Best Solid-State Bass Combos Under $800 2026
Alright, so you need a solid-state bass combo without dropping a grand? It's totally doable, but you gotta know what to look for. We're not chasing boutique tones here, but a reliable, gig-worthy amp that'll get you through rehearsals, smaller gigs, and even decent enough for tracking. Let's cut through the hype and find some real value.
Last updated: April 11, 2026
⚡ The best solid-state bass combos in 2026 are Markbass Marcus Miller CMD 101 Micro 60 (top pick), Markbass MB58R Mini CMD 121 P Combo for tighter budgets, and Phil Jones BE-17 Bass Engine 70W Black for pros — selected from 15 options across 3 brands, priced $328–$774, ranked by brand, price and popularity.
#1
⭐
3.9/5
AudioFu Score
Specs:
6/10
Detail:
5/10
Value:
8/10
Markbass Marcus Miller CMD 101 Micro 60
by
Markbass
Pop
Clean Bass Tones
Modern Rock
Key Feature:
This little Markbass is a game-changer for gigging bassists needing a compact, powerful solution. It’s a fantastic practice amp and surprisingly capable for smaller venues, delivering that signature Markbass punch and clarity in a highly portable package – perfect for session players or those with limited space.
PROS
- • Excellent Markbass tone in a remarkably compact and portable package
- • Custom speaker delivers surprisingly full low-end for its size
- • Balanced XLR DI output provides professional recording and live options
- • Intuitive EQ controls allow for quick and effective tone shaping
CONS
- • 60W might be limiting for larger gigs or louder bands
- • The piezo tweeter can sound slightly harsh at higher volumes
- • Limited effects options restrict versatility for certain playing styles
⭐
3.9/5
AudioFu Score
Specs:
6/10
Detail:
5/10
Value:
8/10
Art. 434236
$472
#2
⭐
3.9/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
7/10
Markbass MB58R Mini CMD 121 P Combo
by
Markbass
Reliable Gigging
Clean Bass Tones
Practice
Key Feature:
This Markbass Mini CMD 121 P combo is a seriously impressive little amp. It nails that Markbass punch and clarity, making it ideal for gigging bassists needing a portable, powerful solution. The compact design and surprising volume make it a great practice amp and a surprisingly capable stage performer, especially for smaller venues.
PROS
- • Markbass’s signature 'Neapolitan’ tone is surprisingly present even at lower volumes.
- • The 12” ceramic speaker delivers a tight, focused low-end with surprising projection.
- • Biodegradable housing is a genuinely commendable and unique design choice.
- • Compact size and relatively light weight (for a combo) make it very giggable.
CONS
- • The piezo tweeter can sound brittle at higher volumes, lacking warmth and smoothness.
- • Single-channel design limits versatility for players needing complex tonal shaping.
- • Scooped Mid LED isn’t the most intuitive or useful visual indicator.
⭐
3.9/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
7/10
Art. 548053
$724
#3
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones BE-17 Bass Engine 70W Black
by
Phil Jones
Practice
Pop
Clean Bass Tones
Key Feature:
The BE-17 is a seriously handy little amp – great for practice, small gigs, or recording. The speaker setup is surprisingly full for its size, and the active/passive switch makes it adaptable to a wide range of basses. It's a fantastic, affordable option for gigging bassists needing portability and a solid, clean tone.
PROS
- • Excellent Class-D efficiency delivers surprising power for its size.
- • PJB ferrite speaker provides a surprisingly full, warm low-end response.
- • Bluetooth 5.1 is reliable and convenient for backing tracks/jams.
- • The active/passive switch is genuinely useful for diverse bass pickups.
CONS
- • 7-inch speaker limits extreme low-frequency extension at higher volumes.
- • EQ’s +/-15dB range can be a bit aggressive for subtle shaping.
- • Limited onboard effects compared to some competitors in the price range.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 592891
$538
#4
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones Double Four Plus BG-80 RD
by
Phil Jones
Funk
Clean Bass Tones
Modern Rock
Key Feature:
The Double Four Plus BG-80 RD is a surprisingly powerful and portable practice amp. Its compact size and integrated Bluetooth make it perfect for gigging bassists needing a reliable, lightweight solution or for home practice. The PJB speakers provide a surprisingly robust sound for their size.
PROS
- • PJB speakers deliver surprisingly full, articulate low-end response.
- • Class D amp provides ample clean power with minimal hum.
- • Bluetooth 5.1 adds convenient connectivity for practice and backing tracks.
- • Active/Passive switch optimizes gain and tone for diverse basses.
CONS
- • 4-inch speakers lack the ultimate low-frequency extension for large venues.
