Universal Audio SD-7

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Universal Audio SD-7

Universal Audio

SD-7

4.6 Expert Rating

Product Info

Article Number: 590335
Model: SD-7
Price: $162.80

* Prices may vary. Check retailer for current pricing and availability.

The SD-7 is a surprisingly capable mic for the price. The Hemisphere modeling is genuinely useful for dialing in sounds reminiscent of more expensive Sennheiser or Beyerdynamic mics—great for toms, guitar amps, or even brass. It's an excellent option for gigging musicians or home recordists needing a focused, robust mic.

Product Description

  • Universal Audio SD-7
  • Dynamic Microphone
  • With Hemisphere modelling for toms
  • guitar and bass amps
  • brass
  • percussion and much more
  • Polar pattern: Hypercardioid
  • Frequency range: 30 - 17
  • 000 Hz
  • Sensitivity: 54dB
  • Output impedance: 600 ohms
  • Hemisphere modelling allows the sound characteristics of Sennheiser and Beyerdynamic microphones to be reproduced and the sound of the recordings to be shaped using filter
  • proximity and axis controls (even after recording)
  • Robust all-metal construction
  • Dimensions: 113.5 x 50 x 97.5 mm
  • Weight: 475 g
  • Includes integrated stand mount with angle adjustment
  • 5/8" to 3/8" thread adapter and storage bag
PROS
  • • Solid all-metal build inspires confidence and long-term durability.
  • • Hypercardioid pattern excels at isolating toms in busy mixes.
  • • Hemisphere modeling offers surprising flexibility for tonal shaping.
  • • Integrated stand mount simplifies setup and reduces additional costs.
CONS
  • • 600-ohm impedance requires a preamp with adequate gain and impedance matching.
  • • Hypercardioid pattern demands precise mic placement to avoid feedback.
  • • While versatile, it's not a 'one-mic-does-all' solution.

Product Video

Key Features

Mic Type Dynamic
Polar Pattern Hypercardioid
Frequency Range 30 - 17,000 Hz
Max SPL 140 dB
Clamp Included No, includes integrated stand mount
Weight 475 g

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Frequently Asked Questions

It uses complex algorithms to simulate the sonic characteristics of other mics, allowing for post-recording EQ and adjustment of perceived proximity and axis – it's more than just a filter.
While the SPL handling is decent, it's best suited for instruments with moderate output; very aggressive snare drumming might require careful gain staging.
Yes, you’ll likely need a preamp with ample gain and a decent input impedance to avoid a weak or noisy signal – check your interface's specs carefully.

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