RME M-32 DA

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RME M-32 DA

RME

M-32 DA

4.4 Expert Rating

Product Info

Article Number: 248816
Brand: RME
Model: M-32 DA
Price: $3,584.90

* Prices may vary. Check retailer for current pricing and availability.

The M-32 DA is a powerhouse converter for serious studios. Its pristine conversion and flexible routing make it ideal for large recording facilities, post-production houses, and anyone demanding absolute sonic transparency. It’s a top-tier solution, no question, but comes with the price tag to match.

Product Description

  • RME M-32 DA
  • 32-Channel High End DA Converter
  • Fully balanced design
  • 118 dBA
  • 1 x MADI input/output
  • 32 channels @ 96 kHz
  • 16 channels @ 192 kHz
  • 4 x ADAT input
  • Outputs: 6.3 mm stereo jack and 25-pin D-Sub
  • balanced
  • 32 LED level meter with 5 LEDs each
  • Steady Clock (TM)
  • Digital hybrid clock for optimum sound
  • SyncCheck
  • All settings can be saved
  • Completely remote controllable via MIDI and MIDI over MADI
  • Rack format: 19"
  • 2 RU
  • Dimensions (W x H x D): 483 x 88 x 200 mm
PROS
  • • Exceptional dynamic range – 118 dBA is truly class-leading.
  • • RME's SteadyClock minimizes jitter for pristine audio.
  • • Flexible I/O options cover nearly any studio workflow.
  • • Remote MIDI control allows for complex, integrated setups.
CONS
  • • The D-Sub output can be a hassle for modern setups.
  • • 2 RU height can be limiting in tight rack spaces.
  • • Premium-priced, represents a significant investment.

Product Video

Key Features

Channels 32
Max Sample Rate 192 kHz
Bit Depth 24-bit
Connection MADI, ADAT, Stereo Jack, D-Sub
Clock SteadyClock (TM) Digital Hybrid Clock
Weight 8.8 kg

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Frequently Asked Questions

The MADI implementation is rock-solid, offering the typical RME reliability and stability; it’s designed for high-bandwidth, long-distance signal transmission.
While less common now, adapters exist, but it’s a consideration if your existing infrastructure is entirely AES or other digital formats; it's a legacy connector.
While technically possible, the M-32 DA’s cost and complexity make it overkill for single-mic applications; it’s really designed for larger channel counts.

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