NEO Instruments mini Vent II

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NEO Instruments mini Vent II

NEO Instruments

mini Vent II

4.6 Expert Rating

Product Info

Article Number: 390002
Model: mini Vent II
Price: $416.90

* Prices may vary. Check retailer for current pricing and availability.

The mini Vent II is a surprisingly convincing Leslie simulator in a tiny package. It’s fantastic for adding that classic organ swirl to guitar or keyboard parts, particularly in genres like psychedelic rock, jazz, or gospel. While not a replacement for the real deal, it offers a lot of vibe for the space it occupies and is a great option for pedalboard-conscious players.

Product Description

  • NEO Instruments mini Vent II
  • Effects Pedal
  • Replica of the rotor effect of a Leslie 122 for guitar
  • organ and
  • Keyboard signals
  • 2 Switchable presets
  • True bypass
  • Internal stop switch
  • Switchable drive
  • Input: 6.3 mm jack
  • Outputs: 2 x 6.3 mm jack
  • Effect unit
  • Dimensions (W x H x D): approx. 100 x 57 x 110 mm
  • Includes external power supply
PROS
  • • Authentically recreates the swirling, complex character of a Leslie 122.
  • • The internal stop switch offers nuanced control over the rotor’s speed.
  • • Two programmable presets allow for instant switching between sounds.
  • • True bypass preserves your signal when the effect is disengaged.
CONS
  • • The compact size can make tweaking controls a little fiddly.
  • • While versatile, it’s primarily tailored for organ, keyboard, and guitar tones.
  • • The drive circuit, while usable, isn't as flexible as dedicated overdrive pedals.

Product Video

Key Features

Effect Type Leslie Speaker/Rotor Simulation
Controls Speed, Level, Drive, Internal Stop Switch (3 positions)
Bypass Type True Bypass
Power Supply External 9V DC (included)
Connections Input: 6.3 mm jack, Outputs: 2 x 6.3 mm jack
Dimensions 100 x 57 x 110 mm

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Frequently Asked Questions

It provides a subtle grit and warmth, but lacks the dynamic range and tonal shaping of a full-fledged overdrive pedal.
Yes, it works well with bass, but the low-end response is best suited for cleaner tones; heavy distortion might muddy the effect.
It’s a stepped control, offering three distinct rotor stop positions, influencing the overall Leslie feel—not a continuous variable.

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