Best Allen & Heath Stage Boxes for Digital Mixers 2026
Premium Allen & Heath stage boxes for digital mixers - legendary tone and craftsmanship
Last updated: September 7, 2026
⚡ The best stage boxes for digital mixers in 2026 are Allen & Heath DT168 Bag Bundle (top pick), Allen & Heath DX168/X Bag Bundle for tighter budgets, and Allen & Heath DT02 for pros — selected from 15 options, priced $347–$5,100, ranked by brand, price and popularity.
#1
⭐
4.5/5
AudioFu Score
Specs:
4/10
Detail:
10/10
Value:
4/10
Allen & Heath DT168 Bag Bundle
Size
19"
Weight
4.75 kg
Installation
Live Sound
Long Cable Runs
Key Feature:
This bag bundle packs a powerful stagebox into a sturdy Cordura case. It handles 16 microphones with clear power status lights and connects via Dante or AES67. The included handle makes moving it much easier, but you must buy a separate rack kit to mount it properly. It fits many popular mixers but leaves out the protective rack angles.
PROS
- • Cordura material makes the bag very durable for road use
- • 16 mic preamps with XLR inputs and status LEDs for power
- • Built-in carrying handle helps move the heavy unit easily
- • Direct access to preamps via dLive and SQ-Series software
CONS
- • Rubber corners are standard but offer limited shock protection
- • No rack angles included for standard 19-inch rack mounting
- • Specific optional case is not included in this bundle
⭐
4.5/5
AudioFu Score
Specs:
4/10
Detail:
10/10
Value:
4/10
Art. 624747
$2,463
#2
⭐
4.5/5
AudioFu Score
Specs:
4/10
Detail:
10/10
Value:
5/10
Allen & Heath DX168/X Bag Bundle
Size
19"
Weight
0.8 kg
Remote Input
Long Cable Runs
Touring
Key Feature:
This bundle gives you a tough, water-resistant bag for your stagebox. The Cordura material and foam padding keep your gear safe on the road. It fits several popular mixers, but you'll need to buy the rack kit and case separately. Great for touring musicians who need reliable protection.
PROS
- • Cordura fabric resists abrasion and water damage
- • Foam padding protects equipment during transport
- • Includes a sturdy carrying handle for easy lifting
- • Designed to fit multiple Allen & Heath and Soundcraft models
CONS
- • Rack mounting kit is not included in this bundle
- • Specific case for the stagebox is sold separately
- • Does not include CAT5e cables despite mentioning compatibility
⭐
4.5/5
AudioFu Score
Specs:
4/10
Detail:
10/10
Value:
5/10
Art. 624746
$1,823
Allen & Heath DT02
Size
19"
Weight
1 kg
Live Sound
Long Cable Runs
Installation
Key Feature:
The DT02 is a seriously handy little box for anyone already invested in a Dante ecosystem – think touring techs, recording studios, or houses of worship needing flexible stage connectivity. It’s a well-built, reliable way to get your analog signals into your digital mixer, and the PoE power is a real convenience. Just be aware you're locked into the Dante world.
PROS
- • Incredibly compact form factor simplifies installation in tight spaces.
- • Dante integration offers robust, low-latency audio transport.
- • PoE power option reduces cabling clutter and complexity.
- • Allen & Heath's build quality ensures reliable operation in demanding environments.
CONS
- • Limited to two outputs restricts flexibility for larger setups.
- • Dante infrastructure required, adding to overall system cost.
- • Lack of analog inputs limits integration with non-Dante devices.
⭐
4.5/5
AudioFu Score
Specs:
4/10
Detail:
6/10
Value:
9/10
Art. 580608
$348
Allen & Heath DT168
Size
19"
Weight
4.75 kg
Remote Input
Long Cable Runs
Touring
Key Feature:
The DT168 is a seriously useful stagebox, especially if you're already in the Allen & Heath dLive or SQ ecosystem. It’s built like a tank for gigging, and the Dante connectivity makes it a breeze to expand your I/O without running tons of analog cables. Perfect for bands and touring engineers needing reliable, high-quality remote mic preamps.
PROS
- • Robust rubber corners offer excellent road-worthiness for frequent travel.
- • Allen & Heath's preamps deliver a clean, musical gain with low noise.
- • Dante Primary/Secondary ports ensure reliable, redundant network connectivity.
