Heil Sound PR20UT
Professional music gear - detailed information and where to buy
Heil Sound
PR20UT
Product Info
Article Number:
343980
Brand:
Heil Sound
Model:
PR20UT
Category:
Broadcast Microphones
Price:
$163.90
* Prices may vary. Check retailer for current pricing and availability.
The PR20UT is a workhorse mic; it's a fantastic all-rounder, especially for vocalists and drummers who need a mic that can handle both stage and studio. Heil’s signature smooth mids make it incredibly forgiving, and the robust build means it'll take a beating on the road. It's a surprisingly affordable option for a mic delivering this much quality.
Product Description
- Heil Sound PR20UT
- Dynamic Large Diaphragm Microphone
- Polar pattern: cardioid
- Frequency range: 50 Hz - 18 kHz
- Max. SPL: 145 dB
- Impedance: 600 Ohm
- -30 dB rear attenuation
- Wide and balanced frequency response with the typical HEIL pleasant sounding mids
- In combination with the high back and side attenuation an ideal allround microphone for stage and studio
- Very suitable for live vocals and snare drum
- Recommended applications: singing
- speaking
- snare drum
- cymbals
- piano
- guitar and banjo
- Colour: Black
PROS
- • Excellent off-axis rejection minimizes room noise and feedback.
- • The tailored mid-range presence is exceptionally flattering for vocals.
- • Robust construction with a zinc die-cast body ensures stage durability.
- • Rear attenuation significantly reduces bleed from behind, useful for live settings.
CONS
- • High impedance requires a suitable preamp or impedance matching transformer.
- • The large diaphragm can be sensitive to plosives, benefit from a pop filter.
- • Somewhat heavy, may be fatiguing for extended handheld use.
Product Video
Key Features
Mic Type
Dynamic
Polar Pattern
Cardioid
Frequency Range
50 Hz - 18 kHz
Max SPL
145 dB
Sensitivity
-59 dBV/Pa (1.8 mV at 1 kHz)
Connector
XLR
Weight
1.1 lbs
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Frequently Asked Questions
The PR20UT has a more refined and smoother sound, particularly in the mids, while the SM58 is a more aggressive, brighter option. The PR20UT’s rear attenuation is also a significant advantage in loud environments.
Yes, most common audio interfaces have lower impedance inputs; you’ll likely need an impedance matching transformer or a preamp designed for high-impedance microphones to get the best performance.
While it does have a tailored sound, the PR20UT's clarity and transient response work well on snares. It’s not as neutral as some studio condensers, but it delivers a punchy, present sound without being overly harsh.