- • EQ’s +/- 15dB range can be limiting for radical tone shaping.
- • USB-C power is a nice touch, but power delivery may be slow.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 599514
$604
#5
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones Double Four Plus BG-80 BK
by
Phil Jones
Modern Rock
Reliable Gigging
Clean Bass Tones
Key Feature:
The Double Four Plus BG-80 BK is a clever little amp – seriously impressive sound from such a small package. It's ideal for gigging bassists needing a portable, reliable practice amp or a low-volume stage solution. The built-in Bluetooth is a bonus for modern convenience.
PROS
- • Compact Class D amp delivers surprisingly robust, clean low-end response.
- • PJB 'Long-Thro' speakers offer a wide, surprisingly full frequency range.
- • Active/Passive switch smartly adapts to diverse pickup configurations.
- • Bluetooth 5.1 adds convenient connectivity for practice and backing tracks.
CONS
- • EQ range (+/- 15dB) might feel limiting for extensive tonal sculpting.
- • 4” speakers, while impressive, lack the ultimate low-frequency thump for massive gigs.
- • USB-C power is a nice touch, but relies on a compatible power supply.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 598306
$604
#6
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones Double Four Plus BG-80 WH
by
Phil Jones
Reliable Gigging
Clean Bass Tones
Pop
Key Feature:
This Double Four Plus is a seriously clever little amp. It’s perfect for gigging bassists needing a truly portable solution or for practice and recording where a full-stack isn't required. The surprisingly clean tone and Bluetooth connectivity make it a versatile and convenient package.
PROS
- • Excellent portability due to lightweight Class D amp design.
- • PJB 'Long-Thro' speakers deliver surprisingly full, articulate tone.
- • Active/Passive switch offers genuine flexibility for varied pickups.
- • Bluetooth 5.1 adds convenient backing track/jamming capabilities.
CONS
- • EQ range (+/- 15dB) is somewhat limited for extreme tonal sculpting.
- • 4” speakers lack serious low-end thump for heavier genres.
- • Tolex covering, while durable, isn't the most premium aesthetic.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 599513
$604
#7
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
6/10
Value:
8/10
Orange Crush Bass 50 Glenn Hughes LTD
by
Orange
Modern Rock
Practice
Clean Bass Tones
Key Feature:
This Orange Crush Bass 50 Glenn Hughes LTD is a seriously cool little amp – that signature Orange crunch, but with a touch of Glenn Hughes’ warmth. It’s perfect for gigging bassists needing a portable, affordable rig, or for home recording where that authentic Orange tone is key. The built-in tuner is a nice bonus, too.
PROS
- • Glenn Hughes signature voicing delivers a distinctly warm, saturated low-end
- • Solid build quality with Orange's characteristic rugged aesthetic
- • Versatile EQ with a mid-frequency sweep for tonal sculpting
- • CabSim headphone output provides surprisingly realistic amp simulation
CONS
- • 50 watts might be limiting for larger gigs or band practice
- • The single 12 in speaker lacks the ultimate low-frequency extension
- • FX loop is a welcome addition, but limited to one signal path
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
6/10
Value:
8/10
Art. 521744
$329
#8
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones BE-17 Bass Engine 70W Red
by
Phil Jones
Funk
Clean Bass Tones
Practice
Key Feature:
The BE-17 is a seriously impressive little amp. It’s perfect for gigging bassists needing a lightweight, versatile solution or for practice where you want some serious punch without overwhelming your neighbors. The Bluetooth is a nice touch, and the Mute/Active/Passive switch is a thoughtful inclusion for different bass setups.
PROS
- • Compact Class-D design delivers surprising power and efficiency.
- • PJB ferrite speaker provides a focused, articulate low-end response.
- • Flexible EQ with +/-15dB range allows for significant tonal shaping.
- • Bluetooth 5.1 offers convenient music playback and connectivity.
CONS
- • 7” speaker limits extreme low-frequency extension for serious sub-bass needs.
- • EQ lacks a mid-frequency control, restricting precise tone sculpting.
- • While portable, the ferrite speaker adds noticeable weight for its size.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 592889
$538
#9
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
6/10
Phil Jones BG-110 Bass Cub Combo
by
Phil Jones
Clean Bass Tones
Reliable Gigging
Practice
Key Feature:
The BG-110 Cub is a surprisingly powerful little amp, perfect for bassists needing a portable and versatile practice or small gig solution. It's exceptionally clean and articulate, making it a great choice for jazz, funk, or anything requiring precise tone. Don't expect earth-shattering low-end, but it punches well above its size.
PROS
- • Excellent clean headroom for a compact combo amp.
- • PJB NeoPower speakers deliver surprisingly full and articulate low-end.
