Universal Audio SP-1

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Universal Audio SP-1

Universal Audio

SP-1

4.5 Expert Rating

Product Info

Article Number: 542168
Model: SP-1
Price: $434.50

* Prices may vary. Check retailer for current pricing and availability.

The SP-1 stereo pair is a fantastic entry point into high-quality stereo recording. Its clean, detailed sound and simple operation make it perfect for acoustic instruments, vocals, and ambience capture – especially if you're already in the Universal Audio ecosystem. The included accessories add serious value, making it a compelling choice for home studios and gigging musicians.

Product Description

  • Universal Audio SP-1
  • Small Diaphragm Condenser Microphone Stereo Pair
  • Polar pattern: Cardioid
  • Frequency response: 20 - 20
  • 000 Hz
  • Sensitivity: -38.0 (12.6 mV) ref 1V at 1 Pa
  • 1 kHz
  • Maximum sound pressure level: 142 dB
  • 1% THD
  • Output impedance: 200 Ohm
  • Requires +48V Phantom Power
  • Apollo Channel Strip Presets
  • Dimensions: 128 x 23.5 mm (length x diameter)
  • Weight: 125 g
  • Includes 2x microphone mounts
  • stereo rail
  • 2x foam windscreens and 2x thread adapters 5/8" to 3/8"
PROS
  • • Excellent stereo imaging, creating a remarkably wide and natural soundstage.
  • • Solid build quality with a robust metallic body, feeling dependable in the hand.
  • • Cardioid pattern effectively isolates sound, minimizing room reflections and bleed.
  • • Apollo Channel Strip presets offer convenient, tailored sounds straight out of the box.
CONS
  • • The sensitivity is relatively low, requiring a clean preamp for optimal gain.
  • • Limited polar pattern options restrict versatility in certain recording situations.
  • • The small size can make precise placement challenging in complex stereo setups.

Product Video

Key Features

Mic Type Small Diaphragm Condenser Microphone
Polar Pattern Cardioid
Frequency Range 20 - 20,000 Hz
Max SPL 142 dB
Sensitivity -38.0 (12.6 mV) ref 1V at 1 Pa, 1 kHz
Connector XLR
Weight 125 g

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Frequently Asked Questions

The SP-1 offers a slightly more refined and neutral sonic character than the Rode, while the AKG has a more colored, 'vintage' vibe; the SP-1 sits nicely in between, offering a balanced response.
The presets are surprisingly well-crafted and offer a great starting point for various recording scenarios, though they’re best used as a foundation to build upon.
A clean, low-noise preamp with ample gain is essential; something like a Focusrite ISA One or a similar model will really allow the microphone to shine.

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