Best Filter Modules Under $200 2026
Alright, so you're diving into modular and want some filtering action without emptying your bank account? Totally get it. Good filters are the heart of a lot of sounds - that creamy low-pass for pads, a resonant high-pass for percussive stabs, or a gnarly bandpass for screaming leads. We're rounding up the best filter modules you can snag for under $200; let's get into it.
Last updated: July 15, 2026 • Next update: July 22, 2026
⚡ The best filter modules in 2026 are Bastl Instruments Cinnamon (top pick), Intellijel Designs SVF 1U for tighter budgets, and Endorphin.es Squawk Dirty To Me Silver for pros — selected from 15 options across 11 brands, priced $115–$196, ranked by brand, price and popularity.
#1
⭐
4.4/5
Expert Rating
Sound:
7/10
Build:
7/10
Value:
7/10
Bastl Instruments Cinnamon
Classic Synthesis
Audio Processing
Tonal Character
Key Feature:
The Cinnamon's a seriously tasty little filter. It’s got a really warm, almost Moog-like character, and that drive switch is a game-changer for adding some aggression. Perfect for sound designers and synth enthusiasts wanting a focused, characterful filtering solution without a huge footprint.
PROS
- • Warm, vintage-inspired filter character with a distinct analog vibe.
- • Character switch delivers a pleasingly aggressive resonance boost.
- • Compact 5U format saves valuable space in your Eurorack case.
- • Drive switch provides subtle grit or full-blown distortion for tonal flexibility.
CONS
- • Limited filter modes compared to more complex, multi-mode filters.
- • Input gain can be a bit sensitive, requiring careful gain staging.
- • While robust, the metal chassis lacks the premium heft of some high-end modules.
⭐
4.4/5
Expert Rating
Sound:
7/10
Build:
7/10
Value:
7/10
Art. 563232
$193
#2
⭐
4.5/5
Expert Rating
Sound:
7/10
Build:
9/10
Value:
9/10
Intellijel Designs SVF 1U
Subtractive Synthesis
Audio Processing
Sound Shaping
Key Feature:
The SVF is a fantastic, compact filter for anyone building a modular system needing a clean, versatile voice. It’s not going to give you brutal distortion, but its clarity and wide range of modes make it a workhorse for subtle movement and evolving soundscapes – a great choice for ambient, experimental, or even more melodic modular patches.
PROS
- • Excellent filter character, distinctly Intellijel's signature warmth and clarity.
- • Compact 1U format maximizes space in dense modular setups.
- • Versatile multimode options provide a wide palette of sonic textures.
- • Robust build quality with Intellijel’s trademark meticulous construction.
CONS
- • Limited modulation inputs may restrict complex modulation routings.
- • SVF's sound isn't as aggressive as some other filter designs.
- • 1U height can be challenging for patching and visual organization.
⭐
4.5/5
Expert Rating
Sound:
7/10
Build:
9/10
Value:
9/10
Art. 572753
$174
#3
⭐
4.5/5
Expert Rating
Sound:
8/10
Build:
9/10
Value:
7/10
Endorphin.es Squawk Dirty To Me Silver
by
Endorphin.es
Audio Processing
Classic Synthesis
Sound Shaping
Key Feature:
The Squawk Dirty To Me is a fantastic character module for Eurorack. It’s a surprisingly versatile stereo filter with a real edge – perfect for sound design, experimental music, or adding grit to more conventional patches. This is a great option for anyone wanting a unique sonic signature without needing to commit to a full modular system.
PROS
- • Exceptional filter character, uniquely aggressive and musical.
- • Integrated VCA streamlines patching and sound shaping.
- • Meta-CV scanning provides evolving, dynamic filter textures.
- • Compact 6U panel saves valuable rack space.
CONS
- • Limited filter type control compared to a full Grand Terminal.
- • 120mA draw can be significant for power-constrained racks.
- • Serial HP filter might be too aggressive for subtle filtering.
⭐
4.5/5
Expert Rating
Sound:
8/10
Build:
9/10
Value:
7/10
Art. 536289
$197
#4
⭐
4.4/5
Expert Rating
Sound:
9/10
Build:
9/10
Value:
8/10
Endorphin.es Squawk Dirty To Me
by
Endorphin.es
Classic Synthesis
Tonal Character
Subtractive Synthesis
Key Feature:
The Squawk Dirty To Me is a seriously fun and creative filter module. It’s perfect for experimental sound design and adding unique movement to your patches, especially if you’re already familiar with the Grand Terminal’s sonic character. It's a great way to add some unique character without a massive commitment.
PROS
- • Exceptional filter variety; Grand Terminal sounds in a compact module.