- • The dual-channel design offers great flexibility for different sounds.
- • Lightweight and portable, making it ideal for gigging.
CONS
- • 5-inch speakers lack serious low-end thump for extreme genres.
- • EQ range, while wide, can be a little harsh at higher boosts.
- • Limited effects options; primarily a clean amp platform.
⭐
3.8/5
AudioFu Score
Specs:
6/10
Detail:
10/10
Value:
6/10
Art. 519855
$769
#10
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
7/10
Value:
7/10
Orange Crush Bass 100 Black
by
Orange
Practice
Reliable Gigging
Pop
Key Feature:
The Crush Bass 100 Black is a fantastic option for gigging bassists or practice enthusiasts who want that classic Orange tone without the high-end price tag. The 15-inch speaker delivers a surprising amount of low-end punch, and the blend control lets you dial in everything from clean to gritty overdrive. It's a serious contender for players seeking a reliable and characterful bass combo.
PROS
- • Orange's signature preamp voicing delivers a warm, aggressive low-end.
- • The 15-inch speaker provides surprisingly full and articulate bass response.
- • The blend control offers flexibility between clean and overdriven tones.
- • Solid build quality; feels robust and well-assembled for its class.
CONS
- • Lacks speaker versatility; a 10-inch or 12-inch option would expand its range.
- • FX loop is a welcome addition, but lacks more advanced routing options.
- • The weight makes it less than ideal for gigging musicians who move frequently.
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
7/10
Value:
7/10
Art. 392263
$637
#11
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
7/10
Value:
6/10
Markbass Minimark 802 N 300
by
Markbass
Modern Rock
Funk
Practice
Key Feature:
This Minimark 802 N 300 is a seriously impressive little combo. It delivers a Markbass signature sound – that warm, punchy tone – in a portable package. Perfect for gigging bassists needing a versatile, affordable amp for smaller venues or home practice, especially those playing genres like jazz, funk, or blues.
PROS
- • Markbass’s signature Art Tube emulation adds warmth and harmonic richness.
- • The 8-inch speakers deliver a surprisingly full and articulate low-end response.
- • Piezo tweeter provides crisp highs without harshness, excellent for clarity.
- • Compact size and manageable weight make it gig-ready and studio-friendly.
CONS
- • 8-inch speakers limit extreme low-frequency extension; not ideal for metal.
- • Lack of a footswitch for EQ or limiter necessitates manual adjustments during performance.
- • The EQ, while versatile, could benefit from a semi-parametric mid band.
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
7/10
Value:
6/10
Art. 549256
$774
#12
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
6/10
Phil Jones Bass BG-110 Cub II
by
Phil Jones
Pop
Funk
Reliable Gigging
Key Feature:
The BG-110 Cub II is a fantastic little powerhouse. It’s perfect for gigging bassists needing a portable, reliable amp for rehearsals, smaller venues, or direct recording. The built-in preamp and speakers offer a surprisingly big sound for its size, making it a great value.
PROS
- • Phil Jones’ NeoPower speakers deliver surprisingly punchy, defined low-end response.
- • Class D amplification provides clean power with minimal heat generation.
- • Compact size and lightweight construction make it highly portable for gigging.
- • The versatile channel switching offers a wide range of tonal possibilities.
CONS
- • 5-inch speakers limit ultimate low-frequency extension, especially for sub-bass focused genres.
- • EQ range (+/- 18dB) can be a bit aggressive for subtle tone shaping.
- • Aux input is a basic 3.5mm jack, lacking the robustness of a higher-end connection.
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
6/10
Art. 484005
$769
#13
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
6/10
Value:
8/10
Markbass CMB 121 Blackline Combo
by
Markbass
Modern Rock
Clean Bass Tones
Practice
Key Feature:
The CMB 121 Blackline is a solid little practice amp or gigging companion for bassists wanting that distinct Markbass sound without the premium price tag. It’s surprisingly versatile for its size, covering everything from clean jazz tones to punchy rock grooves. A great choice for students and gigging players who need portability and a good sound.
PROS
- • Markbass’s signature Art Tube voicing delivers a surprisingly warm, tube-like character.
- • The 12” speaker offers a balanced frequency response, avoiding excessive boominess common in smaller cabs.
- • The EQ section, with its unique mid-low and mid-high controls, allows for precise tone shaping.
- • The integrated XLR DI output provides a clean, usable signal for recording or live sound reinforcement.
CONS
- • The lightweight construction, while convenient, might feel slightly less robust than heavier, all-steel amps.
- • 150 watts is adequate for smaller gigs, but power users will likely want more headroom.
- • The auxiliary input lacks a level control, potentially causing volume imbalances.
