Rode M1-S

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Rode M1-S

Rode

M1-S

4.6 Expert Rating

Product Info

Article Number: 251782
Brand: Rode
Model: M1-S
Price: $119.90

* Prices may vary. Check retailer for current pricing and availability.

The M1-S is a surprisingly capable workhorse mic for live vocals – think cover bands, tribute acts, or anyone needing a dependable mic without the premium price tag. It's built to handle the rigors of the road, and while it won’t win any awards for sonic finesse, it delivers a usable, present vocal tone that’s easy to dial in.

Product Description

  • Rode M1-S
  • Dynamic live vocal microphone
  • On/off switch
  • Internal pop filter
  • Low handling noise
  • Feedback resistant
  • Gold XLR connector
  • Polar pattern: Cardioid
  • Frequency range: 75 Hz - 18 kHz
  • Output impedance: 320 Ohm
  • Dimensions: 171 x 51.5 mm
  • Weight: 360 g
  • Included in delivery: Transport bag and stand clamp
PROS
  • • Solid build quality; feels robust for its price point, good for stage use.
  • • Cardioid pattern offers decent isolation from stage noise and monitors.
  • • Internal pop filter noticeably reduces plosives without external accessories.
  • • Gold XLR connector ensures a reliable and clean signal transfer.
CONS
  • • Lacks the clarity and detail of higher-end vocal microphones.
  • • Frequency response leans towards a slightly muddy low-midrange, requiring EQ.
  • • Heavier than some competitors, potentially fatiguing for extended handheld use.

Product Video

Key Features

Polar Pattern Cardioid
Frequency Range 75 Hz - 18 kHz
Sensitivity -92 dBV/Pa (1 kHz)
Impedance 320 Ohm
Connector XLR
Weight 360 g

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Frequently Asked Questions

The SM58 is the benchmark, and the M1-S is a step below in clarity, but it’s surprisingly durable and can take a beating, making it a good alternative if the SM58 is out of reach.
It’s primarily designed for live vocals, so spoken word will benefit from some EQ to tame the low-mids, but it’s certainly usable in a pinch.
It's reasonably feedback resistant, though not exceptional; proper monitor placement and EQ will still be necessary to manage feedback in loud environments.

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