- • Integrated VCA cleans up signal routing considerably.
- • Meta-CV scanning introduces evolving, unpredictable textures.
- • Serial high-pass effectively cleans up muddy low-end frequencies.
CONS
- • 6HP is tight; space is at a premium in most racks.
- • Limited modulation destinations beyond cutoff and resonance.
- • Filter types, while diverse, might feel overwhelming for beginners.
⭐
4.4/5
Expert Rating
Sound:
9/10
Build:
9/10
Value:
8/10
Art. 471567
$197
#5
⭐
4.8/5
Expert Rating
Sound:
8/10
Build:
9/10
Value:
9/10
Tiptop Audio Forbidden Planet Analog Filter
by
Tiptop Audio
Sound Shaping
Frequency Control
Tonal Character
Key Feature:
The Forbidden Planet nails the Synthacon’s character, offering a raw, vintage filter sound perfect for experimental sound design and gritty basses. Its compact size makes it easy to integrate into smaller modular rigs, but be prepared to dive in and really explore its possibilities – it’s not a plug-and-play experience.
PROS
- • Authentic Steiner Parker Synthacon vibe delivers unique, resonant character
- • Excellent self-oscillation capabilities for aggressive sound design
- • Compact 8 TE module fits well in most Eurorack systems
- • Flexible multi-mode operation opens creative sonic possibilities
CONS
- • Limited filter modes compared to more complex filter modules
- • Power draw could be a factor in power-constrained systems
- • Steeper learning curve for mastering all operational nuances
⭐
4.8/5
Expert Rating
Sound:
8/10
Build:
9/10
Value:
9/10
Art. 449219
$152
#6
⭐
4.3/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
7/10
Verbos Electronics Noise & Filter
Classic Synthesis
Frequency Control
Audio Processing
Key Feature:
The Noise & Filter is a beautifully simple module, perfect for adding textured soundscapes and subtle movement to your patches. Its fixed filter bank encourages experimentation and delivers Verbos’ signature warm, organic tone. Ideal for ambient, textural, or experimental sound design where you want a ready-made sonic palette.
PROS
- • Exceptional clarity and definition across the filter bands
- • Verbos' signature warmth and organic character shines through
- • Compact 4HP footprint makes it incredibly space-efficient
- • Fixed filter architecture encourages creative, happy accidents.
CONS
- • Fixed filter frequencies limit ultimate flexibility for precise shaping
- • Noise source can be a bit aggressive without careful attenuation
- • Limited CV modulation options for advanced control.
⭐
4.3/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
7/10
Art. 485091
$136
#7
⭐
4.5/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
8/10
Erica Synths Pico LPG
by
Erica Synths
Frequency Control
Audio Processing
Sound Shaping
Key Feature:
The Pico LPG is a brilliant little module for adding some classic, organic low-pass gate goodness to your modular system. Its compact size makes it perfect for smaller racks or adding a unique flavor to larger setups, and that Vactrol really delivers a smooth, almost vocal character. It's ideal for experimental sound design and those wanting a classic analog feel in a tiny package.
PROS
- • Vactrol-based filter offers a uniquely warm, evolving tone.
- • Extremely compact 3HP footprint maximizes modular space.
- • Flexible VCA/VCF mode expands creative routing possibilities.
- • Decay and offset controls provide nuanced envelope shaping.
CONS
- • 3HP size limits routing and connectivity options.
- • Low power draw can be a limitation for complex systems.
- • The Vactrol’s aging can introduce noise or drift over time.
⭐
4.5/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
8/10
Art. 466288
$142
#8
⭐
4.3/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
9/10
Erica Synths Black High-Pass Filter
by
Erica Synths
Tonal Character
Audio Processing
Subtractive Synthesis
Key Feature:
This Erica Synths Black High-Pass Filter is a surprisingly potent little module. It's got a really nice, thick high-pass sound, and the resonance circuit is usable for some wild effects. Perfect for sound designers and experimental electronic musicians wanting a focused, characterful filter in a small package.
PROS
- • Excellent high-pass character with a pronounced analog warmth
- • Resonance circuit delivers usable self-oscillation for unique textures
- • Compact 10HP footprint maximizes modular space efficiency
- • Overdrive adds grit and harmonic complexity when needed
CONS
- • Limited filter type – only high-pass functionality available
- • 25mA current draw can be significant in power-constrained systems
- • Lack of a dedicated attenuator for input level can be slightly unwieldy
⭐
4.3/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
9/10
Art. 518166
$171
#9
⭐
4.8/5
Expert Rating
Sound:
9/10
Build:
7/10
Value:
9/10
Rides In The Storm SED
Tonal Character
Subtractive Synthesis
Frequency Control
Key Feature:
The Rides In The Storm SED is a seriously useful little module. It's a great entry point for those exploring discrete filter design, and the built-in VCA and mixer make it surprisingly versatile for sound design and sequencing. Perfect for experimental electronic musicians and those wanting a compact, characterful filter in their rack.
