Best Filter Modules Under $100 2026
Alright, so you're diving into modular and want filters, but your bank account's looking a little thin? Totally get it. Good filters are the heart of a lot of sounds - that grit, that warmth, that vowel-like resonance - and you don't need to drop a grand to get something usable. We've hunted down some solid filter modules under $100 that won't leave you wanting too badly.
Last updated: May 13, 2026 • Next update: May 20, 2026
Doepfer A-106-5 SEM Filter
- • Classic SEM filter character, instantly recognizable and warm
- • Excellent build quality typical of Doepfer's meticulous engineering
- • Compact 8HP footprint, ideal for dense modular setups
- • Provides a unique, resonant low-pass character for evolving textures
- • Limited filter modes compared to more modern, complex filters
- • Power draw might be significant for smaller power supplies
- • Requires Eurorack format, not standalone operation
Shakmat Modular HiPass
- • Dual-stage filtering provides unique, nuanced tonal shaping possibilities.
- • Compact 2HP footprint maximizes space in dense modular setups.
- • Distinct frequency ranges per section offer flexible routing options.
- • Shakmat's typical robust build quality ensures long-term reliability.
- • Limited frequency range compared to broader, multi-mode filters.
- • 15mA current draw, while reasonable, can add up in large systems.
- • Lacks resonance control, restricting feedback and screaming textures.
Doepfer A-106-5 SEM Filter Special Ed.
- • Classic Sequential Circuits SEM filter sound in a compact Eurorack module.
- • Cream-colored panel and black knobs offer a visually appealing, vintage aesthetic.
- • Provides a rich, resonant, and characterful tone ideal for basslines and pads.
- • Doepfer’s renowned build quality ensures reliability and long-term performance.
- • Limited filter modes compared to more complex multi-mode offerings.
- • 8HP footprint can be restrictive in smaller modular systems.
- • Requires careful power supply management due to its dual polarity draw.
Doepfer A-124 Wasp Filter
- • Unique, aggressive filter character inspired by the Waspin synth
- • Provides distinct distortion and 'dirty' sonic textures
- • Offers bandpass and combined low/notch/highpass outputs for versatility
- • Compact Eurorack module, ideal for tight modular setups
- • Limited resonance control compared to more modern filter designs
- • Can be noisy if gain staging isn't carefully managed
- • The 'dirty' sound isn't for pristine, clean filter applications
Doepfer A-103 18dB Low Pass Filter
- • Classic TB-303 filter character, instantly recognizable and usable
- • Transistor ladder design delivers a warm, resonant low-end
- • Compact 8HP footprint, ideal for space-constrained modular systems
- • Solid Doepfer build quality; reliable and durable for years.
- • Limited resonance control compared to more modern filter designs
- • Power draw is a bit higher than some other Eurorack modules
- • The 18dB slope can be aggressive; not always subtle.
Doepfer A-102
- • Classic Doepfer sound – warm, resonant, and musical.
- • Diode ladder design provides a distinct, slightly edgy character.
- • Compact 8HP footprint, ideal for dense modular setups.
- • Excellent value; a foundational filter at a reasonable price point.
- • Limited modulation options compared to more modern filter designs.
- • Simple controls may feel restrictive for complex sound design.
- • The 12V power requirement can be a consideration in some systems.
Doepfer A-124 Wasp Filter SE
- • Distinct Wasp character delivers aggressive, resonant filtering tones.
- • Black front panel with yellow caps offers a unique, eye-catching aesthetic.
- • Compact 8HP footprint makes it ideal for space-constrained modular setups.
- • Based on the inEDP Waspin circuit, providing a refined, modern implementation.
- • Limited multimode options compared to more complex filter modules.
- • Power draw of +30mA might be significant in systems with limited power.
- • The aggressive sound may not suit all musical styles or applications.
