RME Madiface XT II
Professional music gear - detailed information and where to buy
RME
Madiface XT II
Product Info
Article Number:
595661
Brand:
RME
Model:
Madiface XT II
Category:
USB Audio Interfaces
Price:
$2,308.90
* Prices may vary. Check retailer for current pricing and availability.
The Madiface XT II is a powerhouse for serious recording studios needing extensive I/O and pristine audio quality. Its MADI capabilities and TotalMix FX DSP are game-changers for complex workflows, making it ideal for film scoring, live recording, and post-production – if you're willing to invest in a premium-priced solution.
Product Description
- RME Madiface XT II
- MADI/USB3 Audio interface
- 394 Channels at 192 kHz
- Max. +24 dBu output level of the XLR line outputs
- DSP-Mixer TotalMix FX
- DIGICheck analyser
- SteadyClock FS
- AutoSet digital gain control
- USB 3 Class compliant audio
- Mic / line combo input: 2 x XLR / 6.3 mm jack
- Line outputs: 2 x XLR
- Stereo headphone output: 6.3 mm jack
- MADI inputs: 2 x optical
- MADI outputs: 2 x optical
- MADI input and output: coaxial
- Word clock input and output
- MIDI input and output as well as AES/EBU via breakout cable
- Remote input for ARC USB
- USB 3.0 port
- Power supply input
- Type: 9.5" 1 U
PROS
- • Rock-solid SteadyClock FS eliminates noise and jitter issues.
- • TotalMix FX offers incredible routing flexibility and processing power.
- • The robust metal chassis feels exceptionally well-built and durable.
- • MADI connectivity expands channel count significantly for large setups.
CONS
- • The 1U height requires a rack space commitment for many users.
- • Price places it firmly in the high-end, professional category.
- • The interface can be overwhelming for users new to complex routing.
Product Video
Key Features
Inputs
2 x XLR/TRS combo, 2 x MADI (optical & coaxial)
Outputs
2 x XLR, 2 x TRS, 2 x MADI (optical & coaxial), Headphone
Max Sample Rate
192 kHz
Bit Depth
24-bit
Preamps
None (line level only)
Weight
8.8 lbs
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Frequently Asked Questions
USB 3.0 handles a full MADI load comfortably, but expect some latency if you push the DSP processing to its absolute limit.
Absolutely; it provides comprehensive real-time analysis, including loudness metering and peak hold, essential for broadcast and critical listening environments.
While capable, its complexity and premium price make it overkill for simple stereo recording; a smaller RME interface would be more practical.
