Behringer 676
Professional music gear - detailed information and where to buy
The Behringer 676 is a clever piece of kit, effectively recreating the vibe of a much pricier 6176 preamp/compressor combo. It's a great option for home studios or anyone needing a touch of vintage warmth and a decent compressor without blowing the budget – especially good for vocals and guitars needing a bit of grit.
Product Description
- Behringer 676
- 1-Channel Microphone / Instrument / Line Tube Preamplifier and FET-Style Compressor
- With Midas input and output transformers
- Based on the classic 6176 design
- Compressor and preamplifier can be operated together or separately
- 12AX7/ECC83S and 12AT7/6072 tubes
- Input gain trim with ±10 dB
- 2-band shelving EQ with switchable filters
- Switchable pad and phase reverse
- 48 V phantom power
- Attack adjustable 20 to 800 ms
- Release adjustable 50 to 1100 ms
- Vintage-style meter for displaying gain reduction and output volume
- Format: 19" / 2 U
*Preamplifier connectors:*, One microphone input: XLR, One Hi-Z input: 6.3 mm jack, One line input: XLR, One line output: XLR
*Compressor connectors:*, One line input: XLR, One line output: XLR
PROS
- • Midas transformers deliver a surprisingly clean, musical low-end response.
- • FET compressor emulates classic dynamics, adding punch and glue to tracks.
- • The EQ section offers useful shaping, especially for vocal or instrument taming.
- • Tube warmth adds character and vintage vibe, surprisingly good for the price.
CONS
- • Build quality feels plasticky; feels less robust than higher-end units.
- • EQ's shelving design is limited; lacks the precision of parametric options.
- • While versatile, single-channel operation restricts more complex signal chains.
Product Video
Key Features
Channels
1
Preamp Type
Tube (12AX7/ECC83S, 12AT7/6072) & FET Compressor
Gain Range
+10 dB
Phantom Power
48V
Connections
XLR, 6.3mm Jack (Hi-Z), Line Inputs/Outputs
Weight
Approximately 5 lbs (2.3 kg)
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Frequently Asked Questions
It captures the essence of the 6176’s warmth and compression, but lacks the absolute transparency and refinement of the original; it’s a convincingly close approximation.
Yes, the wide range (20ms-800ms attack, 50ms-1100ms release) provides versatility for everything from snappy drums to smooth vocals, though more experienced users might crave finer control.
They can be used independently; you can engage or bypass the compressor section as needed, giving you flexibility in your signal chain.
