Chandler Limited TG Microphone
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Chandler Limited
TG Microphone
Product Info
Article Number:
451418
Brand:
Chandler Limited
Model:
TG Microphone
Category:
Large Diaphragm Microphones
Price:
$2,638.90
* Prices may vary. Check retailer for current pricing and availability.
This is a serious mic, man. Chandler really nailed the recreation of that classic TG transistor sound – it’s thick, creamy, and just *feels* right. Perfect for singers and instrumentalists wanting a vintage vibe, especially in rock, blues, and soul where that extra warmth shines.
Product Description
- Chandler Limited TG Microphone
- Large-Diaphragm Condenser Microphone
- TG transistor circuit
- Directivity: Cardioid and ball
- Built-in 4-step EMI "Tape Equalizer" section for sound shaping
- "Dual Tone System" - Circuit A for classically centered TG transistor sound
- Circuit B for high-level sound sources
- Switchable high-pass filter with 50 Hz or 90 Hz
- Switchable -10 dB pad
- Includes external power supply
- elastic suspension
- Mogami microphone cable (7.5 m) and wooden box
PROS
- • Chandler’s TG circuit delivers a uniquely warm, vintage transistor character.
- • Dual Tone System offers versatility for quiet vocals to powerful instruments.
- • The built-in EMI inTape Equalizerin provides subtle but effective tonal shaping.
- • Robust construction with high-quality materials and Mogami cable ensures durability.
CONS
- • Premium-priced, putting it out of reach for many home studios.
- • Cardioid/ball pattern limits its usefulness in complex stereo recording situations.
- • The TG circuit’s coloration might not suit all vocal styles or recording genres.
Product Video
Key Features
Mic Type
Large-Diaphragm Condenser
Polar Pattern
Cardioid, Ball
Frequency Range
20 Hz - 20 kHz
Max SPL
135 dB
Sensitivity
25 mV/Pa
Connector
XLR
Weight
1.4 kg
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Frequently Asked Questions
Circuit B handles higher-level sources with more headroom, maintaining the TG character but with less saturation and a more transparent response.
It's more of a subtle shaping tool – think of it as a final polish rather than a full-blown EQ; it’s great for adding a touch of character but won't replace dedicated processing.
The ball pattern provides a wider sweet spot and more forgiving off-axis response than a hypercardioid, making it easier to work with in less-than-ideal acoustic environments.
