Erica Synths Bassline
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Erica Synths
Bassline
Product Info
Article Number:
450273
Brand:
Erica Synths
Model:
Bassline
Category:
Synthesizer Modules
Price:
$383.90
* Prices may vary. Check retailer for current pricing and availability.
The Erica Synths Bassline is a fantastic, focused module for anyone wanting that classic acid bass sound without a massive modular setup. Its core design is simple but powerful, delivering a raw, aggressive character that’s perfect for techno, industrial, and experimental music – it’s a real workhorse for driving a system’s low end.
Product Description
- Erica Synths Bassline
- Eurorack Module
- Analog synthesizer voice for bass and lead sounds
- VCO with three waveforms (sawtooth
- rectangle
- triangle)
- Suboscillator
- Erica Synths Acidbox Filter (Lowpass / Bandpass)
- VCO beats simulated via BBD circuit
- VCA with decay envelope and accent input
- CV input for FM and VCF
- Power requirement: 110 mA (+12 V) / 70 mA (-12 V)
- Width: 14 TE
- Width: 35 mm
PROS
- • Acidbox filter delivers a uniquely aggressive, resonant tone.
- • Suboscillator adds significant low-end weight and character.
- • BBD circuit convincingly emulates vintage analog instability.
- • Compact 14HP footprint maximizes space in Eurorack systems.
CONS
- • Limited waveform selection compared to more complex VCOs.
- • Accent input can be tricky to dial in for subtle nuances.
- • Lacks extensive modulation options beyond basic FM/VCF CV.
Product Video
Key Features
Synthesis Type
Analog Subtractive
Voices
1
HP Width
14
Depth
35 mm
Power Draw
180 mA
Connections
VCO In, Suboscillator In, Filter In, VCA In, CV Inputs (FM, VCF), Audio Out, Sub Out
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Frequently Asked Questions
It’s more aggressive and resonant than their more mellow filters, leaning heavily into that classic TB-303 vibe, with a distinct character.
While the BBD circuit introduces controlled instability, it’s generally stable enough for melodic material, but be aware of potential pitch drift at extreme settings.
It can produce lead sounds, but its strength lies in the low end; the filter and suboscillator heavily influence the overall tone, making it more suited to bass-focused applications.
