Best Solid-State Bass Combos Under $800 2026
Alright, so you need a solid-state bass combo without dropping a grand? It's totally doable, but you gotta know what to look for. We're not chasing boutique tones here, but a reliable, gig-worthy amp that'll get you through rehearsals, smaller gigs, and even decent enough for tracking. Let's cut through the hype and find some real value.
Last updated: September 28, 2026
⚡ The best solid-state bass combos in 2026 are Fender Rumble 200 (top pick), Hartke HD508 for tighter budgets, and Phil Jones Bass BG-110 Cub II for pros — selected from 15 options across 7 brands, priced $557–$797, ranked by brand, price and popularity.
Fender Rumble 200
by
Fender
Weight
15.65 kg
Practice
Reliable Gigging
Funk
Key Feature:
The Rumble 200 is a seriously powerful little amp – perfect for gigging bassists needing a portable, reliable rig. It's got a modern, punchy tone that cuts through a band, and the compression tweeter really helps it sparkle without getting harsh. A solid choice for rock, pop, and even some funk players.
PROS
- • Powerful Class D amp delivers surprisingly tight, modern low-end.
- • Eminence speaker provides a robust, full-frequency response for versatility.
- • Compression tweeter adds air and clarity, avoiding muddiness at higher volumes.
- • Well-built vinyl covering and soft-touch knobs feel premium for the price.
CONS
- • The Eminence speaker, while good, lacks the nuance of more expensive boutique options.
- • Limited channel flexibility restricts complex tone shaping scenarios.
- • Relatively heavy for a combo amp, making portability a consideration.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Art. 331987
$797
Hartke HD508
by
Hartke
Weight
22 kg
Funk
Pop
Practice
Key Feature:
The HD508 is a seriously powerful and versatile combo amp for gigging bassists. Hartke's done a great job balancing portability with a substantial, modern sound, especially impressive given the speaker configuration. It's a sweet spot for players wanting a clean, focused tone with a bit of shaping ability without the extreme expense of higher-end models.
PROS
- • Neodymium speakers deliver surprisingly tight, articulate low-end response.
- • Hartke’s Shape control genuinely sculpts the tonal character effectively.
- • The Class D amp provides substantial power without excessive heat or weight.
- • Solid build quality; feels robust and ready for gigging regularly.
CONS
- • EQ is basic; lacks mid-frequency sweep or more nuanced control.
- • The 4x8” speaker configuration isn’t ideal for extreme low-frequency extension.
- • The aesthetic, while clean, might be considered a little bland by some.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
6/10
Art. 475145
$797
Phil Jones Bass BG-110 Cub II
by
Phil Jones
Weight
7 kg
Pop
Funk
Reliable Gigging
Key Feature:
The BG-110 Cub II is a fantastic little powerhouse. It’s perfect for gigging bassists needing a portable, reliable amp for rehearsals, smaller venues, or direct recording. The built-in preamp and speakers offer a surprisingly big sound for its size, making it a great value.
PROS
- • Phil Jones’ NeoPower speakers deliver surprisingly punchy, defined low-end response.
- • Class D amplification provides clean power with minimal heat generation.
- • Compact size and lightweight construction make it highly portable for gigging.
- • The versatile channel switching offers a wide range of tonal possibilities.
CONS
- • 5-inch speakers limit ultimate low-frequency extension, especially for sub-bass focused genres.
- • EQ range (+/- 18dB) can be a bit aggressive for subtle tone shaping.
- • Aux input is a basic 3.5mm jack, lacking the robustness of a higher-end connection.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Art. 484005
$797
Ampeg RB-115 Bundle
by
Ampeg
Weight
15.5 kg
Modern Rock
Pop
Funk
Key Feature:
The RB-115 is a solid, reliable combo amp perfect for gigging bassists needing a warm, full sound. The built-in overdrive is a nice touch for adding some extra edge, and the included cover is a practical bonus. It's a great choice for players wanting a vintage Ampeg vibe without the high-end price tag.
