the t.amp E-1200
Professional music gear - detailed information and where to buy
the t.amp
E-1200
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The t.amp E-1200 is a seriously powerful little amp, perfect for smaller venues, rehearsal spaces, or mobile rigs where you need a lot of clean headroom. The class H design keeps it running relatively cool, and the bridging option gives you some extra muscle when you need it – just be mindful of that 1 kHz frequency limitation in bridged mode.
Product Description
- the t.amp E-1200
- Stereo Power Amplifier
- Output: 2 x 990 W at 4 ohm
- 2 x 680 W at 8 ohm
- 1 x 1980 W at 8 ohm bridged (@1 kHz
- THD<=0.1%)
- Frequency response: 20 - 20
- 000 Hz
- XLR input and output
- Input sensitivity: 0.77 V
- Outputs: Speaker Twist and binding posts
- Protected circuit design: DC
- Short-circuit protection
- Over temperature protection
- Limiter
- Amplifier class: H
- Mains power: 230 V
- 50 Hz
- Dimensions (W x D x H): 482 (19") x 362 x 88 mm
- Design: 19" / 2U
- Weight: 15.28 kg
PROS
- • Impressive power for the size and price point, class H efficiency minimizes heat
- • Solid build quality with robust metal chassis and reliable connectors
- • Versatile bridging capability expands mono output options significantly
- • XLR connectivity provides clean signal path and professional integration
CONS
- • Limited headroom at very high SPLs, especially bridged
- • Bridged mode frequency response is limited to 1 kHz
- • Lack of fan control could be an issue in warmer environments
Product Video
Key Features
Power (Watts)
2 x 990W @ 4Ω, 2 x 680W @ 8Ω, 1 x 1980W bridged
Channels
2 + 1 (bridged)
Class
H
Impedance
4Ω - 8Ω
Cooling
Convection, passive heatsink
Weight
15.28 kg
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Frequently Asked Questions
Passive cooling is adequate for moderate use, but extended periods at near-maximum output might require careful ventilation to prevent thermal throttling.
While powerful, the 1 kHz frequency limit in bridged mode makes it best suited for sub-bass reinforcement or specific mono applications, not full-range sound.
The noise floor is respectable for a class H amp, but sensitive microphones might reveal a slight hiss at higher gains - typical of this class.
