Endorphin.es Squawk Dirty To Me Silver
Professional music gear - detailed information and where to buy
Endorphin.es
Squawk Dirty To Me Silver
Product Info
Article Number:
536289
Brand:
Endorphin.es
Model:
Squawk Dirty To Me Silver
Category:
Filter Modules
Price:
$196.90
* Prices may vary. Check retailer for current pricing and availability.
The Squawk Dirty To Me is a fantastic character module for Eurorack. It’s a surprisingly versatile stereo filter with a real edge – perfect for sound design, experimental music, or adding grit to more conventional patches. This is a great option for anyone wanting a unique sonic signature without needing to commit to a full modular system.
Product Description
- Endorphin.es Squawk Dirty To Me Silver
- Eurorack Module
- Stereo filter
- Includes 8 filter types from the Grand Terminal (including low pass
- band pass
- high pass and low pass gate)
- Controls for cutoff and resonance (each with CV input)
- Serial high-pass filter (with CV input) for filtering out unwanted sub-frequencies
- Integrated VCA
- Meta-CV scanning for dynamic switching of filter types
- Power consumption: 120mA (+12V) / 15mA (-12V)
- Width: 6 U
- Depth: 30 mm
PROS
- • Exceptional filter character, uniquely aggressive and musical.
- • Integrated VCA streamlines patching and sound shaping.
- • Meta-CV scanning provides evolving, dynamic filter textures.
- • Compact 6U panel saves valuable rack space.
CONS
- • Limited filter type control compared to a full Grand Terminal.
- • 120mA draw can be significant for power-constrained racks.
- • Serial HP filter might be too aggressive for subtle filtering.
Product Video
Key Features
Filter Type
8 filter types from Grand Terminal (LP, BP, HP, LPFG)
Modes
Multiple filter modes and resonance settings
HP Width
Variable, dependent on filter mode and settings
Depth
30 mm
Power Draw
120mA (+12V) / 15mA (-12V)
CV Inputs
Cutoff, Resonance, Serial HP Filter
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Frequently Asked Questions
Meta-CV offers a more fluid, evolving transition between filter types, while manual switching is more abrupt and predictable.
The VCA is well-implemented and provides a clean, musical gain reduction – it’s more than adequate for most patching scenarios.
It's more aggressive than a typical HP; the CV input allows for dynamic sub-frequency removal or interesting modulation effects.