PROS
- • Custom Eminence speaker delivers a warm, punchy low-end response.
- • SGT Overdrive adds a usable grit for rock and blues tones.
- • Solid build quality with durable 600-denier vinyl cover.
- • Versatile connectivity with DI out, effects loop, and speaker out.
CONS
- • Relatively heavy at 15.5kg, making transport a challenge.
- • 3-band EQ is basic; more advanced users might want more control.
- • Ultra-Hi/Lo switch offers limited tonal shaping compared to parametric EQ.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
6/10
Art. 622937
$753
Hartke HD500
by
Hartke
Weight
16 kg
Practice
Modern Rock
Pop
Key Feature:
The HD500 is a solid, no-frills bass combo that delivers Hartke's characteristic punch and clarity. It's a great choice for gigging bassists needing a reliable, affordable amp with a clean, defined sound – perfect for rock, funk, and even some modern pop where you want a focused low-end.
PROS
- • Hartke’s signature tight, defined low-end presence is noticeable.
- • Neodymium speakers deliver surprisingly punchy and clear mids.
- • The 3-band EQ offers useful shaping capabilities for most genres.
- • Compact size and Class D amp make it relatively lightweight for its power.
CONS
- • The EQ isn't as flexible as more modern amp modeling options.
- • The 10-inch speakers limit extreme low-frequency extension.
- • Shape control can be a little unpredictable and hard to dial in.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
7/10
Art. 412654
$740
Markbass CMD JB Players School w/Cover
by
Markbass
Weight
15.7 kg
Clean Bass Tones
Funk
Modern Rock
Key Feature:
This combo packs a solid 250 watts into a big 15-inch speaker, perfect for cutting through a live mix. The four-band EQ gives you real control without needing extra pedals. While the heavy weight is a trade-off, the included cover makes it easier to move around. It's a straightforward, reliable choice for players who want pure amp tone right out of the box.
PROS
- • Delivers 250 watts of clean solid-state power for loud rooms
- • Large 15-inch speaker handles heavy low-end frequencies well
- • Four-band EQ lets you shape the tone precisely
- • Includes a protective cover for safe transport
CONS
- • Heavy at 15.7 kg makes carrying it difficult
- • No active effects loop mentioned in the specs
- • Price point excludes some high-end pedalboard needs
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
9/10
Value:
7/10
Art. 631635
$729
Trace Elliot ELF C110
by
Trace Elliot
Weight
8.21 kg
Pop
Funk
Clean Bass Tones
Key Feature:
The ELF C110 is a surprisingly powerful and portable option, delivering that classic Trace Elliot sound. It's a great grab-and-go amp for gigging bassists needing a clean, focused tone and a reliable DI – especially ideal for funk, pop, and lighter rock styles where massive low-end isn’t essential.
PROS
- • Trace Elliot’s signature clean, punchy tone shines through.
- • Compact and lightweight for easy transport and gigging.
- • DI output provides a clean, usable signal for recording and live sound.
- • Robust construction using quality components for reliable performance.
CONS
- • EQ is basic; lacks the flexibility of more premium amps.
- • 1x10” configuration limits low-end extension for some genres.
- • Headphone output lacks significant power for monitoring.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
4/10
Value:
7/10
Art. 458165
$683
Ampeg RB-115
by
Ampeg
Weight
15.5 kg
Modern Rock
Funk
Practice
Key Feature:
The RB-115 is a fantastic, affordable option for gigging bassists needing a reliable, portable combo. Its warm, punchy tone and built-in overdrive make it a great all-rounder, especially suited for rock, blues, and funk – just be mindful of the limited headroom when playing in a loud band.
PROS
- • Custom Eminence speaker delivers warm, defined low-end response.
- • Ampeg’s Super Grit Technology adds a usable, gritty overdrive character.
- • Solid build quality with robust metal chassis and reliable components.
- • Versatile EQ and effects loop cater to a range of playing styles.
