Turbosound TFX122M-AN
Professional music gear - detailed information and where to buy
Turbosound
TFX122M-AN
Product Info
Article Number:
466335
Brand:
Turbosound
Model:
TFX122M-AN
Category:
Active Stage Monitors
Price:
$488.40
* Prices may vary. Check retailer for current pricing and availability.
This Turbosound TFX122M-AN is a seriously powerful little wedge. The clarity and headroom are impressive for a monitor at this price point, making it ideal for smaller stages and bands needing a reliable, loud reference point. It’s a solid choice for working musicians who need a dependable, affordable stage monitor.
Product Description
- Turbosound TFX122M-AN
- Active 12" 2-Way Monitor
- 100 Watt 12" woofer
- 1" Titanium dome tweeter
- Frequency range (±3 dB): 75 Hz - 18 kHz
- Frequency range (-10 dB): 68 Hz - 20 kHz
- Max SPL: 125 dB (peak)
- Coverage pattern: 60° x 40° (rotatable)
- Connections: 1x Combo XLR / 1/4" and 1x XLR
- Dimensions: 302 x 452 x 504 mm
- Weight: 16.9 kg
- suitable optional protective cover: Art.#495501# (not included)
PROS
- • Titanium dome tweeter delivers crisp, articulate high frequencies.
- • 12 in woofer provides surprisingly deep, controlled low-end response.
- • Robust enclosure construction suggests durability for gigging.
- • Rotatable horn offers flexible stage monitoring coverage.
CONS
- • Weight (16.9 kg) makes transport a challenge for solo performers.
- • Combo XLR/1/4in connection limits simultaneous mic/line input options.
- • Limited EQ controls necessitate external processing for complex sound shaping.
Product Video
Key Features
Power (Watts)
1100
Woofer Size
12 in
Frequency Range
75 Hz - 18 kHz
Max SPL
125 dB
Connections
1x Combo XLR / 1/4in, 1x XLR
Weight
16.9 kg
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Frequently Asked Questions
The 60° x 40° pattern is fairly standard for stage monitors, but the rotatability allows you to fine-tune the angle for better coverage based on your stage setup.
The woofer delivers a surprisingly tight and controlled low end, avoiding excessive boominess common in some budget active monitors, though it won’t rattle a stadium.
It excels as a stage monitor for smaller to medium-sized bands and solo performers; it’s less ideal for large-scale PA applications where higher wattage and more extensive connectivity are required.
