AudioFuAudioFu Chart · October 2026
Best Multiple, Divider Modules for Beginner 2026
The top pick is Behringer 994 Multiples Eurorack Synthesizer Module ($14). Joranalogue Audio Design Link 2 leads the high end. Ranked by the AudioFu Index from 25 models across 12 brands, prices checked every night.
Last updated: October 15, 2026
Top 10
Full detail for the 10 highest AudioFu Index scores. Every other model is listed below.
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Behringer 994 Multiples Eurorack Synthesizer Module
994 Multiples · Behringer
2 for sale on Reverb1 finish at Thomann
The Behringer 994 Multiples is a no-frills, incredibly budget-friendly solution for expanding your Eurorack patching capabilities. It's perfect for beginners or anyone needing a simple, clean way to distribute signals without adding any unwanted coloration. Seriously, for the price, you can’t beat it for basic routing needs.
Pros
- Extremely affordable for basic multiple functionality
- Passive design ensures signal integrity, no added noise
- Compact 4HP footprint saves valuable rack space
Cons
- Passive design means no signal amplification or attenuation
- Construction uses standard Behringer stamped metal, feels a bit flimsy
62AudioFu
Index↓ 16.7%since Aug 14 · lowest so far$17 · Aug 14$14 now$14€13 at Thomann · in stockCheck price ↗ -
Behringer 173 Quad Gate / Multiples Eurorack Synthesizer Module
173 Quad Gate/Multiples · Behringer
4 for sale on Reverb1 finish at Thomann
The 173 is a fantastic entry point for modular patching – super useful for creating complex rhythms and splitting signals. It's a no-frills workhorse, ideal for beginners or anyone needing reliable, affordable gating and multiples without a lot of extra bells and whistles. It's a great way to expand your patching options without breaking the bank.
Pros
- Four gates offer versatile rhythmic complexity and sequencing possibilities
- Buffered signal path preserves signal integrity, reducing noise and signal loss
- Passive multiples are rock-solid reliable, no active components to fail
Cons
- Plastic housing feels budget-oriented, lacks premium feel of metal modules
- Passive multiples can introduce slight signal degradation at higher levels
65AudioFu
Index↓ 3.1%since Aug 14 · lowest so far$36 · Aug 14$35 now$35€31 at Thomann · in stockCheck price ↗ -
The Mult 1U is a no-frills, essential utility for any Eurorack system. Its passive design keeps your signal clean, and the compact size is a huge win for those of us with limited space. Perfect for beginners needing basic routing or experienced users wanting a clean, reliable multiple.
Pros
- Passive design preserves signal integrity, crucial for pristine audio
- Compact 14HP footprint maximizes valuable rack space
- Dual 1x5 configuration offers flexible routing options
Cons
- Passive design requires external signal for functionality
- Limited to simple signal distribution, lacks active features
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The A-180-2 is a no-frills, essential utility module for any modular synth setup. It's a fantastic, budget-friendly way to distribute signals to multiple destinations, and its small size makes it ideal for those with space constraints. Perfect for beginners and experienced users alike who need a simple, reliable patching solution.
Pros
- Solid Doepfer build quality; reliable for years of patching.
- Compact 2HP footprint saves valuable space in dense modular racks.
- Flexible design allows for 8- or 4-multiple configurations.
Cons
- Passive design means signal level is reduced with more connections.
- Soldering required for 8-multiple configuration; slightly inconvenient.
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The Make Noise Mult is a brilliant little utility – a must-have for any modular setup really. It's incredibly efficient for distributing signals and clocks, especially when you're running out of patch points. Perfect for seasoned modular users needing a no-fuss, space-saving solution.
Pros
- Passive design preserves signal integrity, avoiding coloration
- Flexible routing options expand patching possibilities significantly
- Compact 4HP footprint maximizes space in tight racks
Cons
- Passive design means no active buffering – signal loss possible
- Limited routing configurations compared to more complex multiples
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The Klavis 2x4 is a seriously handy little module for anyone needing to split signals without the hassle of power. It’s incredibly compact and reliable, perfect for patching oscillators, LFOs, or audio signals where you need multiple destinations quickly. A must-have for modular beginners and experienced users alike when space is at a premium.
