Best Tube Guitar Heads for Jazz 2026
So, you're chasing that warm, woody, and articulate jazz tone, huh? Forget the high-gain shred stacks - jazz guitar amplification is a whole different beast. It's not about distortion; it's about nuanced dynamics, a responsive clean platform, and the ability to whisper or cut through a quartet without sounding harsh. Let's look at some tube heads that'll actually get you there, not just look pretty on stage.
Last updated: September 28, 2026
⚡ The best tube guitar heads in 2026 are Victory Amplifiers MK Overdrive Custom AB (top pick), Bogner Ecstasy XTC 104BV EL34 Head for tighter budgets, and Victory Amplifiers MK Clean Custom BG for pros — selected from 15 options across 7 brands, priced $4,330–$6,042, ranked by brand, price and popularity.
#1
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Victory Amplifiers MK Overdrive Custom AB
Weight
18.9 kg
Studio Recording
Professional Gigs
Classic Rock
Key Feature:
This British-made amp is built for players who want two distinct voices with full control. The four preamp tubes let you shape the tone before the power stage, while the separate EQs on each channel give you detailed adjustment. It includes an FX loop for pedals, making it ready for studio or live use. Perfect for guitarists who need clean tones that can smoothly drive into overdrive without losing clarity.
PROS
- • Handmade in England with top-tier materials and components
- • Four independent preamp tubes for rich signal shaping
- • Dual channels with separate volume and EQ controls
- • Built-in FX loop for flexible signal routing
CONS
- • No wattage rating provided for the power amp
- • Tube type count is high but total wattage is missing
- • Weight specifications are not listed in the text
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4.4/5
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Art. 597750
$6,042
#2
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4.7/5
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8/10
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Bogner Ecstasy XTC 104BV EL34 Head
by
Bogner
Weight
22.2 kg
Professional Gigs
Blues
Studio Recording
Key Feature:
This amp gives you four ways to shape your tone, from classic clean to heavy distortion. The new Zero channel adds a fresh purple sound that sets it apart. With built-in MIDI and an FX loop, it works great in the studio or on stage. It is a solid choice for players who want tube warmth without guessing too much.
PROS
- • Four distinct channels cover vintage and modern high-gain styles.
- • Zero channel offers unique purple tone options.
- • Built with six 12AX7 pre-amp and four EL34 power tubes.
- • Includes footswitchable FX loop for stage versatility.
CONS
- • Heavy weight makes transport difficult for gigging musicians.
- • Global master volume may limit per-channel dynamics.
- • Missing dedicated reverb channel on standard setups.
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4.7/5
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8/10
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Art. 310765
$5,873
#3
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4.8/5
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Victory Amplifiers MK Clean Custom BG
Weight
18.3 kg
Professional Gigs
Studio Recording
Blues
Key Feature:
This English-made amp sounds great for blues and country players who want clean tone. It adds distortion only when needed and comes with built-in reverb you can switch on the fly. Perfect for pedal users who need a reliable clean foundation without too many knobs to mess up.
PROS
- • Handmade in England with premium components.
- • Built for blues and country players specifically.
- • Includes tube-driven reverb with footswitch control.
- • Can distort on demand for pedal users.
CONS
- • Only one channel limits tone options.
- • Heavy weight not specified in description.
- • Lacks built-in distortion or EQ controls.
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4.8/5
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Art. 597733
$5,700
#4
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4.8/5
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Friedman Jose Arredondo Head
by
Friedman
Weight
21.3 kg
Professional Gigs
Studio Recording
Blues
Key Feature:
This Friedman Jose Arredondo Head is a serious beast, meticulously recreating the legendary modded amp sounds. It’s built for players craving that high-gain, saturated tone – think modern metal, hard rock, or even heavily driven blues – and who appreciate a high-end, hand-built amplifier. If you're chasing a specific, powerful sound and have the budget, this is a top contender.
PROS
- • Exceptional Arredondo mod recreation delivers searing, articulate high-gain tones.
- • Four EL34 power tubes provide a thick, harmonically rich sound.
- • The Gain Style switch offers a surprising range of tonal flexibility.
- • Robust build quality with quality components suggests long-term reliability.
CONS
- • The single-channel design limits versatility for players needing clean tones.
- • Premium-priced, making it a significant investment for many guitarists.
- • Considerable weight (estimated around 45-50 lbs) restricts portability.
