KS Digital A200 MK2 right

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KS Digital A200 MK2 right

KS Digital

A200 MK2 right

5 Expert Rating

Product Info

Article Number: 506481
Model: A200 MK2 right
Price: $2,858.90

* Prices may vary. Check retailer for current pricing and availability.

The A200 MK2 right is a serious step up in monitor performance. Its exceptional clarity and accurate imaging make it ideal for critical mixing and mastering work, especially in genres like electronic music, hip-hop, and orchestral recording where precise detail is crucial. These are built for engineers who demand unflinching honesty from their monitors.

Product Description

  • KS Digital A200 MK2 right
  • Active 3-Way Midfield Studio Monitor
  • Right monitor
  • FIRTEC technology
  • 10" Woofer
  • 3" Midrange driver
  • 1" Tweeter
  • Amplifier: 250 W woofer
  • 250 W midrange
  • 150 W tweeter
  • Maximum SPL: 116 dB (122 dB peak)
  • Frequency range: 28 - 22000 Hz (+/- 3dB)
  • Room compensation using 6 peak filters and free parametric EQs
  • 24-Bit AD/DA converter sigma delta
  • Analogue input: XLR balanced
  • Digital input: AES3
  • 32 - 192kHz
  • Remote controllable via KSD-RC (article no. #451766# - not included)
  • Horizontal and vertical positioning possible
  • Dimensions (W x H x D): 420 x 300 x 310 mm
  • Weight: 17.2 kg
PROS
  • • Exceptional transient response thanks to FIRTEC filtering.
  • • Detailed midrange clarity ideal for vocal and acoustic instrument tracking.
  • • Robust build quality with substantial cabinet bracing minimizes resonance.
  • • Extensive room correction options offer impressive tailoring potential.
CONS
  • • Significant weight makes placement and relocation challenging.
  • • High-end price point puts it out of reach for budget-conscious studios.
  • • Limited connectivity compared to some competitors – no analog inputs on the left monitor.

Product Video

Key Features

Woofer Size 10 in
Power (Watts) 250/250/150
Frequency Range 28 - 22000 Hz
Connections XLR balanced, AES3
Weight 17.2 kg

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Frequently Asked Questions

FIRTEC is designed to be incredibly transparent; however, extreme filter settings *can* subtly alter the perceived sound – careful experimentation is key.
While they perform best in a well-treated space, the room correction tools provide a degree of flexibility, but results will be significantly improved with acoustic treatment.
Yes, the A200 MK2s provide excellent mono compatibility; the precise imaging helps identify any phasing issues that might arise when summed to mono.

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