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
6/10
Value:
8/10
Art. 571833
$406
#14
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones Double Four BG-75 WH
by
Phil Jones
Modern Rock
Clean Bass Tones
Reliable Gigging
Key Feature:
The Phil Jones Double Four BG-75 is a remarkably capable practice amp, especially for bassists who prioritize portability and clarity. Its dual amp design and unique speaker configuration produce a surprisingly full and articulate tone, perfect for smaller spaces or quiet rehearsals. It's an excellent choice for students, gigging bassists needing a reliable travel amp, or anyone wanting a focused bass tone without a lot of fuss.
PROS
- • Impressive bass response for its size thanks to the RALFR design.
- • Dual amplifier architecture delivers cleaner, more defined tones.
- • The PJB Neo Power speakers offer surprising clarity and projection.
- • Solid-state reliability and efficiency mean hours of practice without fatigue.
CONS
- • The 4-inch speakers lack the ultimate low-end extension for serious thump.
- • EQ range, while useful, could benefit from a mid-frequency sweep option.
- • Aux input level can be a bit finicky to dial in accurately.
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 375615
$549
#15
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Phil Jones Double Four BG-75 BK
by
Phil Jones
Funk
Practice
Reliable Gigging
Key Feature:
The Double Four BG-75 BK is a clever little amp, perfect for gigging bassists needing a portable, powerful, and clean tone. Its dual-amp design and PJB speakers provide a surprisingly full sound, making it a great practice amp or small venue solution for players who prioritize clarity and articulation.
PROS
- • Excellent clean tone with surprising headroom for its size
- • PJB Neo Power speakers deliver a tight, articulate low-end
- • RALFR design extends usable bass response beyond typical 4” speakers
- • Compact and lightweight for easy transport and gigging
CONS
- • EQ range is limited; lacks a mid-sweep or more complex shaping options
- • Aux input level can be a bit quiet, requiring gain adjustments
- • High-end frequencies can occasionally sound slightly harsh at higher volumes
⭐
3.7/5
AudioFu Score
Specs:
6/10
Detail:
9/10
Value:
7/10
Art. 311873
$549
How to Choose the Best Solid-State Bass Combos
1
Power Handling
Most combos in this range are 100-200 watts. That's enough for smaller gigs, but don't expect to blow away a stadium. Headroom is crucial - you want it to breathe before it starts to compress and lose definition.
2
Speaker Size & Type
10" and 12" speakers are common. 12" generally gives you more low-end thump and a wider sonic palette, while 10" can be tighter and more focused. The quality of the speaker itself makes a huge difference - cheap speakers sound thin and brittle.
3
EQ Section
Look for at least a basic 3-band EQ (bass, mid, treble). A sweepable midrange is a bonus - it lets you dial in that fat midrange honk or carve out muddiness. Flat response isn't always what you want; a little extra 'something' can help you cut through.
4
Effects & Features
Reverb is almost a given at this price. Compression, DI outputs, and headphone jacks are nice extras, but don't prioritize them over core tone. Too many digital effects often mean compromises elsewhere.
5
Build Quality
Let's be honest, you're not getting a tank. But check for sturdy construction, decent speaker protection, and reliable controls. Cheap plastic knobs and flaky switches are a sign of trouble.
Buying Guide
At this budget, you're making trade-offs. Expect to sacrifice some high-end speaker quality or advanced features. Don't be fooled by lots of knobs - simple, well-implemented EQ is better than a complex system that doesn't sound great. Prioritize a combo that has a usable clean tone and a decent amount of headroom, because pushing a cheap amp too hard just reveals its limitations.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page ranks 15 solid-state bass combos from the Thomann catalogue, which is the largest single source of specification data in this category.
Position is computed, not curated. Four signals, in order of weight: how completely the manufacturer documents the instrument (number of published specifications), where it sits in the price range, how specific the model designation is — which filters out generic accessories — and whether a product image exists. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Most will have a DI output, but the quality varies. Don't expect pristine studio recordings straight out of the box - you'll likely still want to run it through an audio interface for better preamps and more control.
100-200 watts is generally enough, but it depends on your band's volume. A smaller practice space or a quieter band is no problem. Larger rehearsals might require miking or pairing with an extension cabinet.
Solid-state amps are typically cleaner and more reliable, with less maintenance. Tube amps offer a warmer, more 'organic' tone and natural overdrive, but they're more expensive and require more care.
Absolutely. Just be mindful of the preamp settings on your bass - you might need to reduce the output to avoid overloading the combo's preamp. Experiment with the EQ to find a good balance.
A speaker protector is essential. It prevents damage from accidental clipping or extreme volume levels. Some combos have them built-in, others require an external one.
