ↗

Befaco Noise Plethora

Noise Modules

$385€344Check ↗

Doepfer A-118-2

Noise Modules

$90€80Check ↗

Intellijel Designs Noise Random Tools 1U

Noise Modules

$128€114Check ↗

Verbos Electronics Random Sampling

Noise Modules

$772€689Check ↗

Doepfer A-118 Noise / Random Vintage Ed.

Noise Modules

$95€85Check ↗

Doepfer A-118 Noise / Random

Noise Modules

$77€69Check ↗

Behringer Dual Noise / Random Gen. 1016

Noise Modules

$29€26Check ↗

ADDAC 106 T-Noiseworks

Noise Modules

$223€199Check ↗

Behringer 903A Random Signal Generator

Noise Modules

$21€19Check ↗

About Noise Modules

Noise modules are dedicated Eurorack modules generating unpredictable audio signals, from subtle textures to chaotic bursts. They are essential for experimental sound design, generative music, and adding organic randomness to synthesizers. These modules offer a crucial ingredient for creating unique, evolving soundscapes beyond traditional waveforms.

Best for

Sound designersexperimental musiciansgenerative music creatorsambient composersmodular synthesizer enthusiasts

What to look for

Noise characteristics (colordensityspectral content)modulation optionsoutput control (attenuationfiltering)flexibility in shaping the noisesignal puritymodule size/power consumption

Noise Modules — pros & cons

Pros
  • Adds unpredictable and evolving textures to modular patches.
  • Provides a foundation for generative and experimental sound design.
  • Can be used subtly for added realism or aggressively for chaotic effects.
  • Offers a wide range of sonic possibilities beyond traditional oscillators.
Cons
  • Can easily overwhelm a mix if not carefully controlled.
  • Requires a good understanding of modular synthesis principles.
  • May introduce unwanted artifacts if poorly designed or implemented.
  • Noise, by its nature, can be difficult to tame.

Questions about Noise Modules

What's the difference between white noise, pink noise, and other noise types?

Different noise types have varying frequency distributions; white noise is evenly distributed, pink noise decreases with frequency, creating a 'warmer' sound.

How can I use a noise module to create rhythmic patterns?

Use modulation sources (LFOs, envelopes) to control parameters like amplitude or filtering, creating rhythmic pulses or evolving textures from the noise signal.

Can I use a noise module to create percussion sounds?

Absolutely! Shaping and gating noise with envelopes and filters can produce convincing drum sounds and percussive elements.

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