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4.8/5
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Art. 615066
$5,415
#5
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4.8/5
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Friedman BE-100 Deluxe Head
by
Friedman
Weight
19.5 kg
Professional Gigs
Classic Rock
Vintage Tones
Key Feature:
The BE-100 Deluxe is a serious amp for players wanting a high-quality, all-in-one solution. It nails modern high-gain tones while retaining a gorgeous, usable clean channel—perfect for the player who needs versatility without sacrificing boutique tone. This is a real workhorse for rock, hard rock, and even some metal styles.
PROS
- • Exceptional clean channel clarity with nuanced EQ control
- • High-gain channels deliver authentic, modern rock tones
- • Robust build quality with durable Tolex covering and solid chassis
- • Versatile effects loop with adjustable return level for creative signal shaping
CONS
- • Premium-priced, a significant investment for most guitarists
- • Considerable weight makes it less ideal for gigging musicians
- • Channel voicing can be somewhat limited compared to multi-amp rigs
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4.8/5
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Art. 460763
$5,415
#6
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4.8/5
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Mesa Boogie JP-2C Head
by
Mesa Boogie
Weight
18.5 kg
Classic Rock
Blues
Vintage Tones
Key Feature:
This JP-2C is a beast—a modern metal machine with surprising clean versatility. John Petrucci's signature tone is dialed in, and the build quality is undeniably Mesa. It's a premium-priced amp best suited for serious players needing high-gain crunch and a flexible platform for complex rigs.
PROS
- • Exceptional clean channel clarity, retaining note definition even at high volumes
- • JP-2C voicing delivers modern high-gain tones with excellent articulation
- • Robust aluminum chassis provides excellent durability for gigging
- • Integrated CABCLONE simplifies recording and headphone practice significantly
CONS
- • The sheer weight makes it impractical for frequent transport; a roadie is likely needed
- • The complex feature set can be overwhelming for players unfamiliar with Mesa Boogie's interface
- • Limited low-end response compared to some other high-gain amps; may need EQ adjustments
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4.8/5
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Art. 379484
$5,067
#7
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4.8/5
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TWS Cali Sunset Top w/Cab
by
TWS
Weight
8.6 kg
Classic Rock
Studio Recording
Jazz
Key Feature:
This German-made amp sounds like a true 1980s metal classic with its single channel and all-tube design. The Celestion speakers and WonderVol master give you great control, but the low wattage means it needs a good cab for big sounds. It is perfect for studio recording or small venues where you don't need massive volume.
PROS
- • Single channel design mimics classic 1980s Los Angeles metal tone perfectly
- • All-tube construction uses two EL84s for warm, responsive volume control
- • Includes high-quality Celestion Vintage 30 and Creamback M65 speakers
- • Made in Germany with open cabinet construction for better resonance
CONS
- • Only 18 watts of power limits headroom for loud live gigs
- • Limited to single channel, no switching between clean and overdrive modes
- • Weight of 8.6 kg makes it heavy to transport without a cart
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4.8/5
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Art. 631184
$4,959
#8
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4.8/5
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Mesa Boogie 90s Triple Rectifier
by
Mesa Boogie
Weight
22 kg
Studio Recording
Classic Rock
Blues
Key Feature:
This head packs a lot of power with 150 watts and six big 6L6 tubes. The cool trick is the switch that lets you run it as a transistor amp or with the tubes. It has two channels so you can change sounds easily without changing tubes. This fits well if you want a classic tube sound but need a solid backup mode for long gigs.
PROS
- • Triple rectifier mode switches between tube and transistor power
- • Five 12AX7 preamp tubes create rich, warm distortion
- • Six 6L6 power tubes deliver 150 watts of clean and crunch
- • Two channels with separate gain and presence controls
CONS
- • Heavy weight not specified in the product description
- • No listed tube replacement cost or warranty details
- • Complex rear panel controls may confuse new users
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4.8/5
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Art. 632502
$4,765
#9
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4.8/5
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Mesa Boogie Mark VII Head
by
Mesa Boogie
Weight
18.14 kg
Professional Gigs
Studio Recording
Blues
Key Feature:
The Mark VII is a powerhouse, offering a massive range of Mesa tones from pristine cleans to searing high-gain leads. It's a serious amp for the gigging musician or studio professional who demands flexibility and that classic Mesa Boogie character – be prepared for a learning curve with its extensive controls.