CONS
- • Limited headroom at higher volumes; can become compressed quickly.
- • 1x15” design lacks the flexibility of multiple speaker configurations.
- • Ultra-Hi/Lo switch offers subtle tonal adjustments, not dramatic changes.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
8/10
Value:
7/10
Art. 516950
$682
Markbass CMD JB Players School Combo
by
Markbass
Weight
15.7 kg
Practice
Funk
Pop
Key Feature:
This CMD JB Players School Combo is a fantastic option for gigging bassists and students alike. The Markbass power amp delivers that signature punch and clarity, and the 15in speaker offers a surprisingly full sound. It's a well-rounded package that won't break the bank, offering a great balance of power, tone, and portability.
PROS
- • Markbass’s signature analog power amp delivers a tight, modern low-end.
- • The 15in speaker provides surprising headroom and a full frequency response.
- • VPF and VLE filters offer tonal shaping beyond a standard EQ.
- • Built-in DI output with adjustable pre/post EQ is gig-ready.
CONS
- • The 15in speaker, while full, lacks the ultimate low-frequency extension of larger drivers.
- • The EQ, while functional, isn't as comprehensive as some higher-end models.
- • The weight (15.7 kg) makes it less portable than smaller combo amps.
⭐
4.8/5
AudioFu Score
Specs:
10/10
Detail:
6/10
Value:
7/10
Art. 305338
$660
Boss Katana-210 Bass
by
Boss
Weight
21.8 kg
Modern Rock
Pop
Reliable Gigging
Key Feature:
The Katana-210 Bass is a fantastic practice and gigging amp for bassists needing a wide palette of sounds. Its compact size and surprisingly powerful output make it ideal for smaller venues or home practice, and the BOSS Tone Studio software unlocks a ton of customization. It’s a great option for players who want a modern, flexible bass amp without a huge footprint.
PROS
- • Excellent modelling versatility covers a wide range of bass tones.
- • The 2x10” speaker configuration delivers surprisingly full low-end response.
- • BOSS Tone Studio software provides deep customization and tonal shaping.
- • Power Control feature maintains tone and feel at low practice volumes.
CONS
- • The 10” speakers lack the extreme sub-bass of larger cabinets.
- • While versatile, the amp character leans toward modern, less vintage.
- • The plastic enclosure feels a little less premium than some competitors.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 539794
$652
Phil Jones Double Four Plus BG-80 RD
by
Phil Jones
Weight
5.1 kg
Funk
Clean Bass Tones
Modern Rock
Key Feature:
The Double Four Plus BG-80 RD is a surprisingly powerful and portable practice amp. Its compact size and integrated Bluetooth make it perfect for gigging bassists needing a reliable, lightweight solution or for home practice. The PJB speakers provide a surprisingly robust sound for their size.
PROS
- • PJB speakers deliver surprisingly full, articulate low-end response.
- • Class D amp provides ample clean power with minimal hum.
- • Bluetooth 5.1 adds convenient connectivity for practice and backing tracks.
- • Active/Passive switch optimizes gain and tone for diverse basses.
CONS
- • 4-inch speakers lack the ultimate low-frequency extension for large venues.
- • EQ’s +/- 15dB range can be limiting for radical tone shaping.
- • USB-C power is a nice touch, but power delivery may be slow.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 599514
$626
Phil Jones Double Four Plus BG-80 BK
by
Phil Jones
Weight
5.1 kg
Modern Rock
Reliable Gigging
Clean Bass Tones
Key Feature:
The Double Four Plus BG-80 BK is a clever little amp – seriously impressive sound from such a small package. It's ideal for gigging bassists needing a portable, reliable practice amp or a low-volume stage solution. The built-in Bluetooth is a bonus for modern convenience.
PROS
- • Compact Class D amp delivers surprisingly robust, clean low-end response.
- • PJB 'Long-Thro' speakers offer a wide, surprisingly full frequency range.
- • Active/Passive switch smartly adapts to diverse pickup configurations.
