Make Noise Mimeophon

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Make Noise Mimeophon

Make Noise

Mimeophon

4.5 Expert Rating

Product Info

Article Number: 470620
Model: Mimeophon
Price: $515.90

* Prices may vary. Check retailer for current pricing and availability.

The Mimeophon is a seriously creative delay module—more than just a simple echo. It’s a sound design powerhouse for experimental musicians and those wanting to go beyond standard delay effects; the hands-on controls and extensive CV routing really open up possibilities.

Product Description

  • Make Noise Mimeophon
  • Eurorack Module
  • Stereo delay and creative sound manipulator
  • Enables complex echo effects
  • Karplus-Strong synthesis
  • chorus
  • flanger and looping
  • 1.3 ms to 42 s delay time
  • Stereo input/output
  • Wet/dry control
  • Feedback adjustable up to self-oscillation
  • Tempo sync
  • Adjustable stereo width via halo control
  • Rate output for synchronisation of other modules
  • Hold button for freezing the current audio loop
  • Skew button creates different delay times for left and right channel
  • Backward echoes possible
  • All parameters CV-controllable
  • Power consumption: 100 mA (+12 V) / 10 mA (-12 V)
  • Width: 16 U
  • Depth: 30 mm
PROS
  • • Exceptional stereo imaging via the Halo control creates expansive soundscapes
  • • Karplus-Strong synthesis capability delivers unique, evolving textures
  • • Skew function allows for inventive, asymmetrical delay effects
  • • CV control over nearly all parameters fosters deep creative exploration
CONS
  • • Relatively high power draw can strain smaller power supplies
  • • Complex parameter interactions demand a steeper learning curve
  • • Limited modulation input options compared to some competitors

Product Video

Key Features

Effect Type Stereo Delay & Sound Manipulation
Controls Knobs, Buttons (Hold, Skew), CV Inputs
HP Width 8 HP
Depth 30 mm
Power Draw 100 mA (+12V) / 10 mA (-12V)
CV Inputs Multiple, for Delay Time, Feedback, Wet/Dry, Rate, and Stereo Width

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Frequently Asked Questions

It’s more of a variable pulse signal influenced by the delay time, not a precise clock—useful for modulating other modules' rates but not for strict tempo syncing.
Self-oscillation is definitely achievable, but the feedback path is well-behaved; you can get very long, feedback-rich echoes before it goes completely haywire.
While it’s powerful, the extensive CV routing can initially feel overwhelming, but once you grasp the core concepts, it integrates seamlessly and adds a ton of sonic depth.

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