PROS
- • Exceptional Mesa tube tone across three distinct, highly usable channels
- • Robust, road-worthy construction with thick steel chassis and durable footswitch
- • Versatile power switching (25/45/90W) adapts to any stage or studio setting
- • 5-band graphic EQ provides precise tonal shaping for any genre
CONS
- • Premium-priced, representing a significant investment for most guitarists
- • Considerable weight makes transport and portability a challenge for solo players
- • The sheer number of controls can be overwhelming for less experienced users
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4.8/5
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Art. 589760
$4,765
#10
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4.8/5
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Friedman SS100 V2 Head
by
Friedman
Weight
19.4 kg
Vintage Tones
Professional Gigs
Classic Rock
Key Feature:
This Friedman SS100 V2 is a premium-priced powerhouse designed for players craving that classic, high-octane rock tone. Steve Stevens' influence shines through with incredible responsiveness and clarity – it’s a serious contender for anyone chasing a modern take on a vintage Marshall vibe, particularly suited for hard rock and shred.
PROS
- • The EL34 power tubes deliver a searing, dynamic high-gain response characteristic of late 70s/early 80s rock.
- • Steve Stevens' signature voicing provides exceptional clarity and articulation even at high volumes.
- • The Fat switch adds a significant mid-range push, ideal for cutting through a live mix.
- • Solid, roadworthy construction with quality components – this head is built to last decades.
CONS
- • The extensive gain range might be overkill for players primarily seeking clean or low-gain tones.
- • The weight makes it less than ideal for frequent gigging or smaller home studios.
- • The channel switching, while functional, isn't as seamless or nuanced as some modern amp designs.
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4.8/5
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10/10
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2/10
Art. 551848
$4,560
#11
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4.8/5
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Suhr SL67 MKII Head
by
Suhr
Weight
18.5 kg
Vintage Tones
Studio Recording
Classic Rock
Key Feature:
The SL67 MKII is a beautifully voiced amp, nailing that classic British vibe with incredible clarity and a really nice, usable overdrive when pushed. It’s perfect for players who want a focused, high-quality sound—think classic rock, blues, and even some modern tones—without a ton of complex controls. It's a serious contender for any guitarist seeking a premium-priced, refined amplifier.
PROS
- • Exceptional clean headroom with a creamy, responsive breakup.
- • Hand-wired construction ensures pristine signal path and longevity.
- • EL34 power tubes deliver classic British amp character and warmth.
- • Versatile input options allow for varied tonal textures and pickup pairings.
CONS
- • The single-channel design limits tonal sculpting flexibility for some players.
- • Premium-priced, representing a significant investment for most guitarists.
- • Weight makes it less than ideal for frequent gigging or portability.
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4.8/5
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Art. 585738
$4,560
#12
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4.8/5
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Mesa Boogie Mark IIC+ Head
by
Mesa Boogie
Weight
17.7 kg
Classic Rock
Jazz
Professional Gigs
Key Feature:
This amp brings back the classic feel of the original Mark II with its vintage tone. You get clean and driven sounds in one unit, plus a reverb effect and a loop for pedals. It is a solid choice for players who want that old-school Boogie sound without modern clutter. Just keep in mind it is a single channel and quite heavy to carry around.
PROS
- • Delivers a pure vintage sound from the original Mark II design
- • Provides dual power modes for clean or driven tones
- • Includes a buffered FX loop for clean pedal signals
- • Built in the USA with solid tube construction
CONS
- • Single channel limits tone variety for some players
- • Heavy weight makes transport and stacking difficult
- • No built-in distortion effects other than tube drive
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4.8/5
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Art. 604250
$4,550
#13
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4.8/5
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Mesa Boogie Triple Crown TC-100 Head
by
Mesa Boogie
Weight
20.7 kg
Blues
Jazz
Vintage Tones
Key Feature:
The Triple Crown TC-100 is a powerhouse amp – Mesa’s dialed-in modern versatility in a head. It’s a fantastic choice for players who want a wide range of tones, from sparkling cleans to searing high-gain leads, and the multi-wattage feature makes it surprisingly adaptable for different performance situations. This is a real workhorse for the serious gigging guitarist or studio player.
PROS
- • Robust aluminum housing provides excellent protection and a premium feel.
- • Multi-Soak power adjustment offers incredible versatility for various stages and recording needs.
- • EL34 power tubes deliver that signature Mesa Boogie high-gain, articulate crunch.
- • CabClone simulator provides a surprisingly usable direct recording option.
CONS
- • The considerable weight makes it less than ideal for frequent gigging or travel.
- • Premium-priced, representing a significant investment for most guitarists.
- • Clean channel can be a bit brittle without careful EQ adjustments.
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4.8/5
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10/10
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Art. 426618
$4,446
#14
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4.8/5
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10/10
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TWS Lulis Signature Top
by
TWS
Weight
15 kg
Jazz
Studio Recording
Classic Rock
Key Feature:
The TWS Lulis Signature Top is a focused, high-quality amp head clearly inspired by classic British tones. It’s a fantastic choice for players seeking a refined, powerful platform for rock, blues, and vintage-flavored tones, particularly those who appreciate the Lulis 'Accept' sound. The built-in features like the A/B output and overdrive channel add surprising utility.
