Doepfer A-137-1 Wave Multiplier I
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Doepfer
A-137-1 Wave Multiplier I
Product Info
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The A-137-1 is a surprisingly versatile little module for adding grit and character to your modular sounds. It's a fantastic way to inject subtle harmonic complexity without drastically altering the pitch, making it a go-to for sound designers and those looking to add a touch of analog warmth to simpler waveforms. Perfect for those building out a focused, character-driven patch.
Product Description
Doepfer A-137-1 Wave Multiplier I, Wave multiplier
A-137-1 is a voltage controlled waveform multiplier. The basic idea of a wave multiplier is to multiply the waveform of an incoming audio signal (e.g. triangle/sinus/sawtooth of a VCO) within one period. This creates additional harmonics in the audio signal. The period duration and thus also the pitch of the signal remain unchanged - in contrast to frequency multiplication such as with the PLL module A-196.
- The A-137-1 works as an "inverse low-pass filter"
- i.e. it adds additional harmonics to a signal poor in overtones
- whereas a low-pass filter (e.g. A-120) filters out overtones from a signal rich in overtones. Therefore
- the A-137 gives the best results in combination with comparatively low harmonic waveforms (e.g. triangle
- sine) as input signal. For overtone-rich input signals (e.g. sawtooth) the A-137 can also be used
- but the effect is not as spectacular as with a triangle signal. With square-wave signals
- the effect of the A-137 is hardly noticeable.
The Multiples parameter (adjustable manually and by control voltage) defines the number of waveform multiplications within a period. The two parameters Folding Level and Symmetry (both adjustable manually and by control voltage) set the upper and lower level at which the convolution of the signal takes place. The function of these two parameters is shown graphically in the diagram below. The Harmonics parameter (adjustable manually and by control voltage) adds further harmonics (i.e. in addition to the harmonics created by waveform multiplication) by sharpening the waveform edges (amplification and limiting) and adding overshoot peaks (attenuated waves at the edges).
- Input Level to adjust different input levels for the optimal effect of the module
- Multiples: Number of curve multiplications
- manual setting
- Harmonics: Adding additional harmonics by an effect similar to the resonance of filters
- manual adjustment
- Folding Level: Value of the upper and lower folding level
- for explanation see sketch below
- manual setting
- Symmetry: Symmetry of upper and lower convolution level
- see sketch below for explanation
- manual adjustment
- Width: 14 TE / HP
- Depth: 65 mm
- Current consumption: +40 mA (+12 V) / -20 mA (-12 V)
*Inputs/outputs:*
- Audio In - also suitable for control voltages
- Multiples CV In: Control voltage input for the number of curve multiplications
- with attenuator
- Harmonics CV In: Control voltage input for the Harmonics parameter
- with attenuator
- Folding Level CV In: Control voltage input for the convolution level
- with attenuator
- Symmetry CV In: Control voltage input for convolutional symmetry
- with attenuator
- Audio Out: Output for the processed audio or control signal.
- • Adds complex harmonics to clean waveforms, creating interesting textures
- • Works exceptionally well with triangle and sine waves for subtle color
- • Preserves fundamental pitch, unlike frequency multipliers
- • Compact size makes it ideal for densely populated modular racks
- • Can sound harsh with overly complex input signals, requiring careful gain staging
- • Limited control; primarily a 'set and forget' type of module
- • Doesn't offer a wide range of distortion characteristics; fairly basic waveshaping
Product Video
Key Features
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