the t.bone TWS 16 HeadmiKeD 821 MHz Set
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the t.bone
TWS 16 HeadmiKeD 821 MHz Set
Product Info
* Prices may vary. Check retailer for current pricing and availability.
This t.bone system is a solid, budget-friendly option for vocalists, presenters, or anyone needing a wireless headset. The multiple channels and rack-mountable receiver are real pluses for small to medium-sized gigs, though be mindful of potential frequency congestion. It's a great starting point for performers on a tighter budget who need wireless freedom.
Product Description
the t.bone TWS 16 HeadmiKeD 821 MHz Set
*Bundle offer comprising*, the t.bone TWS 16 PT 821 MHz
- *16 Channel UHF Wireless System*
- 9.5" Diversity receiver
- Bodypack (line / mic switchable)
- with 3-pin mini XLR connection (AKG compatible)
- 16 Switchable channels (821.725 MHz - 831.450 MHz)
- 4 Sets can be used at the same time
- Adjustable squelch
- XLR and jack output
- External power adapter (DC 12V / 500mA)
- Included accessories: 9.5" Rack mount (can be used in conjunction with a second TWS16 as a 19" / 1 U rack mount)
- Jack output cable: 1 m
- Guitar cable: 1 m
- the t.bone HeadmiKe - D AKG
- *Headset Microphone*
- Lightweight condenser headset microphone
- Two earhooks
- Left/right adjustable
- Polar pattern: Kidney
- Frequency range: 50 - 20000 Hz
- Sensitivity: 4.4 mV / Pa
- -47.2 dB re 1 V / Pa
- Sound pressure level: 115 dB
- Impedance: 750 Ohm
- 3-Pin mini XLR connector suitable for AKG Bodypack transmitter
- Cable length: approx. 120 cm
- Colour: Beige
- Includes cable clip
- Replacement windscreen: Art. #355914# (not included)
- • 821 MHz frequency offers reasonable interference rejection in many environments.
- • Bodypack’s line/mic switch adds versatility for different signal sources.
- • Rack mountable receiver provides a clean, organized setup for gigs.
- • Headset’s adjustable earhooks ensure a comfortable and secure fit for performers.
- • 821 MHz frequency can still be congested in densely populated areas.
- • Condenser mic is sensitive and prone to picking up stage noise.
- • Build quality feels somewhat plasticky; not as robust as higher-end systems.
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Key Features
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