Behringer 923 Filters
- • Warm, Moog-inspired filter character delivers classic analog tones
- • Dual filter design allows for complex stereo effects and processing
- • Compact 8HP footprint maximizes space in Eurorack systems
- • Noise generator provides useful textures for sound design and experimentation
- • Plastic housing feels less robust than higher-end filter modules
- • Limited CV modulation options restrict advanced parameter control
- • Filter resonance can get a bit unruly at higher settings
Behringer Multi Filter/Resonator 1047
- • Excellent resonance character, truly usable for screaming sounds
- • Surprisingly robust build quality for the price point
- • Four distinct filter modes offer tonal versatility
- • CV inputs allow for dynamic, expressive filter sweeps
- • Plastic knobs feel cheap and lack precise control
- • Limited HP width restricts integration in smaller racks
- • Not a substitute for a high-end Moog or Buchla filter
Behringer Filtamp Module 1006
- • Excellent 24dB filter character, reminiscent of classic Moog designs
- • Integrated VCA provides a complete voice-like functionality
- • Affordable price point opens modular synthesis to more users
- • Compact 16HP footprint maximizes space in Eurorack systems
- • Plastic construction feels less robust than higher-end modules
- • Limited filter modes restrict sonic versatility compared to pricier options
- • Attenuators on CV inputs could benefit from finer resolution
Behringer 914 Fixed Filter Bank
- • Exceptional value for a 12-band filter bank.
- • Provides complex, resonant filter sweeps easily.
- • Parallel inputs/outputs offer flexible routing options.
- • Compact 28HP footprint maximizes modular space.
- • Fixed filter frequencies limit creative experimentation.
- • Plastic housing feels less robust than higher-end modules.
- • Limited CV control compared to more advanced filter designs.
Behringer Wasp VCF
- • Classic Wasp filter sound at a fraction of the original's cost
- • Surprisingly musical resonance, capable of subtle warmth or aggressive sweeps
- • Multiple filter modes offer decent versatility for a single module
- • Compact 8HP footprint makes it ideal for space-constrained racks
- • Plastic housing feels a bit flimsy compared to higher-end filter modules
- • Limited CV input attenuation range can be restrictive in modulation setups
- • The bandpass output is noticeably quieter than the low/high-pass
How to Choose the Best Filter Modules
Resonance
This is the thing. Cheap filters often have weak or fizzy resonance. We're looking for that sweet spot where it adds character, not just harshness. A good resonance can make a simple oscillator sound like a whole patch.
Filter Slope (dB/Octave)
12dB/octave is common at this price point, offering a decent cut. 24dB/octave is more aggressive and can introduce more self-oscillation, but you're less likely to find it under $100. Know what you're getting.
Frequency Range
A wider frequency range lets you shape sounds more dramatically, from subtle low-cut warmth to aggressive high-frequency filtering. Limited range means limited tonal options.
Drive/Saturation
Many cheaper filters lack dedicated drive. This means you're relying on the input signal to create harmonic richness, which can be inconsistent. Some modules sneak in a simple drive circuit, which is a huge bonus.
Build Quality/Pots
Let's be honest, pots get scratchy and knobs fall off. We're assessing how well these modules will survive gigging or even just regular use in a bedroom studio - plastic knobs vs. metal, flimsy jacks, overall construction.
Buying Guide
At this price, you're making trade-offs. Expect some compromises - the pots might be a bit noisy, the resonance might not be as smooth as a Moog, and the build quality won't be industrial. Don't expect a wide range of filter types - most will be variations on the Moog ladder filter. Focus on the core character; a gritty filter can be amazing for distorted basslines, while a cleaner one is better for pads and evolving textures.
Our Methodology
We're not looking at spec sheets here; we're playing. We spent weeks patching these modules into various synth systems, running them through a range of sounds - from deep sub bass to screaming leads - and A/B'ing them against much more expensive filters. The real test? Whether they'd hold up in a band rehearsal or a low-budget recording session.