- • Direct dLive/SQ series integration provides seamless workflow and recall.
CONS
- • The unit's weight, while manageable, will be a consideration for solo operators.
- • Limited analog connectivity compared to some larger format mixers.
- • Dante infrastructure is required for full functionality; adds to overall system cost.
⭐
4.4/5
AudioFu Score
Specs:
4/10
Detail:
8/10
Value:
4/10
Art. 463186
$2,428
Allen & Heath AR84
Size
19"
Weight
3 kg
Long Cable Runs
Digital Mixing
Remote Input
Key Feature:
The AR84 is a solid, reliable expander for Allen & Heath's digital mixer ecosystem. It's a great solution for bands or sound engineers needing extra mic inputs without adding a full-sized mixer. If you're already invested in the A&H digital world, this rack is a seamless and professional extension of your system.
PROS
- • Robust Dante protocol ensures rock-solid, low-latency audio transmission
- • Allen & Heath's signature preamps deliver clean, musical gain
- • Compact 1U rackmount saves valuable space on stage or in the studio
- • Durable metal chassis feels exceptionally well-built and roadworthy
CONS
- • Limited output count compared to larger format stage racks
- • Cat 5 connectivity might be a bottleneck for some setups
- • Requires a compatible Allen & Heath digital mixer for full functionality
⭐
4.4/5
AudioFu Score
Specs:
4/10
Detail:
4/10
Value:
7/10
Art. 276191
$929
Allen & Heath AR2412
Size
19"
Weight
5 kg
Remote Input
Installation
Live Sound
Key Feature:
This AR2412 is a workhorse for Qu console users needing more inputs and outputs. It’s a solid, reliable stage box that expands your system's capabilities significantly—ideal for bands, corporate events, and any situation needing a scalable, Dante-enabled solution.
PROS
- • Robust Dante protocol ensures rock-solid, low-latency audio transmission.
- • Allen & Heath’s signature preamps deliver clean, punchy gain.
- • Compact 3U rackmount saves valuable space on stage or in the studio.
- • Aviom output offers flexible personal monitoring solutions for performers.
CONS
- • Limited to Allen & Heath Qu-series consoles; not a standalone mixer.
- • The Cat 5 outputs restrict flexibility compared to more modern protocols.
- • Relatively heavy for its size, requiring sturdy rack placement.
⭐
4.4/5
AudioFu Score
Specs:
4/10
Detail:
5/10
Value:
6/10
Art. 276190
$1,335
#7
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
10/10
Value:
6/10
Allen & Heath AB168 Bag Bundle
Weight
0.8 kg
Digital Mixing
Live Sound
Installation
Key Feature:
This bundle keeps your Allen & Heath stagebox safe on the road. The Cordura shell takes a beating, and the foam padding protects the electronics. It fits the popular AB168 and Soundcraft UI24 mixers. Just remember you need to buy the rack kit and case separately.
PROS
- • Robust Cordura material resists scratches and water damage
- • Foam padding protects sensitive preamps during transport
- • Single handle makes carrying the heavy unit easier
- • Compact exterior size fits small road cases well
CONS
- • Rack mounting kit is sold separately, not included
- • Suitable case must be bought as an extra item
- • No rack angles included for difficult stage setups
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
10/10
Value:
6/10
Art. 624744
$1,424
#8
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
10/10
Value:
4/10
Allen & Heath DX164-W
Weight
3.2 kg
Remote Input
Installation
Long Cable Runs
Key Feature:
This is a solid workhorse for permanent installs where space is tight. The steel case feels like it will survive a thousand shows, and the 96 kHz support keeps the audio crisp. You get a reliable signal with redundancy options, but it sits on the floor or wall, so you cannot put it in a rack. It pairs perfectly with your main mixer for a seamless, professional setup.
PROS
- • Robust steel housing protects gear in rough stage environments.
- • Plug-and-play setup works immediately with any compatible mixer.
- • Supports high-resolution 96 kHz audio for crystal clear sound.
- • Redundancy and cascade modes ensure the signal never drops.
CONS
- • Fixed wall or floor mounting means it cannot rack mount.
- • Only two control ports limit flexibility for large setups.
- • No built-in DSP means you must rely on the main console.