Pros
- Extremely compact 2U form factor saves valuable panel space.
- Passive design eliminates power supply concerns, simplifying patching.
- Solid construction with reliable Klavis quality and finish.
Cons
- Passive design means signal level is tied to your Eurorack power rails.
- Limited functionality; only serves as a simple multiple.
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The Rides In The Storm QPM is a seriously clever little module for anyone needing to split signals without drawing power. It's a great, budget-friendly option for those wanting to expand their patching possibilities in a minimal footprint – perfect for beginners and experienced users alike who are tight on space or power.
Pros
- Extremely compact 4HP footprint maximizes valuable panel space in tight Eurorack setups.
- Passive design eliminates power consumption, simplifying power supply considerations.
- Flexible routing options (1-to-3 or 1-to-6) cater to varied patching needs.
Cons
- Passive design means signal loss is inevitable with multiple splits, diminishing signal strength.
- Limited to passive splitting; no attenuation or signal manipulation capabilities.
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The Link 2 is a seriously useful little module, especially for Eurorack users who need clean splits of their signals without introducing noise or signal loss. It’s a fantastic, affordable solution for distributing CV and audio signals, and the precision cent distribution for pitch is a real bonus for those working with intricate sequencing or microtonal systems. A must-have for any modular patch that needs reliable signal distribution.
Pros
- Joranalogue's active buffering eliminates signal degradation on splits
- Excellent signal integrity for both audio and CV routing
- Compact 2HP footprint maximizes precious modular space
Cons
- 2HP width limits its usefulness for complex signal chains
- Passive multiples often offer a more 'authentic' vintage tone
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The A-115 is a workhorse divider for anyone wanting classic, thick sub-octave tones. It’s a no-frills module, but its simple design and reliable performance make it a staple for creating basslines and textures in techno, ambient, and experimental music. Perfect for those building a foundational modular system or expanding an existing one.
Pros
- Creates rich, symmetrical sub-octaves with a classic Doepfer square wave tone
- Individual attenuation allows precise blending of original and sub-octaves
- Compact 8HP footprint maximizes space in dense modular systems
Cons
- Limited to square wave sub-octaves; lacks harmonic complexity
- The 8HP width can be restrictive in smaller modular cases
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The Erica Synths Link is a seriously handy little module for anyone bridging their modular system with gear using 1/4-inch jacks. It's a well-built, passive solution for quick patching and avoids power draw, making it a great addition to any Eurorack case – especially those with a lot of external gear.
Pros
- Excellent build quality with robust metal jacks.
- Simplifies patching between Eurorack and standard gear.
- Passive design eliminates power supply concerns.
Cons
- Limited to 5 adapters; can become restrictive for complex setups.
- Passive design means no signal amplification or modification.
All 25 multiple, divider modules
Same index, same nightly prices — compact. Colour options of one model share a row. Tap a photo to zoom.
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Erica Synths Pico Multi 2Pico Multi2 · Erica Synths65Stable$73€65$73€65Check ↗
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Erica Synths Pico Multi 2Black Multi · Erica Synths65Stable$100€89$100€89Check ↗
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Doepfer A-180-4 Quad BufferA-180-4 · Doepfer58Stable$54€48$54€48Check ↗
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Intellijel Designs Buff Mult 1UIntellijel Designs · 2 finishes57Stable$47€42$47€42Check ↗
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Tiptop Audio Wayout8Tiptop Audio · 2 finishes56Stable$53€47$53€47Check ↗
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Tiptop Audio M ModuleTiptop Audio56↓ 37.8%$77€69$77€69Check ↗
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Tiptop Audio OCTO I/OTiptop Audio56↓ 24.8%$88€79$88€79Check ↗
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Xaoc Devices Warna II Voltage DistributorWarna II · XAOC Devices56Stable$100€89$100€89Check ↗
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Doepfer A-180-3 Dual Buffered MultipleDoepfer50Stable$55€49$55€49Check ↗
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Doepfer A-182-1Doepfer50Stable$66€59$66€59Check ↗
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Intellijel Designs Switched Mult 1UIntellijel Designs49Stable$47€42$47€42Check ↗
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Make Noise CV Big BusMake Noise44Stable$357€319$357€319Check ↗
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Der Mann mit der Maschine Convertible MultipleDer Mann mit der Maschine42Stable$47€42$47€42Check ↗
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Shakmat Modular Time ApprenticeShakmat Modular42Stable$73€65$73€65Check ↗
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Rides In The Storm QAMRides In The Storm39↑ 9.5%$77€69$77€69Check ↗
Multiple, Divider Modules by the numbers
Measured across all 29 models we track, not a sample.