PROS
- • Uwe Lulis signature voicing delivers authentic British amp tones.
- • Dual preamp modes offer surprising tonal flexibility for a single-channel amp.
- • Transformer-isolated Amp B output expands routing and recording options.
- • Robust build quality suggests long-term reliability and durability.
CONS
- • High-end price point puts it out of reach for many players.
- • Limited single-channel design restricts versatility for modern, complex tones.
- • EL34 tubes require periodic replacement, adding to ongoing costs.
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4.8/5
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10/10
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Art. 577153
$4,446
#15
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4.8/5
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10/10
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Rivera KR7 Mick Thomson Sign. Head
by
Rivera
Weight
27.2 kg
Blues
Studio Recording
Professional Gigs
Key Feature:
This Rivera KR7 is Mick Thomson's sonic signature distilled into a head – it’s built for aggressive, modern metal. The EL34s give it that classic British bite, while the tweaked mids cut through the mix like a chainsaw. If you're a high-gain player who wants serious power and control, this is a compelling choice.
PROS
- • Five 12AX7 preamp tubes deliver a searing, aggressive high-gain character.
- • EL34 power tubes provide a classic British amp tone with excellent sag.
- • The Head Master MIDI pedal offers extensive control over channel switching and effects.
- • Adjusted mids create a focused, articulate sound ideal for modern metal riffing.
CONS
- • The high-gain focus limits versatility for cleaner, more nuanced tones.
- • At 27.2 kg, it’s a hefty head, demanding a strong amp rack or road crew.
- • The specialized voicing might not appeal to players seeking a broader tonal palette.
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4.8/5
AudioFu Score
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10/10
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Art. 190371
$4,331
Every tube guitar heads that matches
209 models match this page. The 15 above are covered in detail; the rest are listed here with their published specifications.
Tube Guitar Heads by the numbers
Measured across all 209 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $1,846
from $579 to $4,765
Weight
median 14 kg
from 6.35 kg to 22.5 kg · 174 models
How to Choose the Best Tube Guitar Heads
1
Clean Headroom
Jazz demands a clean platform for dynamics. You need headroom to play quietly without compression or unwanted breakup, but also enough to push it when you want a touch of grit. That's a tricky balance.
2
Midrange Character
Forget scooped mids - jazz needs a present, but not aggressive, midrange. We're looking for a fat midrange honk that helps your lines cut through the rhythm section without being nasal or brittle. The 'sweet spot' is key.
3
Touch Sensitivity & Dynamics
A truly great jazz amp responds to your pick attack and volume knob. Subtle changes in your playing should translate into nuanced tonal shifts. It's about feel, and a lot of modern amps miss this.
4
Microphone Compatibility
Many jazz players mic their amps. How well does the amp sound through a high-quality microphone? Does it retain its character or become a muddy mess? This is critical for recording and live sound.
5
Power Scaling/Attenuation
Jazz isn't always about volume. Power scaling or attenuation allows you to get cranked amp tones at manageable levels, perfect for smaller gigs or bedroom practice without driving your neighbors crazy.
Buying Guide
Don't fall for the 'vintage vibe' trap; a cheap clone won't deliver the goods. Look for reputable brands known for their attention to detail and quality components. Spending a bit more on a head with a good power scaling feature is often worth it - it's a huge benefit for versatility. Be realistic about your needs; a 10-watt head is plenty for most jazz situations, and smaller wattage often means better clean headroom.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 209 tube guitar heads from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Class A amps are known for their inherent warmth and compression, but they often lack headroom. Class AB offers a better balance of headroom and efficiency, and most modern jazz amps are Class AB. It's not always a dealbreaker, but something to consider.
Almost certainly, yes. Jazz relies heavily on reverb to create atmosphere. Many modern amp heads have built-in reverb, but a dedicated tank (like a Fender Reverb unit) can offer a more nuanced and controllable reverb tone.
Combo amps are convenient, but a head/cab setup gives you more flexibility in speaker selection. Choosing the right speaker cabinet can dramatically affect the amp's tone and projection.
Focus on finding a used amp from a reputable brand. Be wary of heavily modified amps or those with questionable service history. A well-maintained older amp can be a steal, but factor in potential maintenance costs.
That usually indicates harsh high-frequency content, often caused by overly bright pickups or a poorly voiced amp circuit. Try rolling back the treble knob, switching to warmer pickups, or experimenting with different EQ settings.
