Soundman OKM II Classic/Studio A3

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Soundman OKM II Classic/Studio A3

Soundman

OKM II Classic/Studio A3

4.6 Expert Rating

Product Info

Article Number: 151402
Brand: Soundman
Model: OKM II Classic/Studio A3
Price: $273.90

* Prices may vary. Check retailer for current pricing and availability.

The OKM II Classic/Studio A3 is a surprisingly capable stereo mic pair for capturing a wide, natural sound. It's a fantastic option for filmmakers, YouTubers, or anyone needing a compact and affordable way to create realistic stereo recordings – think acoustic ensembles or capturing ambience. The included A3 adaptor is a smart touch, allowing for more control over gain staging.

Product Description

  • Soundman OKM II Classic/Studio A3
  • Electret Microphones
  • Selected pair
  • Omnidirectional
  • Enables spatial recordings in live
  • voice recording
  • and video recording appliances
  • Operatable with line inputs
  • To be used like ear plugs when recording
  • Artificial head stereophony
  • Incl. A3 adaptor for preattenuation and low cut
PROS
  • • Excellent natural soundstage, captures spaciousness exceptionally well
  • • Robust electret capsules offer surprising durability for the price
  • • A3 adaptor provides crucial flexibility for various preamp setups
  • • Compact size and lightweight design enable discreet placement
CONS
  • • Electret mics can be noisier than true condenser alternatives
  • • Omnidirectional pickup is not ideal for isolating sound sources
  • • Limited frequency response compared to higher-end stereo pairs

Product Video

Key Features

Mic Type Electret Condenser
Polar Pattern Omnidirectional
Frequency Range 20Hz - 20kHz
Max SPL 130dB
Sensitivity -42dBV/Pa (15mV at 1kHz)
Connector XLR
Weight 280g (each mic, without adaptor)

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Frequently Asked Questions

The OKM II's imaging is more diffuse and natural, lacking the precise pinpoint accuracy of a high-end spaced pair like the Neumanns. It’s a more forgiving, 'in the room' sound.
The A3 is highly recommended, especially with line-level preamps, as it provides crucial preattenuation and a useful low-cut filter to manage potential muddiness.
While the SPL handling is decent, these are primarily designed for more moderate sound sources. You'll likely need to pad significantly or risk distortion on louder drum tracks.

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