Neumann BCM 104 MT

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Neumann BCM 104 MT

Neumann

BCM 104 MT

5 Expert Rating

Product Info

Article Number: 594234
Brand: Neumann
Model: BCM 104 MT
Price: $1,208.90

* Prices may vary. Check retailer for current pricing and availability.

The BCM 104 MT is a seriously well-engineered mic, purpose-built for broadcast and voiceover work. Neumann’s done a great job integrating that pop protection – it really makes a difference. If you’re a broadcaster or podcaster needing a reliable, broadcast-quality mic that minimizes post-production, this is a top contender.

Product Description

  • Neumann BCM 104 MT
  • Studio Large Diaphragm Condenser Microphone
  • Especially for host / broadcast applications with integrated protection against pop sounds and structure-borne noise
  • Acoustical operating principle: Pressure gradient transducer
  • Polar pattern: Cardioid
  • Frequency range: 20 Hz – 20
  • 000 Hz
  • Max. SPL (sound pressure level) for k < 0.5%: 138 dB
  • Max. SPL (sound pressure level) for k < 0.5% with pre-attenuation: 152 dB
  • Requires +48V phantom power
  • Dimensions (Ø x L x H) 64 x 85 x 110 mm
  • Weight: 500 g
  • Colour: Matte Black
PROS
  • • Exceptional transient response for clear broadcast vocals.
  • • Integrated pop and noise protection minimizes editing needs.
  • • Robust, all-metal construction ensures long-term reliability.
  • • Cardioid pattern excels in untreated rooms, rejecting background noise.
CONS
  • • Limited polar pattern options restrict recording flexibility.
  • • Relatively heavy for extended handheld use.
  • • Premium-priced, a significant investment for home studios.

Product Video

Key Features

Mic Type Large Diaphragm Condenser
Polar Pattern Cardioid
Frequency Range 20 Hz – 20,000 Hz
Max SPL 152 dB (with pre-attenuation)
Sensitivity -33 dB (±3 dB, re. 1 V/Pa at 1 kHz)
Connector XLR-6
Weight 500 g

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Frequently Asked Questions

The built-in protection is more subtle and integrated; it reduces plosives without the visual clutter or slight coloration of a separate pop filter.
While primarily designed for voice, it *can* be used on instruments, but its tailored response favors clear, present sounds – might not be ideal for gritty rock tones.
A clean, low-noise preamp with ample headroom will allow the mic’s detail to shine; avoid overly colored or saturated preamps that might mask its natural character.

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