AudioFu Chart · November 2026
Best Multiple, Divider Modules 2026
The top pick is Intellijel Designs Mult 1U ($32). Erica Synths Pico Multi 2 leads the high end. Ranked by the AudioFu Index from 25 models across 12 brands, prices checked every night.
Last updated: November 4, 2026
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All Multiple, Divider ModulesTop 10
Full detail for the 10 highest AudioFu Index scores. Every other model is listed below.
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If you run a modular synth and want to send one signal to several places, this module can help you do it. It draws no power, so it will not use up your power budget, and it takes up only 14 HP of space. It suits you if you want a simple, budget-friendly way to split a signal.
Pros
- Passive design needs no power and draws 0 mA
- Dual 1x5 layout gives two separate paths, each with one input and five outputs
- Compact 14 HP width fits into a small modular case
Cons
- Passive design means it cannot boost or amplify a signal
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If you want to send one signal to many places in your modular rig, this module is a good pick for you. It has two buffered 1 x 4 multiples, and the first one's output feeds the second, so you can split a signal several ways. At 14 HP it is small, and it draws very little power, so it fits easily in most cases.
Pros
- Contains two buffered 1 x 4 multipliers, so one signal can feed up to eight destinations.
- The first multiple's output is normalized to the second multiple's input, letting you chain them easily.
- Buffered outputs keep the source signal steady as it splits to several places.
Cons
- It needs +12 V and -12 V power, so your case power supply must supply both rails.
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If you run a Eurorack setup and need one signal sent to several places, this module handles that job. It uses active electronics for both audio and CV signals, and it passes pitch CV to the cent. It is a good pick for you if you want a simple way to split signals in a small 2 HP space.
Pros
- Buffered design uses active electronics for both audio and CV signals
- Works as a 1-on-3 multiple, splitting one signal to three outputs
- Works as a 1-on-6 multiple, splitting one signal to six outputs
Cons
- Needs +12 V and -12 V power, so your Eurorack case must supply both rails
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If you use a Eurorack setup and need to connect 3.5 mm mono cables to 6.3 mm mono jacks, this module can help. You get five separate adapters in one 8 TE module, and it needs no power supply, so you can plug it in and use it. It suits anyone with a mix of cable types in their modular rig.
Pros
- Contains five independent adapters, so you can convert several cables at once
- Each adapter converts from 3.5 mm mono jack to 6.3 mm mono jack
- Passive construction means it needs no power supply to work
Cons
- Converts mono 3.5 mm jacks only, so stereo plugs are not covered
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If you run a Eurorack modular setup, this little module is handy to have. It takes one signal and sends it to several places at once, and it can also combine clock, gate and pulse signals. Because it is passive, it needs no power, so you can slot it into your case and get going.
Pros
- Passive design, so it needs no power supply to run
- Can be set up as 3 x 3, 1 x 5, 1 x 3 or 1 x 7 multiples
- Sends one signal to multiple destinations
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If you run a Eurorack setup and need to send one signal to several places, this small module is a good pick. It works as a 1-on-3 or 1-on-2 splitter, and it can also act as a 1-of-5 multiple when In B is not used. At 3 HP wide, it takes up very little room in your case.
Pros
- Buffered design keeps the signal strong when split to several outputs
- Works as a 1-on-3 or 1-on-2 multiple for splitting one signal
- Can run as a 1-of-5 multiple when In B is not used
Cons
- Needs a Eurorack power supply, drawing 20 mA on +12 V and 14 mA on -12 V
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This is a small Eurorack module that splits one signal into several copies. You can pick 1-on-3 or 1-on-6 mode, and each section has a switch that shifts the signal by plus or minus 1 V, which is handy for setting oscillator octaves. It suits you if you build a modular rig and want a tidy, space-saving way to send one signal to many places.
Pros
- Buffered precision multiple gives you one signal sent to several outputs
- Switch between 1-on-3 and 1-on-6 modes to fit your patch
- Per-section plus or minus 1 V offset switch helps set oscillator octaves
Cons
- Only 25 mm deep, so check depth clearance in tight cases
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The A-115 is a divider module that makes lower versions of the signal you feed it, one to four octaves down. An attenuator lets you set the level of the original signal and each sub-octave, and everything comes out as one mixed output. It suits you if you build a Eurorack-style modular setup and want to add low octave tones to a signal you already have.
Pros
- Four-stage divider builds sub-octaves from F/2 down to F/16
- Individual attenuator sets the level of the original signal and each sub-octave
- Outputs a sum mix of the original signal and all four sub-octaves
Cons
- Sub-octaves are symmetric square-wave signals, so the sound is limited to that shape
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This is a small, simple module that takes one signal and sends it to eight jacks. You get two groups of four jacks, and if you want all eight in one group, you can solder a bridge on the circuit board to change it. It suits anyone building a modular rack who needs more places to plug in cables without using up much space.
Pros
- Passive multi-port distributor that splits one signal into eight jacks
- Eight interconnected jacks give you plenty of patch points in a tiny space
- Sockets are divided into two quadruple groups, which keeps patching organized
Cons
- Changing it to a single eight-multiple means soldering a bridge on the circuit board
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The Wayout8 is a brilliant, budget-friendly solution for anyone juggling multiple Eurorack cases or integrating their modular system with a DAW. It's a no-fuss way to organize complex patching, especially when dealing with CV and gate signals, and its compact size makes it a winner for smaller racks. If you're tired of spaghetti patching, this is a simple, reliable upgrade.
Pros
- Solid, grounded connections minimize noise, a huge plus for sensitive signals.
- Passive design eliminates power supply concerns and adds reliability.
- Compact 6U width saves valuable rack space in tight setups.