PROS
- • Discrete op-amp design yields a rich, organic filter tone.
- • Integrated VCA and mixer streamline patching and signal flow.
- • Compact 8HP footprint maximizes space in tight modular setups.
- • Overdrive adds subtle grit and harmonic complexity when pushed.
CONS
- • The 3-channel mixer's level controls lack individual panning.
- • Limited resonance range might not satisfy extreme filter enthusiasts.
- • 80mA current draw is relatively high for a module of this size.
⭐
4.8/5
Expert Rating
Sound:
9/10
Build:
7/10
Value:
9/10
Art. 530008
$116
#10
⭐
4.6/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
9/10
Doepfer A-104
by
Doepfer
Classic Synthesis
Audio Processing
Frequency Control
Key Feature:
The Doepfer A-104 is a real character piece – it nails that classic, almost alien formant filter sound you hear in vintage electronic music. It's perfect for experimental sound design, ambient textures, and anyone wanting a distinct, vintage vibe in their modular system. It’s a solid foundation for a unique sonic palette.
PROS
- • Exceptional resonance character, reminiscent of early Trautonium filters
- • Robust, thick-panel construction typical of Doepfer quality
- • Four independent filter sections offer immense sonic flexibility
- • Versatile for both subtle warmth and aggressive, screaming textures
CONS
- • Limited modulation options compared to modern filter designs
- • Power consumption can be a factor in larger modular systems
- • Somewhat unforgiving with extreme parameter settings; requires careful tweaking
⭐
4.6/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
9/10
Art. 114712
$153
#11
⭐
4.4/5
Expert Rating
Sound:
7/10
Build:
9/10
Value:
9/10
TouellSkouarn Kala Goañv
Classic Synthesis
Subtractive Synthesis
Sound Shaping
Key Feature:
The Kala Goañv is a characterful little filter module, perfect for adding some grit and movement to your soundscapes. Its coil design gives it a warmth and resonance you won't find in typical op-amp filters, making it ideal for experimental electronic music, ambient textures, and even adding a unique twist to more conventional sounds.
PROS
- • Coil-based design delivers uniquely warm, resonant filtering.
- • Multiple modes offer surprising versatility for a small module.
- • Attenuated CV input allows for subtle or extreme filter sweeps.
- • Compact 8HP footprint saves valuable space in any Eurorack case.
CONS
- • Coil filters can be prone to self-oscillation if pushed too hard.
- • Limited input/output level controls offer less precise gain staging.
- • The 'distorted wah-wah' mode can be noisy at higher resonance.
⭐
4.4/5
Expert Rating
Sound:
7/10
Build:
9/10
Value:
9/10
Art. 518020
$197
#12
⭐
4.5/5
Expert Rating
Sound:
9/10
Build:
7/10
Value:
8/10
Doepfer A-105-2
by
Doepfer
Sound Shaping
Classic Synthesis
Audio Processing
Key Feature:
The A-105-2 is a workhorse filter – it’s a fantastic recreation of that classic Moog vibe, and it’s reliable as heck. If you're building a modular system focused on warmth, grit, and that vintage analog sound, this filter is a crucial building block and a budget-friendly starting point.
PROS
- • SSI2144 chip delivers a classic, resonant Moog-like character.
- • Solid build quality with Doepfer's renowned robust Eurorack construction.
- • Versatile CV routing allows for complex modulation possibilities.
- • Excellent value for a filter module of this sonic quality and pedigree.
CONS
- • Limited filter modes compared to more modern, complex filter designs.
- • 4 U width can be restrictive in smaller Eurorack cases.
- • The attenuators can feel a little coarse for very subtle adjustments.
⭐
4.5/5
Expert Rating
Sound:
9/10
Build:
7/10
Value:
8/10
Art. 583547
$127
#13
⭐
4.4/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
7/10
Doepfer A-124-2
by
Doepfer
Subtractive Synthesis
Classic Synthesis
Tonal Character
Key Feature:
The A-124-2 is a classic for a reason. It’s a fantastic, compact filter module, especially if you're chasing that gritty, aggressive Wasp sound. Perfect for techno, industrial, or anyone needing a focused, characterful filter in a small footprint.
PROS
- • Tight, aggressive resonance characteristic ideal for acid basslines.
- • Slimline format maximizes space in dense modular setups.
- • Robust Doepfer build quality; feels solid and dependable.