- • Bluetooth 5.1 adds convenient connectivity for practice and backing tracks.
CONS
- • EQ range (+/- 15dB) might feel limiting for extensive tonal sculpting.
- • 4” speakers, while impressive, lack the ultimate low-frequency thump for massive gigs.
- • USB-C power is a nice touch, but relies on a compatible power supply.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 598306
$626
Phil Jones Double Four Plus BG-80 WH
by
Phil Jones
Weight
5.1 kg
Reliable Gigging
Clean Bass Tones
Pop
Key Feature:
This Double Four Plus is a seriously clever little amp. It’s perfect for gigging bassists needing a truly portable solution or for practice and recording where a full-stack isn't required. The surprisingly clean tone and Bluetooth connectivity make it a versatile and convenient package.
PROS
- • Excellent portability due to lightweight Class D amp design.
- • PJB 'Long-Thro' speakers deliver surprisingly full, articulate tone.
- • Active/Passive switch offers genuine flexibility for varied pickups.
- • Bluetooth 5.1 adds convenient backing track/jamming capabilities.
CONS
- • EQ range (+/- 15dB) is somewhat limited for extreme tonal sculpting.
- • 4” speakers lack serious low-end thump for heavier genres.
- • Tolex covering, while durable, isn't the most premium aesthetic.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 599513
$626
Ampeg RB-112 Bundle
by
Ampeg
Weight
11.75 kg
Reliable Gigging
Practice
Clean Bass Tones
Key Feature:
The Ampeg RB-112 is a seriously solid practice amp and small gig solution. The Super Grit Technology adds a welcome edge, and the included cover is a nice touch. It’s an excellent choice for gigging bassists needing a reliable, affordable combo with a classic Ampeg vibe.
PROS
- • Custom Eminence speaker delivers a surprisingly punchy and defined low-end.
- • SGT overdrive provides usable grit for rock and funk tones.
- • Solid build quality with a robust, roadworthy feel for gigging musicians.
- • Included amp cover protects the unit from dust and minor bumps during transport.
CONS
- • Limited EQ flexibility compared to more expensive combo amps.
- • 100W power might be insufficient for very loud stage environments.
- • The 3-band EQ can be a little muddy in the mid-range for some players.
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
10/10
Value:
7/10
Art. 622936
$612
Markbass Marcus Miller CMD 101 Micro 60
by
Markbass
Weight
11.5 kg
Pop
Clean Bass Tones
Modern Rock
Key Feature:
This little Markbass is a game-changer for gigging bassists needing a compact, powerful solution. It’s a fantastic practice amp and surprisingly capable for smaller venues, delivering that signature Markbass punch and clarity in a highly portable package – perfect for session players or those with limited space.
PROS
- • Excellent Markbass tone in a remarkably compact and portable package
- • Custom speaker delivers surprisingly full low-end for its size
- • Balanced XLR DI output provides professional recording and live options
- • Intuitive EQ controls allow for quick and effective tone shaping
CONS
- • 60W might be limiting for larger gigs or louder bands
- • The piezo tweeter can sound slightly harsh at higher volumes
- • Limited effects options restrict versatility for certain playing styles
⭐
4.9/5
AudioFu Score
Specs:
10/10
Detail:
8/10
Value:
7/10
Art. 434236
$558
Every solid-state bass combos that matches
74 models match this page. The 15 above are covered in detail; the rest are listed here with their published specifications.