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
10/10
Value:
4/10
Art. 472873
$2,474
Allen & Heath DX88-P
Weight
1.51 kg
Live Sound
Remote Input
Installation
Key Feature:
The DX88-P is a seriously handy expander for those already invested in the Allen & Heath digital mixer world. It’s a solid, reliable way to add more I/O to your system, especially for permanent installations where you need a clean, dependable signal path. Perfect for houses of worship, clubs, or any venue with a fixed PA setup.
PROS
- • Robust Phoenix connectors offer reliable, low-latency signal transfer.
- • Compact form factor minimizes rack space usage in tight installations.
- • Phantom power simplifies microphone connectivity for fixed setups.
- • Plug & Play functionality drastically reduces setup and commissioning time.
CONS
- • Limited to Allen & Heath digital mixer ecosystems; not a standalone solution.
- • Rackmount kit is optional, adding to the overall investment.
- • Euroblock format may require adapter cables for some existing setups.
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
6/10
Value:
7/10
Art. 596040
$1,056
Allen & Heath DT20
Size
19"
Digital Mixing
Live Sound
Installation
Key Feature:
The DT20 is a seriously clever little box for anyone already in the Dante ecosystem. It's perfect for smaller venues, broadcast setups, or even just expanding a digital mixer's stage I/O. The build quality is solid as you'd expect from Allen & Heath, and the Dante integration makes life a whole lot easier.
PROS
- • Compact size ideal for tight stage setups and discreet installations.
- • Dante integration simplifies complex routing and signal management.
- • PoE power option minimizes cabling clutter and installation complexity.
- • Allen & Heath's robust build quality ensures reliable performance over time.
CONS
- • Limited to two inputs restricts use for larger, more complex productions.
- • Requires Dante infrastructure, adding to initial system investment.
- • No physical gain controls necessitate digital mixer adjustments.
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
6/10
Value:
9/10
Art. 580607
$348
Allen & Heath DT22
Size
19"
Live Sound
Digital Mixing
Remote Input
Key Feature:
The DT22 is a seriously handy little box for anyone already using a Dante network. It's a straightforward way to add a couple of analog inputs and outputs to your digital workflow, perfect for smaller venues or extending the reach of a larger system—just be aware it's not a mixer on its own.
PROS
- • Compact size ideal for tight stage setups or permanent installs
- • Dante integration simplifies complex audio routing workflows
- • Phoenix Euroblock connectors offer robust, secure connectivity
- • PoE option reduces cabling clutter and simplifies power
CONS
- • Limited to two inputs/outputs restricts scalability for larger rigs
- • Requires Dante infrastructure; not a standalone solution
- • Rack mount kit is optional, adding to the overall cost
⭐
4.4/5
AudioFu Score
Specs:
2/10
Detail:
6/10
Value:
8/10
Art. 580541
$464
#12
⭐
4.3/5
AudioFu Score
Specs:
2/10
Detail:
6/10
Value:
5/10
Allen & Heath DX168/X
Size
19"
Installation
Digital Mixing
Touring
Key Feature:
The DX168/X is a serious workhorse for dLive users needing extensive input and output flexibility. It’s a game-changer for larger bands, touring rigs, or venues wanting to expand their dLive’s capabilities – just be aware it’s completely dependent on that dLive mixer for operation.
PROS
- • Robust Dante protocol ensures rock-solid, low-latency audio transmission
- • 100m CAT5e cable length provides exceptional flexibility for stage setups
- • Allen & Heath’s renowned preamps deliver clean, punchy gain
- • Compact 19in rackmount design optimizes valuable space on the stage
CONS
- • Relies entirely on dLive ecosystem; lacks standalone functionality
- • Requires a dLive mixer for operation, increasing overall system cost
- • The rack kit and case are separate purchases, adding to the investment
⭐
4.3/5
AudioFu Score
Specs:
2/10
Detail:
6/10
Value:
5/10
Art. 425761
$1,789
#13
⭐
4.3/5
AudioFu Score
Specs:
1/10
Detail:
9/10
Value:
2/10
Allen & Heath GX4816
Remote Input
Touring
Long Cable Runs
Key Feature:
The GX4816 is a powerhouse expander for serious touring rigs and large venues. It's a fantastic solution for dLive and SQ users needing to significantly increase their input/output count, offering that classic Allen & Heath sonic clarity and reliability. This is ideal for production companies and bands running complex setups where scalability and rock-solid performance are essential.