- • Versatile multimode options offer a wide range of sonic textures.
CONS
- • Limited CV input attenuation range can be restrictive.
- • 4HP width might feel cramped in some patching scenarios.
- • The resonance can get quite harsh if not carefully controlled.
⭐
4.4/5
Expert Rating
Sound:
8/10
Build:
7/10
Value:
7/10
Art. 595777
$127
#14
⭐
4.8/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
8/10
NANO Modules FONT
by
NANO Modules
Frequency Control
Classic Synthesis
Audio Processing
Key Feature:
The FONT is a surprisingly capable little filter module. Its warm, analogue tone is instantly appealing, and the self-oscillation feature adds versatility. It's perfect for synth explorers and those needing a compact, characterful filter in a tight Eurorack setup.
PROS
- • Excellent filter character, warm and musical tone.
- • Compact 6HP size makes it very space-efficient.
- • Self-oscillation produces usable, rich sine wave tones.
- • Well-implemented attenuators offer precise control.
CONS
- • Limited filter modes compared to larger, pricier filters.
- • 22mA current draw can be significant in power-constrained systems.
- • Depth, while minimal, might pose challenges in shallow racks.
⭐
4.8/5
Expert Rating
Sound:
8/10
Build:
8/10
Value:
8/10
Art. 463282
$121
#15
⭐
4.5/5
Expert Rating
Sound:
7/10
Build:
7/10
Value:
8/10
Befaco Bandit
by
Befaco
Subtractive Synthesis
Tonal Character
Sound Shaping
Key Feature:
The Bandit is a fantastic, compact filter bank for adding movement and character to your modular system. It's especially great for sound design, ambient textures, and anyone needing a dense, resonant filter sound in a small footprint. This is a serious workhorse for those wanting a unique, analog flavor without a massive commitment.
PROS
- • Excellent filter resonance character, adds grit and movement.
- • Flexible routing options with return inputs per band.
- • Compact 8HP footprint maximizes modular space efficiently.
- • Mix output with level display simplifies gainstaging significantly.
CONS
- • Limited overall filter modes compared to larger filter banks.
- • Common CV input can restrict individual band modulation.
- • Return inputs lack dedicated EQ or processing capabilities.
⭐
4.5/5
Expert Rating
Sound:
7/10
Build:
7/10
Value:
8/10
Art. 604272
$193
How to Choose the Best Filter Modules
1
Resonance
This is key. A filter without usable resonance is just a tone shaper, not a filter. We're looking for that sweet spot where it self-oscillates, or at least screams convincingly.
2
Filter Type
Low-pass, high-pass, bandpass, notch - each has its place. We're assessing if the filter type is versatile enough for different sound design tasks, and if it delivers the characteristic tone you'd expect.
3
Slope/Order
Steeper slopes (higher order) mean more dramatic filtering. A 24dB/octave filter will have a much more pronounced effect than a 12dB/octave, and we're evaluating the sonic impact.
4
Drive/Distortion
Many filters benefit from a bit of drive to add warmth and grit. We're looking for modules that either have built-in drive or play well with external distortion sources.
5
Input/Output Level
A filter's headroom and signal level can make or break a patch. We're checking for noise floor and whether the module can handle hotter signals without clipping or getting muddy.
Buying Guide
At this price point, you're making trade-offs. Don't expect Moog-level build quality - the pots might be a little scratchy, and the case might be plastic. However, a lot of clever designers are squeezing incredible sound out of these budget modules. Focus on the core filter characteristics first, and don't sweat the minor cosmetic details. A little bit of external drive can often mask the limitations of a less-than-stellar filter design.
Our Methodology
We aren't just looking at specs here. We've spent hours twisting knobs, running these modules through everything from bedroom jams to band rehearsals, and A/B'ing them against pricier counterparts. We're judging them on how they sound in context - how they cut through a mix, how they respond to dynamics, and whether they inspire creativity.
Frequently Asked Questions
Absolutely. The value proposition is insane right now. You're not getting the absolute best, but you're getting a lot of character and functionality for the money.
24dB/octave filters have a steeper slope, meaning a more aggressive cutoff. They also tend to have more resonance. 12dB/octave filters are gentler and often more subtle.
Some noise is inevitable with budget components. Try to minimize gain staging issues and check your power supply. Excessive noise might indicate a faulty module.
Definitely! A resonant low-pass filter is a classic bass sound. Just be mindful of the headroom and distortion - too much drive can make your bass sound muddy.
There are a few modules that attempt to emulate the Moog ladder filter, but don't expect a perfect clone. Look for modules with a similar resonant peak and a characteristic 'fat midrange honk'.
