AEA TRP3

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AEA TRP3

AEA

TRP3

4.8 Expert Rating

Product Info

Article Number: 590115
Brand: AEA
Model: TRP3
Category: Preamps
Price: $1,736.90

* Prices may vary. Check retailer for current pricing and availability.

The TRP3 is a serious preamp for engineers and musicians who demand pristine, musical amplification. Its Class A design imparts a pleasing warmth without sacrificing clarity, making it ideal for vocals, acoustic instruments, and anything needing a touch of vintage vibe. It’s a high-end choice for those wanting to elevate their recordings.

Product Description

  • AEA TRP3
  • Microphone Amplifier
  • 2 Channels
  • 85 dB Gain
  • Switchable 48V phantom power
  • Phase inversion and high-pass filter: 115 or 230 Hz
  • Equivalent noise level: -130 dBu (typical)
  • 40 Ohm source
  • Equivalent noise level: -128 dBu (typical)
  • 150 Ohm source
  • Max. XLR output level: +27 dBu at 600 Ohm
  • Input impedance with phantom power: 11.3 kOhm
  • Input impedance without phantom power: 68 kOhm
  • Dimensions (W x D x H): 216 x 203 x 457 mm
  • Weight: 0.89 kg
PROS
  • • Exceptional clean gain, revealing subtle mic nuances.
  • • Discrete Class A circuitry delivers a warm, musical tone.
  • • Robust, all-steel chassis feels incredibly solid and durable.
  • • Flexible high-pass filter cleans up low-frequency rumble effectively.
CONS
  • • Limited to two channels, restricting larger tracking setups.
  • • Premium-priced, a significant investment for home studios.
  • • Relatively large footprint demands ample rack space.

Product Video

Key Features

Channels 2
Preamp Type Discrete Class A
Gain Range 85 dB
Phantom Power 48V Switchable
Connections XLR Input/Output
Weight 0.89 kg

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Frequently Asked Questions

It's cleaner than a 1073, lacking that aggressive saturation, but shares a similar warmth and musicality – think of it as a more refined, modern take on that classic sound.
No, it's a gentle slope, more of a roll-off than a sharp filter, designed for subtle low-frequency cleanup without phase issues.
The lower impedance (with phantom power) is generally better for ribbon mics or other low-output sources needing more drive; the higher impedance works well with dynamic or condenser mics.

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