Golden Age Audio Project R1 ST

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Golden Age Audio Project R1 ST

Golden Age Audio

Project R1 ST

4.9 Expert Rating

Product Info

Article Number: 435066
Model: Project R1 ST
Price: $702.90

* Prices may vary. Check retailer for current pricing and availability.

The R1 ST is a surprisingly capable stereo ribbon mic, delivering a lush, vintage-inspired sound. It's a fantastic option for capturing acoustic instruments, choirs, or drum overheads where a wide, natural stereo image is desired, especially for those seeking a premium-priced ribbon experience without the ultra-high cost of some competitors.

Product Description

  • Golden Age Audio Project R1 ST
  • Passive stereo ribbon microphone
  • Stereo setup: Blumlein
  • Directivity of the two capsules: Figure-8
  • Frequency range (+/- 3 dB): 30 - 18
  • 000 Hz
  • Sound pressure level: 160 dB SPL (1% THD @ 1000 Hz)
  • Sensitivity: -52 dB (2.51 mV/Pa) @ 1kHz
  • Output impedance: 600 Ohms
  • Dimensions: 70 x 330 mm
  • Weight: 4.56 kg
  • Incl. shock mount
  • connection cable
  • splitter box with left and right output and carrying case
PROS
  • • Exceptional stereo imaging thanks to Blumlein configuration.
  • • Robust construction with a solid, weighty feel, inspiring confidence.
  • • Warm, full-bodied tone ideal for vocals, acoustic instruments, and ensembles.
  • • Included splitter box provides convenient left/right channel separation.
CONS
  • • High output impedance requires a preamp with sufficient gain and impedance matching.
  • • Significant weight (over 9 lbs) makes it less portable and requires a sturdy stand.
  • • Figure-8 pattern only limits versatility in non-stereo recording situations.

Product Video

Key Features

Mic Type Passive Stereo Ribbon
Polar Pattern Figure-8 (per capsule)
Frequency Range 30 - 18,000 Hz
Max SPL 160 dB SPL
Sensitivity -52 dB (2.51 mV/Pa) @ 1kHz
Connector XLR
Weight 4.56 kg

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Frequently Asked Questions

Ribbon mics, including the R1 ST, can be susceptible to self-noise, but it's generally well-managed here – it's not a dealbreaker, but a quiet preamp is still recommended.
Given the 600-ohm output impedance, a preamp with a high input impedance (1.5k ohms or higher) and sufficient gain is crucial for optimal performance – tube preamps often pair exceptionally well.
The included shock mount is functional, but a heavier-duty aftermarket option might be preferable for critical studio applications or to minimize vibrations further.

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