Cons
- Passive design means signal attenuation; longer runs may require gain.
- Limited functionality; it's a patchbay, not a signal processor.
All 25 multiple, divider modules
Same index, same nightly prices — compact. Colour options of one model share a row. Tap a photo to zoom.
- 11
Tiptop Audio M ModuleTiptop Audio56↓ 23.5%$73€65$73€65Check ↗
- 12
Behringer 994 Multiples Eurorack Synthesizer Module994 Multiples · Behringer52Stable$14€13$14€13Check ↗
- 13
Behringer 173 Quad Gate/Multiples Eurorack Synthesizer Module173 Quad Gate/Multiples · Behringer52Stable$35€31$35€31Check ↗
- 14
Tiptop Audio OCTO I/OTiptop Audio51↓ 7.1%$88€79$88€79Check ↗
- 15
Doepfer A-180-3 Dual Buffered MultipleDoepfer50Stable$55€49$55€49Check ↗
- 16
Doepfer A-182-1Doepfer50Stable$66€59$66€59Check ↗
- 17
Intellijel Designs Switched Mult 1UIntellijel Designs49Stable$47€42$47€42Check ↗
- 18
Doepfer A-180-4 Quad BufferA-180-4 · Doepfer49Stable$54€48$54€48Check ↗
- 19
Xaoc Devices Warna II Voltage DistributorWarna II · XAOC Devices49Stable$99€89$99€89Check ↗
- 20
Rides In The Storm QPMRides In The Storm44Stable$44€39$44€39Check ↗
- 21
Rides In The Storm QAMRides In The Storm44Stable$77€69$77€69Check ↗
- 22
Make Noise CV Big BusMake Noise44Stable$357€319$357€319Check ↗
- 23
Klavis 2x4Klavis42Stable$37€33$37€33Check ↗
- 24
Der Mann mit der Maschine Convertible MultipleDer Mann mit der Maschine42Stable$47€42$47€42Check ↗
- 25
Shakmat Modular Time ApprenticeShakmat Modular42Stable$73€65$73€65Check ↗
Multiple, Divider Modules by the numbers
Measured across all 29 models we track, not a sample.
Median $54 — half of all multiple, divider modules here cost less.
How to choose the best multiple, divider modules
Signal Integrity
Cheap multiples can introduce phase shift or signal degradation. You want a clean, faithful copy of your signal - especially crucial for oscillators where even slight phase changes can muddy the sound. Listen for any added noise or a 'thinning' of the tone.
Number of Outputs
Four is usually the sweet spot for a versatile multiple. More than that can be overkill unless you're running a massive polyphonic patch; fewer than that limits your flexibility. Consider whether you need buffered or unbuffered outputs.
Buffering
Buffered multiples provide impedance buffering, which can be a lifesaver when splitting signals to multiple destinations that draw a lot of current. Unbuffered multiples are more 'pure' but can load down your signal source, potentially weakening it. It's a trade-off - buffered is generally safer, especially for oscillators.
Mixer Functionality
Some multiples include a mixer section, allowing you to blend the outputs. This can be incredibly useful for creating detuned effects or subtly altering the timbre of your signals. A simple mixer adds a ton of utility without adding much complexity.
Noise Floor
A quiet module is a good module. Any multiple that introduces noticeable hiss or hum will quickly become a frustration, especially when dealing with delicate sounds. Test it with a sine wave oscillator and listen closely for unwanted artifacts.
Buying guide
Okay, so you're diving into modular synthesis and need to split signals - good move. Multiples and dividers are absolute workhorses, letting you fan out oscillators, process multiple voices, or create complex harmonic textures. They're not just for fancy sound design; they're essential for keeping your patch organized and actually hearing what you're doing. Let's break down what to look for in a good one.
Don't fall for the 'more is better' trap. A basic, well-built multiple will serve you far better than a feature-laden one that introduces noise or signal degradation. Buffered outputs are generally worth the extra cost, particularly if you're splitting signals to multiple effects or sequencers.
If you're on a tight budget, a decent Eurorack multiple is a solid starting point, but be prepared to potentially upgrade later if you find the signal isn't clean enough.
How the AudioFu Index works
Five measured signals and nothing else — no stars from strangers, no “tested by experts” we didn’t do. The weights are fixed and public. We don’t play these instruments; we measure the market around them.
This chart covers 29 multiple, divider modules from the Thomann catalogue. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
AudioFu earns a commission when you buy through our Thomann links. It never changes the order — the index does.
- Demand40%
How many of this exact model are for sale on Reverb right now — what musicians actually buy and resell.
- Lineup20%
How many finishes Thomann stocks — makers expand the models that sell.
- Price15%
Where the price has moved since we started tracking in August.
- Specs15%
How completely the maker documents it.
- Maker10%
How deep the brand’s range is in this category.
Questions
What's the difference between a multiple and a splitter?
Pretty much nothing. 'Splitter' is just another term for 'multiple.' They both do the same thing: duplicate a signal.
Do I really need a buffered multiple?
It depends. If you're just splitting a signal to a couple of oscillators, probably not. But if you're sending it to a bunch of hungry modules, buffering will prevent signal loss and maintain headroom.
Can I use a multiple to create detuned oscillators?
Absolutely! Patch the multiple's outputs to different oscillators and slightly offset their phase or frequency. It's a simple way to get a chorus-like effect.
My multiple is introducing noise. What's going on?
First, check your power. A noisy power supply can manifest as noise in any module. Next, ensure your cables are shielded properly. Finally, the multiple itself might be the issue - consider replacing it.
Can I use a multiple to split a stereo signal?
Technically, yes, but it will split the left and right channels. It won't create a true stereo multiple; it will just duplicate the signal for each channel.





