RME OctaMic II

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RME OctaMic II

RME

OctaMic II

4.8 Expert Rating

Product Info

Article Number: 119911
Brand: RME
Model: OctaMic II
Category: Preamps
Price: $1,648.90

* Prices may vary. Check retailer for current pricing and availability.

The OctaMic II is a workhorse for serious recording studios. Its clean, transparent preamps and flexible digital connectivity make it a fantastic solution for capturing multiple sources simultaneously—especially drum kits, large ensembles, or complex multi-mic'd vocals. It’s a premium-priced piece, but the reliability and sonic quality are undeniable.

Product Description

  • RME OctaMic II
  • Eight-Channel Microphone Preamp and AES/ADAT/AD Converter
  • 192 kHz / 24-bit conversion
  • +48 V phantom power switchable
  • Max. input level: +21 dBu
  • Clip LEDs
  • Type: 19" / 1 U

*Connections:*, Eight mic / line combo inputs: XLR / 6.3 mm jack balanced, Eight line outputs: 6.3 mm jack balanced, Two ADAT outputs (S/MUX - up to 96 kHz), AES/EBU input and output: 25-pin D-sub, Wordclock BNC

PROS
  • • Rock-solid RME build quality; feels like it'll survive a tour.
  • • Transparent preamps add clarity without coloring the sound.
  • • Flexible ADAT and AES/EBU options for diverse routing needs.
  • • Excellent dynamic range minimizes noise floor for clean recordings.
CONS
  • • Limited gain range compared to some dedicated preamp solutions.
  • • The D-Sub AES/EBU connection is increasingly uncommon.
  • • Relatively heavy for rackmount gear; shipping can be costly.

Product Video

Key Features

Channels 8
Preamp Type Discrete Class A
Gain Range +21 dBu
Phantom Power Yes (+48V)
Connections XLR/6.3mm, 6.3mm, ADAT, AES/EBU, BNC
Weight 7.7 lbs

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Frequently Asked Questions

The OctaMic II's preamps are exceptionally clean and transparent, offering a neutral sonic signature. While they lack the overt character of some boutique options, their accuracy makes them versatile across genres.
Yes, the S/MUX technology allows for up to 96kHz recording via ADAT, providing a high-resolution multi-track signal to your DAW.
While increasingly less common, the D-Sub connection requires a specific adapter for many newer interfaces. It's manageable, but something to consider if you’re constantly swapping gear.

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