Yamaha DHR12M
Professional music gear - detailed information and where to buy
Yamaha
DHR12M
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The DHR12M is a seriously powerful and well-built stage monitor. Its coaxial design and DSP make it ideal for smaller bands, DJs, or anyone needing a reliable, focused sound check in a variety of spaces. It's a great balance of performance and affordability.
Product Description
- Yamaha DHR12M
- Active Coaxial Monitor Speaker
- Speaker configuration: 12‘ woofer with 2.5’ VC
- 1‘ tweeter with 1.75’ VC
- Power: 2-way bi-amped 1000 W Class-D power amplifiers (800 W LF + 200 W HF)
- Beam angle (nominal): 90° x 60° (H x V
- rotatable)
- Frequency range: 55 - 20000 Hz (-10dB)
- MAxiumum level: 129 dB
- DSP signal processor with 2 presets and built-in 2-channel mixer
- Channel 1: Combo XLR Mic/Line input
- Channel 2: Combo XLR Mic/Line input and 2 x RCA input
- 1 x XLR Line Link out male
- Housing material: Plywood
- 57° Monitor tilt
- 35 mm Stand flange
- Full-length loudspeaker grille
- Dimensions (W x H x D): 500 x 343 x 454 mm
- WEight: 16.5 kg
- Colour: Black
PROS
- • Robust plywood enclosure provides excellent resonance control and durability for stage use.
- • Coaxial design delivers remarkably consistent coverage and a focused sound image.
- • Class-D amplification offers impressive power and efficiency without excessive heat.
- • Built-in DSP and mixer simplify setup and offer convenient routing options.
CONS
- • The weight (16.5kg) makes transport a challenge, especially for solo performers.
- • Limited EQ control beyond the presets restricts fine-tuning for specific acoustic environments.
- • RCA inputs feel a bit dated compared to more modern connectivity options.
Product Video
Key Features
Power (Watts)
1000
Woofer Size
12"
Frequency Range
55 - 20000 Hz
Max SPL
129 dB
Connections
XLR/TRS Combo (x2), XLR Line Link Out, RCA (x2)
Weight
16.5 kg
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Frequently Asked Questions
The coaxial design merges the tweeter and woofer, creating a more consistent soundstage and improved imaging, minimizing phase issues common with separate drivers.
The presets cover common scenarios, but for nuanced adjustments in challenging acoustics, external EQ will provide greater control.
Absolutely. The 129dB SPL max output provides plenty of headroom for most smaller to mid-sized venues and rehearsal spaces.