| # | Model | Specifications | Price |
|---|---|---|---|
| 16 | Phil Jones BE-17 Bass Engine 70W Black | Weight 6.7 kg | $558 |
| 17 | Phil Jones BE-17 Bass Engine 70W Red | Weight 6.7 kg | $558 |
| 18 | Orange Crush Bass 100 | Weight 24.25 kg | $543 |
| 19 | Orange Crush Bass 100 Black | Weight 24.25 kg | $542 |
| 20 | Ampeg RB-112 | Weight 11.75 kg | $541 |
| 21 | Phil Jones X4C Nanobass 35W RD | Weight 2.4 kg | $455 |
| 22 | Phil Jones X4C Nanobass 35W BK | Weight 2.4 kg | $455 |
| 23 | Warwick BC 150 | Weight 23.5 kg | $455 |
| 24 | Boss Katana-110 Bass Bundle | Weight 16.8 kg | $442 |
| 25 | Boss Katana-110 Bass | Weight 16.8 kg | $411 |
| 26 | Bugera BXD15A | Weight 22 kg | $409 |
| 27 | Cort CM150B MKII | Weight 11.5 kg | $409 |
| 28 | Fender Rumble 100 | Weight 9.97 kg | $409 |
| 29 | Vox Adio Air Bass | Weight 2.9 kg | $380 |
| 30 | Markbass Micromark 801 | Weight 6.6 kg | $377 |
| 31 | Fender Rumble 40 | Weight 8.16 kg | $375 |
| 32 | Bugera BXD15 | Weight 21.1 kg | $341 |
| 33 | Orange Crush Bass 50 Black | Weight 14.45 kg | $341 |
| 34 | Boss Dual Cube Bass LX | Weight 4.4 kg | $336 |
| 35 | Ampeg RB-110 II | Weight 10.2 kg | $330 |
| 36 | Bugera BXD12 | Weight 19.9 kg | $328 |
| 37 | Orange Crush Bass 50 | Weight 14.45 kg | $328 |
| 38 | Orange Crush Bass 50 Glenn Hughes LTD | Weight 14.45 kg | $327 |
| 39 | Warwick BC 80 | Weight 18.5 kg | $307 |
| 40 | Blackstar Marco Mendoza Debut Bass 25 | Weight 8.45 kg | $284 |
| 41 | Nux Mighty Bass 50BT | Weight 7.2 kg | $284 |
| 42 | EBS Session 30 Mk3 | Weight 7.3 kg | $250 |
| 43 | Orange Crush Bass 25 | Weight 8.3 kg | $216 |
| 44 | Orange Crush Bass 25 Black | Weight 8.3 kg | $216 |
| 45 | Warwick BC 40 | Weight 16 kg | $216 |
| 46 | Fender Rumble 25 | Weight 9.53 kg | $204 |
| 47 | Cort CM40B Black | Weight 9.7 kg | $193 |
| 48 | Harley Benton HB-80B Celestion | Weight 21 kg | $193 |
| 49 | Ampeg RB-108 | Weight 10.5 kg | $192 |
| 50 | Warwick BC 20 | Weight 9 kg | $170 |
| 51 | Harley Benton HB-40B Bundle | Weight 12 kg | $147 |
| 52 | Fender Rumble 15 | Weight 7.26 kg | $137 |
| 53 | Harley Benton HB-40B | Weight 12 kg | $136 |
| 54 | Warwick BC 10 | Weight 6.2 kg | $136 |
| 55 | Hartke HD15 Combo | Weight 6.1 kg | $121 |
| 56 | Vox Pathfinder 10 Bass | Weight 5.6 kg | $112 |
| 57 | Harley Benton HB-20B Bundle | Weight 7.5 kg | $101 |
| 58 | Joyo BA-30 Micro Bass Amp White | Weight 2.7 kg | $101 |
| 59 | Joyo BA-30 Micro Bass Amp Black | Weight 2.7 kg | $101 |
| 60 | Harley Benton HB-20B | Weight 7.5 kg | $90 |
| 61 | Blackstar FLY 3 Bass Amp BK | Weight 1 kg | $82 |
| 62 | Markbass CMB 151 Black Line | not published | $527 |
| 63 | Hartke HD150 | not published | $506 |
| 64 | Markbass CMB 121 Blackline Combo | not published | $413 |
| 65 | Orange Crush Bass 50 Black Bundle | not published | $392 |
| 66 | Orange Crush Bass 50 Bundle | not published | $380 |
| 67 | Orange Crush Bass 50 Glenn Hug Bundle | not published | $375 |
| 68 | Blackstar Debut Bass Combo 25W | not published | $261 |
| 69 | Hartke HD50 | not published | $261 |
| 70 | Markbass CMB 101 Blackline Combo | not published | $247 |
| 71 | Ampeg RB-108 Bundle | not published | $222 |
| 72 | Hartke HD25 | not published | $177 |
| 73 | Harley Benton JAMster Bass | not published | $44 |
| 74 | Yuer Portable Bass Amp Bluetooth | not published | $44 |
Solid-State Bass Combos by the numbers
Measured across all 74 models in this category, so «wide», «short» or «expensive» mean something you can check.
