Endorphin.es Squawk Dirty To Me

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Endorphin.es Squawk Dirty To Me

Endorphin.es

Squawk Dirty To Me

4.7 Expert Rating

Product Info

Article Number: 471567
Model: Squawk Dirty To Me
Price: $196.90

* Prices may vary. Check retailer for current pricing and availability.

The Squawk Dirty To Me is a seriously fun and creative filter module. It’s perfect for experimental sound design and adding unique movement to your patches, especially if you’re already familiar with the Grand Terminal’s sonic character. It's a great way to add some unique character without a massive commitment.

Product Description

  • Endorphin.es Squawk Dirty To Me
  • Eurorack Module
  • Stereo filter
  • Contains 8 filter types from the Grand Terminal (including low pass
  • band pass
  • high pass and low pass gate)
  • Controls for cutoff and resonance (each with CV input)
  • Serial high-pass filter (with CV input) for filtering out unwanted sub-frequencies
  • Integrated VCA
  • Meta-CV scanning for dynamic switching of filter types
  • Current consumption: 120 mA (+12 V) / 15 mA (-12 V)
  • Width: 6 HP
  • Depth: 30 mm
PROS
  • • Exceptional filter variety; Grand Terminal sounds in a compact module.
  • • Integrated VCA cleans up signal routing considerably.
  • • Meta-CV scanning introduces evolving, unpredictable textures.
  • • Serial high-pass effectively cleans up muddy low-end frequencies.
CONS
  • • 6HP is tight; space is at a premium in most racks.
  • • Limited modulation destinations beyond cutoff and resonance.
  • • Filter types, while diverse, might feel overwhelming for beginners.

Product Video

Key Features

Filter Type State Variable, Low Pass, Band Pass, High Pass, Low Pass Gate
Modes 8 filter types selectable via Meta-CV or manual control
HP Width 6
Depth 30 mm
Power Draw 120 mA (+12V) / 15 mA (-12V)
CV Inputs Cutoff (x2), Resonance (x2), Serial High-Pass

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Frequently Asked Questions

It cycles through the filter types based on a CV signal; the speed and sequence are controllable, but the results can be delightfully unpredictable.
It's a surprisingly musical VCA – it’s not just attenuating signal, but adding a bit of character of its own, which is a nice touch.
The breadth of filter types derived from the Grand Terminal really sets it apart; you're getting a lot of sonic territory in a small space.

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