Avantone Gauss 7

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Avantone Gauss 7

Avantone

Gauss 7

5 Expert Rating

Product Info

Article Number: 522755
Brand: Avantone
Model: Gauss 7
Price: $317.90

* Prices may vary. Check retailer for current pricing and availability.

The Gauss 7 is a surprisingly capable budget-friendly monitor. It’s great for bedroom producers, singer-songwriters, or anyone needing a reference with a bit of low-end punch. Just be mindful of its limitations at higher volumes – it's more about getting the job done than pristine accuracy.

Product Description

  • Avantone Gauss 7
  • Active Full-Range Two-Way Stereo Reference Monitors
  • Bass Reflex Design
  • Drivers: 7" White Cone woofer (120 W) and 2.5" Air Motion tweeter (60 W)
  • Bi-amped Class D
  • Frequency range: 30 - 22000 Hz
  • SPL (peak): 103 dB
  • THD: 0.5%
  • With adjustment options for room adaptation on the rear panel
  • Connectors: XLR (3-pole
  • male)
  • jack (6.3 mm
  • balanced)
  • MDF cabinet with real wood veneer
  • Dimensions (W x H x D): 23.5 x 38.1 x 21.2 cm
  • Weight : 8.2 kg
PROS
  • • Impressive bass extension for its size, surprisingly deep for a 7-inch driver.
  • • White cone woofer offers a unique visual aesthetic and controlled damping.
  • • Bi-amped Class D provides clean power and efficient headroom.
  • • Rear panel room adaptation controls offer a degree of tonal flexibility.
CONS
  • • High distortion at higher volumes; not ideal for critical mastering work.
  • • Limited stereo imaging compared to higher-end monitor options.
  • • MDF cabinet, while decent, lacks the resonance damping of thicker, braced designs.

Product Video

Key Features

Woofer Size 7"
Power (Watts) 180
Frequency Range 30-22000 Hz
Connections XLR, 6.3mm Jack
Weight 8.2 kg

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Frequently Asked Questions

The Pro Mix series offers significantly better stereo imaging and a more refined sound, but the Gauss 7 delivers a respectable performance for the price point.
While they can reproduce the frequencies, the Gauss 7’s limited dynamic range and detail resolution aren’t ideal for complex orchestral mixes; a more neutral monitor would be preferable.
They primarily adjust the bass response to compensate for room acoustics; they're simple EQ tweaks to minimize low-frequency buildup or cancellation.

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