Median $54 — half of all multiple, divider modules here cost less.
How to choose the best multiple, divider modules
Playability
A beginner-friendly multiple should be straightforward to use. Complex routing options are cool later, but right now, you want something that lets you quickly and reliably split or combine signals without a PhD in patching.
Signal Integrity
Cheaper multiples can introduce noise or degrade the signal. You want something that preserves the character of your oscillators and doesn't add unwanted hiss or muddy the low-end thump you're working so hard to dial in.
Number of Outputs/Inputs
Consider how many voices you typically use. Four outputs are often enough to start, but think about future expansion. A multiple with too few jacks becomes a bottleneck fast.
Mixer Capabilities (if any)
Some multiples include a mixer section. This can be incredibly useful for blending oscillators or shaping the overall sound, but also adds complexity. Beginners might want to start with a simple splitter first.
Size & Power Consumption
Modular space is precious, and power is often limited. Smaller modules free up space for other goodies, and lower power draw means you won't be overloading your PSU. A huge module with tons of jacks might sound great, but can be a pain in a compact setup.
Buying guide
Okay, so you're diving into modular synths - awesome! One of the first things you'll want is a multiple or divider. These modules are seriously underrated; they're not just for fancy patching, they're crucial for making your sounds playable and manageable. Let's break down what beginners need and which modules won't leave you pulling your hair out trying to figure out why your oscillators are fighting each other.
Don't chase the flashiest features. A basic, well-built multiple will serve you far better than a feature-packed mess you never understand. Look for modules from reputable manufacturers - even a slightly more expensive option from a brand known for reliability will save you headaches down the road.
Be wary of ultra-cheap options; they often cut corners on components, leading to noise and signal degradation that will impact your tone.
How the AudioFu Index works
Five measured signals and nothing else — no stars from strangers, no “tested by experts” we didn’t do. The weights are fixed and public. We don’t play these instruments; we measure the market around them.
This chart covers 29 multiple, divider modules from the Thomann catalogue. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
AudioFu earns a commission when you buy through our Thomann links. It never changes the order — the index does.
- Demand40%
How many of this exact model are for sale on Reverb right now — what musicians actually buy and resell.
- Lineup20%
How many finishes Thomann stocks — makers expand the models that sell.
- Price15%
Where the price has moved since we started tracking in August.
- Specs15%
How completely the maker documents it.
- Maker10%
How deep the brand’s range is in this category.
Questions
What's the difference between a multiple and a divider?
A multiple just splits a signal into multiple identical copies. A divider takes a signal and divides its frequency by a fixed ratio - think sub-octave sounds or creating complex rhythmic patterns. Beginners should start with a multiple first.
How many outputs do I really need?
Four is a good starting point. If you're primarily working with two oscillators and a noise source, that's probably enough. If you're layering five voices for pads, you'll want more.
Will a cheap multiple ruin my sound?
It's possible. Many budget multiples introduce noticeable noise or distortion. Listen carefully for any unwanted artifacts when patching.
Can I use a regular patch cable to split a signal?
Technically, yes, but it's not ideal. Patch cables introduce capacitance and can affect the signal's high frequencies. A dedicated multiple is cleaner and more reliable.
I'm overwhelmed! Where do I even start?
Start with a simple 1U or 2U multiple with four outputs. Focus on understanding the basics of signal flow before diving into complex features. Experiment, listen, and have fun!