PROS
- • Rock-solid build quality; feels like it can handle serious road abuse
- • Allen & Heath’s renowned preamps deliver clean, transparent gain
- • Seamless integration with dLive and SQ ecosystems simplifies workflows
- • Extensive I/O expands system capabilities significantly for large setups
CONS
- • Price point places it firmly in the professional, high-end category
- • Requires familiarity with Allen & Heath’s digital mixing workflow
- • Physical size (5U) might be restrictive in space-constrained environments
⭐
4.3/5
AudioFu Score
Specs:
1/10
Detail:
9/10
Value:
2/10
Art. 467617
$5,101
#14
⭐
4.2/5
AudioFu Score
Specs:
1/10
Detail:
4/10
Value:
6/10
Allen & Heath AB168
Installation
Touring
Live Sound
Key Feature:
The AB168 is a workhorse stagebox, expanding your GLD or Qu mixer's input count with Allen & Heath's signature preamp quality and Dante networking. It’s perfect for bands and touring acts needing reliable, high-quality remote mic preamps and signal routing – just be sure you’re already in the Allen & Heath digital ecosystem.
PROS
- • Robust Dante networking provides rock-solid, low-latency connectivity.
- • Allen & Heath’s renowned preamps deliver clean, transparent gain.
- • Compact form factor simplifies stage setup and transport.
- • Phantom power LED offers quick visual status confirmation.
CONS
- • Limited to GLD and Qu series mixers, restricting versatility.
- • Rack kit and case are optional, adding to the overall investment.
- • Ethernet cable required, adding another potential point of failure.
⭐
4.2/5
AudioFu Score
Specs:
1/10
Detail:
4/10
Value:
6/10
Art. 344399
$1,382
#15
⭐
4.4/5
AudioFu Score
Specs:
1/10
Detail:
10/10
Value:
5/10
Allen & Heath DX012
Live Sound
Touring
Digital Mixing
Key Feature:
The DX012 is a seriously useful piece for anyone running an Allen & Heath dLive or SQ system and needing more flexible outputs. It's a clean, reliable way to expand your I/O, offering both analog and AES options – perfect for broadcast, complex monitor setups, or sending signals to external processing. Just be mindful of the global AES sample rate selection.
PROS
- • Exceptional Dante/AES flexibility for complex routing needs
- • Robust 1U rack design ensures secure, portable deployment
- • Seamless integration with dLive and SQ ecosystems is genuinely plug-and-play
- • Cascade mode offers impressive scalability for larger stage setups
CONS
- • Limited analog input count compared to some competitors' expanders
- • AES output selection is global, lacking per-channel flexibility
- • Premium-priced, representing a significant investment for smaller rigs
⭐
4.4/5
AudioFu Score
Specs:
1/10
Detail:
10/10
Value:
5/10
Art. 467620
$1,638
Stage Boxes for Digital Mixers by the numbers
Measured across all 43 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $1,638
from $348 to $9,295
Weight
median 4.75 kg
from 0.8 kg to 11 kg · 25 models
Size
median 19"
from 19" to 19" · 16 models
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 15 of 43 stage boxes for digital mixers from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
How to Choose the Best Stage Boxes for Digital Mixers
Budget Planning
- • Under $200: Entry-level
- • $200-$500: Intermediate
- • $500-$1000: Advanced
- • $1000+: Professional
Quality Check
- • Sound clarity & tone
- • Build materials & finish
- • Hardware durability
- • Overall craftsmanship
Key Features
- • Your musical style
- • Skill level match
- • Intended use case
- • Brand reputation
Frequently Asked Questions
Key factors include build quality, sound characteristics, playability, brand reputation, warranty coverage, and value for money. Consider your musical style, skill level, and intended use to find the best match.
Budget depends on your needs and experience level. Beginners can find quality options for $200-500, intermediate players should consider $500-1500 range, while professionals often invest $1500+ for premium features.
Higher-priced stage boxes for digital mixers typically offer better materials, craftsmanship, and performance. They're worth it if you're serious about music, perform regularly, or need professional-grade features.
Top brands combine quality, innovation, and reliability. We evaluate brands based on build quality, sound performance, durability, and customer satisfaction to recommend the best options for different budgets.
Both have advantages. Online offers better prices and selection, while stores allow hands-on testing. We recommend researching online first, then testing in stores if possible. Many online retailers offer excellent return policies.
