SPL MixDream XP Mk2
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SPL
MixDream XP Mk2
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The MixDream XP Mk2 is a serious tool for engineers who want to add some analog warmth and glue to their digital mixes. It's especially great for those working in genres like rock, pop, or electronic music where a polished, cohesive sound is key – think of it as a subtle but powerful finishing touch.
Product Description
- SPL MixDream XP Mk2
- Analogue 16-in-2 Summing Unit
- With Class A technology
- Internal audio operating voltage: +/-30 V
- Individually switchable -18 dB level reduction for the last four stereo channels
- Mono switch for the first four channel pairs
- Switchable output control for the sum signal
- 16 Inputs via DB25 (Tascam standard)
- XLR main output
- Separate monitor output with XLR connections
- Expansion input for expanding the summing unit
- Dimensions (W x D x H): 482 x 237 x 44 mm
- Weight: 3.7 kg
PROS
- • Class A circuitry delivers a noticeably warmer, more cohesive stereo image.
- • The individually switchable -18dB pads offer excellent headroom management for hot signals.
- • DB25 connectivity streamlines workflow, ideal for complex multi-channel setups.
- • Solid, weighty construction inspires confidence in its long-term durability.
CONS
- • Limited to 16 channels; may not suffice for larger, complex mixes.
- • Relatively compact size necessitates careful rack space planning.
- • DB25 connectivity requires compatible interface or adapter, adding potential complexity.
Product Video
Key Features
Channels
16
Summing Type
Analog, Class A
Connections
DB25 (16 inputs), XLR (main output), XLR (monitor output), Expansion Input
Headroom
+/-30V operating voltage suggests ample headroom for clean summing.
Weight
3.7 kg
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Frequently Asked Questions
While many claim Class A, SPL's implementation provides a unique character – a subtle but noticeable thickening and smoothing of the stereo image, avoiding harshness.
It’s a standard, but requires a compatible interface or adapter; it’s not a dealbreaker, but something to consider if you're not already using DB25.
It’s designed to sum stereo pairs, but the channel reduction pads are extremely useful for managing hot signals from individual tracks or submixes before they reach the final sum.
