SE Electronics SE 2200

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SE Electronics SE 2200

SE Electronics

SE 2200

4.8 Expert Rating

Product Info

Article Number: 433947
Model: SE 2200
Price: $284.90

* Prices may vary. Check retailer for current pricing and availability.

The SE 2200 is a fantastic entry point into the world of large-diaphragm condensers. It’s a real workhorse, offering a warm, detailed sound that’s particularly suited for vocals, acoustic instruments, and even some spoken word applications. For home studios or budget-conscious professionals seeking a reliable, quality mic, this is a very strong contender.

Product Description

  • SE Electronics SE 2200
  • Large-Diaphragm Condenser Microphone
  • Polar pattern: cardioid
  • Gold-plated 1" double membrane
  • 10/20 dB pad switch
  • 80/160 Hz low-cut switch
  • Frequency range: 20 - 20
  • 000 Hz
  • Max. SPL: 125/135/145 dB (0/10/20 dB pad)
  • Requires +48 V phantom power
  • Dimensions (L x Ø): 215 x 51 mm
  • Weight: 611g
  • Including insulation pack
  • consisting of elastic microphone holder and pop filter
PROS
  • • Gold-plated diaphragm delivers a smooth, detailed top-end response.
  • • Robust all-metal construction feels solid and inspires confidence.
  • • Excellent off-axis rejection for cleaner recordings in less-than-ideal spaces.
  • • Included pop filter and shock mount offer immediate recording readiness.
CONS
  • • Cardioid pattern limits versatility for stereo or ambient mic techniques.
  • • Slightly hyped low-mids can require EQ for some vocal styles.
  • • Heavier than many competing microphones, impacting stand stability.

Product Video

Key Features

Mic Type Large-Diaphragm Condenser
Polar Pattern Cardioid
Frequency Range 20 Hz - 20,000 Hz
Max SPL 145 dB (with 20 dB pad)
Sensitivity 17 mV/Pa (1 kHz, 0 dB pad)
Connector XLR
Weight 611 g

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Frequently Asked Questions

The NT1-A tends to be a bit more clinical and neutral, while the 2200 has a warmer, slightly more characterful sound, especially in the lower mids. It’s a matter of preference and what you’re trying to achieve.
It’s a decent, basic shock mount – perfectly adequate for minimizing vibrations in most home studio setups. However, serious recording environments might benefit from a higher-end aftermarket solution.
Yes, the 80/160 Hz low-cut filter is quite effective at taming boominess and proximity effect, especially when recording bass-heavy vocals or instruments.

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