Erica Synths Black Code Source
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Erica Synths
Black Code Source
Product Info
Article Number:
448155
Brand:
Erica Synths
Model:
Black Code Source
Category:
Noise Modules
Price:
$185.90
* Prices may vary. Check retailer for current pricing and availability.
The Black Code Source is a surprisingly capable noise generator for those diving into modular synthesis. It's fantastic for adding unpredictable textures and rhythmic elements to your patches, especially if you're already in the Erica Synths ecosystem or plan to expand with the Expander. This module shines for experimental sound design and generative music.
Product Description
- Erica Synths Black Code Source
- Eurorack Module
- Digital noise and random generator
- 9 Different noise types (stereo) with adjustable pitch
- Dual CV random generator
- CV Control for all parameters
- Extended functional range in connection with the Black Code Source Expander (not included)
- Output level (noise): -5 V to +5 V (or 0 V to +10 V)
- CV level (random voltage): -10 V to +10 V
- Power consumption: +12 V: 143 mA / -12 V: 64 mA
- Width: 10 TE / HP
- Installation depth: 35 mm
PROS
- • Nine distinct noise types offer surprising textural variety.
- • Dual CV random generators enable complex, evolving sequences.
- • Compact 10HP footprint maximizes modular space efficiency.
- • Stereo output expands sonic possibilities for immersive soundscapes.
CONS
- • Requires Black Code Source Expander for full functionality, a separate investment.
- • Limited parameter control without the Expander; basic noise generation only.
- • Output voltage range (-5V to +5V) can be low for some downstream modules.
Product Video
Key Features
Noise Types
9 (stereo)
Outputs
-5 V to +5 V (noise), -10 V to +10 V (CV)
HP Width
10
Depth
35 mm
Power Draw
+12 V: 143 mA, -12 V: 64 mA
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Frequently Asked Questions
You can, but its functionality is limited to basic noise generation and parameter control.
The stereo noise offers a wider, more immersive soundstage, allowing for spatial effects and nuanced texture creation.
No, it includes a broader range, like granular textures, clicks, and digital artifacts, offering a more diverse palette of sonic possibilities.
