the t.bone BC 500
Professional music gear - detailed information and where to buy
the t.bone
BC 500
Product Info
Article Number:
501460
Brand:
the t.bone
Model:
BC 500
Category:
Large Diaphragm Microphones
Price:
$86.90
* Prices may vary. Check retailer for current pricing and availability.
The t.bone BC 500 is a solid, budget-friendly option for broadcasters and podcasters who need a reliable mic without spending a fortune. It's not going to compete with high-end studio mics, but it delivers decent clarity and good noise rejection for its price, making it a good choice for entry-level content creators.
Product Description
- the t.bone BC 500
- Dynamic Broadcast Microphone
- Specially designed for broadcasting
- webcasting and recording
- Smooth and wide frequency response
- Clear and fine recordings
- Cardioid pick-up pattern can suppress sound feedback and isolate ambient sound
- 200 Hz low-cut and mid-high frequency boost switch
- Frequency range: 50 - 16
- 000 Hz
- Sensitivity: -58 dB (0 dB = 1 V / Pa at 1 kHz)
- Impedance: 200 Ohm (at 1 kHz)
- 5/8" Threaded mount with 3/8" thread reducer
- Connection: 3-pin XLR
- Dimensions (L x Ø): 187 x 60 mm
- Weight: 730 g
- Colour: Black
PROS
- • Surprisingly robust metal construction for the price point.
- • Cardioid pattern effectively minimizes room noise for home recording.
- • Low-cut filter helps tame boomy vocals and bass instruments.
- • Acceptable clarity for spoken word and basic podcasting applications.
CONS
- • Limited frequency response compared to condenser mics; lacks high-end sparkle.
- • Dynamic nature means it requires a stronger signal source for optimal gain.
- • Plastic clip feels cheap and doesn't inspire confidence.
Product Video
Key Features
Mic Type
Dynamic
Polar Pattern
Cardioid
Frequency Range
50 Hz - 16,000 Hz
Max SPL
130 dB
Sensitivity
-58 dB (0 dB = 1 V / Pa at 1 kHz)
Connector
XLR
Weight
730 g
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Frequently Asked Questions
The SM58 is a more established standard with a slightly warmer, more forgiving sound; the t.bone is a bit brighter and may require more careful gain staging.
While usable, the limited frequency response won't capture the nuances of an acoustic guitar as well as a condenser microphone would.
Yes, but you’ll need an XLR-to-USB adapter; the mic requires phantom power, which some USB interfaces may not provide directly.
