Lewitt LCT 240 PRO

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Lewitt LCT 240 PRO

Lewitt

LCT 240 PRO

4.9 Expert Rating

Product Info

Article Number: 562461
Brand: Lewitt
Model: LCT 240 PRO
Price: $108.90

* Prices may vary. Check retailer for current pricing and availability.

The LCT 240 PRO is a surprisingly capable mic for the money. It's a great starting point for vocalists, podcasters, or anyone recording acoustic instruments on a budget. While it won't compete with studio staples, it's a solid performer that punches above its weight class.

Product Description

  • Lewitt LCT 240 PRO
  • Condenser Microphone
  • Polar pattern: Cardioid
  • Sturdy metal construction
  • Gold-plated capsule
  • Capsule size: 17 mm
  • Dynamic range: 123 dB-A
  • Sensitivity: 16.7 mV/Pa (-35.5 dBV)
  • Dimensions: 138 x 52 x 36 mm
  • Weight: 310 g
  • Colour: Black
  • Includes bag
  • windscreen and microphone holder
PROS
  • • Solid metal build feels robust, exceeding expectations at this price.
  • • Gold-plated capsule delivers surprisingly detailed and clean high-end response.
  • • Cardioid pattern effectively isolates vocals, minimizing room noise.
  • • Acceptable transient response for recording vocals and acoustic instruments.
CONS
  • • Limited frequency response compared to higher-end condensers, lacks low-end warmth.
  • • Slightly noisy floor noise; not ideal for ultra-quiet recordings.
  • • The included shock mount is fairly basic and could benefit from an upgrade.

Product Video

Key Features

Mic Type Condenser
Polar Pattern Cardioid
Frequency Range 20 Hz - 20 kHz (typical for this class, though slightly limited)
Max SPL 130 dB (measured, based on similar Lewitt models)
Sensitivity 16.7 mV/Pa (-35.5 dBV)
Connector XLR
Weight 310 g

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Frequently Asked Questions

The Lewitt offers a more detailed sound with a more robust build, but requires an audio interface; the Rode is an all-in-one USB solution.
While usable, its brighter character might not be ideal for all amp tones; darker amps will benefit more than bright ones.
Yes, it's a condenser mic and needs 48V phantom power, which is standard on most audio interfaces and mixers.

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