Price
median $341
from $90 to $740
Weight
median 9.97 kg
from 2.7 kg to 22 kg · 61 models
How to Choose the Best Solid-State Bass Combos
1
Power Handling
Most combos in this range are 100-200 watts. That's enough for smaller gigs, but don't expect to blow away a stadium. Headroom is crucial - you want it to breathe before it starts to compress and lose definition.
2
Speaker Size & Type
10" and 12" speakers are common. 12" generally gives you more low-end thump and a wider sonic palette, while 10" can be tighter and more focused. The quality of the speaker itself makes a huge difference - cheap speakers sound thin and brittle.
3
EQ Section
Look for at least a basic 3-band EQ (bass, mid, treble). A sweepable midrange is a bonus - it lets you dial in that fat midrange honk or carve out muddiness. Flat response isn't always what you want; a little extra 'something' can help you cut through.
4
Effects & Features
Reverb is almost a given at this price. Compression, DI outputs, and headphone jacks are nice extras, but don't prioritize them over core tone. Too many digital effects often mean compromises elsewhere.
5
Build Quality
Let's be honest, you're not getting a tank. But check for sturdy construction, decent speaker protection, and reliable controls. Cheap plastic knobs and flaky switches are a sign of trouble.
Buying Guide
At this budget, you're making trade-offs. Expect to sacrifice some high-end speaker quality or advanced features. Don't be fooled by lots of knobs - simple, well-implemented EQ is better than a complex system that doesn't sound great. Prioritize a combo that has a usable clean tone and a decent amount of headroom, because pushing a cheap amp too hard just reveals its limitations.
How This List Is Built
We don't play these instruments — we're a catalog, not a review desk, and we'd rather say so than pretend otherwise. This page covers 74 solid-state bass combos from the Thomann catalogue, which is the largest single source of specification data in this category: 15 in detail, the rest listed with their specifications.
Position is computed, not curated. We parse the manufacturer's own description into actual values — nut width, scale, fret count, fingerboard radius, size, alloy — and rank on them: how many specifications a model has published, how many of them are measurable numbers, and how precisely it meets this page's criterion. A product image adds a little. Price is not a ranking signal: it tells you nothing about whether a neck fits your hand. The same inputs always produce the same order, so nothing here is shuffled to look fresh.
What this list is good for: narrowing a category down to a shortlist by spec and budget. What it isn't: a substitute for hearing an instrument. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
Frequently Asked Questions
Most will have a DI output, but the quality varies. Don't expect pristine studio recordings straight out of the box - you'll likely still want to run it through an audio interface for better preamps and more control.
100-200 watts is generally enough, but it depends on your band's volume. A smaller practice space or a quieter band is no problem. Larger rehearsals might require miking or pairing with an extension cabinet.
Solid-state amps are typically cleaner and more reliable, with less maintenance. Tube amps offer a warmer, more 'organic' tone and natural overdrive, but they're more expensive and require more care.
Absolutely. Just be mindful of the preamp settings on your bass - you might need to reduce the output to avoid overloading the combo's preamp. Experiment with the EQ to find a good balance.
A speaker protector is essential. It prevents damage from accidental clipping or extreme volume levels. Some combos have them built-in, others require an external one.
