Johannus Studio 260, Charcoal Concave
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Johannus
Studio 260, Charcoal Concave
Product Info
Article Number:
585857
Brand:
Johannus
Model:
Studio 260, Charcoal Concave
Category:
Classical Organs (2 Manuals)
Price:
$7,037.80
* Prices may vary. Check retailer for current pricing and availability.
The Johannus Studio 260 is a solid entry point into classical organ playing, offering a good balance of features and affordability. The voicing is surprisingly rich for its size, and the escapement action makes transitioning from piano quite comfortable. This is a great option for church musicians or dedicated hobbyists wanting a compact, self-contained instrument.
Product Description
- Johannus Studio 260
- Charcoal Black
- Sacred Organ
- 31 Registers
- 2 Keyboards with 61 keys
- Keyboard with escapement
- Design: open sound board
- Amplifier 2 x 80 watts full range + 1 x 170 watts bass
- 5 Speakers
- Swell pedal made of plastic
- 2 Solo voices
- 3 Couplers
- 2 Tremulants
- Plexiglas sheet music holder
- MIDI in/out
- Aux in/out
- Headphone connector
- Double-curved 30-note pedal
- with natural upper keys
- Height (without sheet music holder): 115 cm
- Height (with sheet music holder): 137 cm
- Width: 130 cm
- Depth (without pedal): 58 cm
- Depth (with pedal): 98 cm
- Weight: 130 kg
- Charcoal Black finish with matching bench
PROS
- • Charcoal Concave finish offers a refined, dignified aesthetic.
- • Escapement action provides a responsive, piano-like touch.
- • Double-curved pedalboard enhances pedal technique and comfort.
- • Open soundboard design delivers surprisingly full and resonant voicing.
CONS
- • Plastic swell pedal feels budget and potentially less durable long-term.
- • Limited register count compared to larger, more premium organs.
- • Relatively heavy for home placement; requires two people to move.
Product Video
Key Features
Keys
61
Manuals
2
Stops/Registers
31
Pedals
30-note, double-curved
Speakers
2 x 80W full-range + 1 x 170W bass (5 speakers total)
Weight
130 kg
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Frequently Asked Questions
While not a direct substitute for a pipe organ, the voicing is surprisingly authentic, particularly in the lower registers, and should be acceptable for many smaller liturgical settings.
The MIDI in/out is functional, but it’s a basic implementation – don’t expect advanced MIDI control or sophisticated routing capabilities; it’s more for simple connection.
Yes, the open design means room acoustics will play a larger role than a fully enclosed organ; a space with good natural reverb will enhance the sound significantly.
