NANO Modules ST-FONT
Professional music gear - detailed information and where to buy
NANO Modules
ST-FONT
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The ST-FONT is a seriously cool little module for adding stereo movement and character to your patches. It's perfect for sound designers and experimental musicians who want a compact, versatile filter with a bit of edge. It’s a great starting point for exploring stereo filtering without a huge investment.
Product Description
- NANO Modules ST-FONT
- Eurorack Module
- Liquid Stereo Filter
- Two analogue multimode filters for stereo and dual-mono applications
- Common controls for frequency
- resonance and mode (crossfading from low-pass to band-pass to high-pass) - each with CV input and bipolar attenuator
- Adjustable offset of both filters (span) for the frequency
- resonance and mode parameters (each with CV input)
- Two selectable resonance modes (Mild & Wild)
- Drive control with LED display for setting the input level and overload
- Drive CV input (stereo VCA)
- CV input (V/oct.) for both filters
- Stereo input and output
- Power requirement: 100 mA (+12 V) / 100 mA (-12 V)
- Width: 14 HP
- Depth: 40 mm
PROS
- • Stereo filtering dramatically widens soundscapes, adding real depth.
- • The 'Wild' resonance mode delivers satisfying, gritty textures.
- • CV offset control offers nuanced filter modulation possibilities.
- • Compact 14HP footprint maximizes space in tight Eurorack setups.
CONS
- • The drive control can easily overload, requiring careful gain staging.
- • Limited filter modes compared to some higher-end filter modules.
- • The attenuators feel a little plasticky, not the most premium feel.
Product Video
Key Features
Filter Type
Multimode Analogue (Low-Pass, Band-Pass, High-Pass)
Modes
Low-Pass, Band-Pass, High-Pass (with Mild & Wild Resonance)
HP Width
14
Depth
40 mm
Power Draw
200 mA (100 mA +12V, 100 mA -12V)
CV Inputs
Frequency, Resonance, Mode (x2), Drive, V/oct (x2)
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Frequently Asked Questions
The ST-FONT’s stereo filtering creates a cohesive, intertwined sound; running two mono filters would result in more independent, potentially clashing signals.
Absolutely, but be mindful of the drive – it's designed for more character than clean sub-bass processing. Dialing back the drive helps tame it.
They're voltage-controlled attenuators with bipolar offset, meaning you can modulate the amount of CV affecting each parameter and invert the effect.
