Audix D6X

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Audix D6X

Audix

D6X

4.7 Expert Rating

Product Info

Article Number: 606621
Brand: Audix
Model: D6X
Price: $311.30

* Prices may vary. Check retailer for current pricing and availability.

The Audix D6X is a solid choice for kick drums, especially if you're looking for a focused, punchy sound without excessive boominess. It's a workhorse mic, perfect for drummers who need a reliable, affordable option for live gigs or studio tracking – it's surprisingly versatile for a dedicated instrument mic.

Product Description

  • Audix D6X
  • Dynamic Instrument Microphone
  • Suitable for kick drums
  • Can be used on stage as well as in studios
  • Polar pattern: Cardioid
  • VLM capsule for deep
  • precise sound pick-up
  • Switch to switch between three filters
  • Frequency: -6 dB / 25 Hz - 17
  • 000 Hz
  • Maximum sound pressure level : 144 dB
  • 3-Pin XLR
  • Impedance: 280 ohm
  • Sensitivity: 0.842 mVrms
  • Colour: Black
  • Dimensions (length: ) 138.5 mm
  • Diameter (capsule): 51 mm
  • (bracket): 21 mm
  • Weight: 0.266 kg
  • Microphone clamp and microphone bag included
PROS
  • • VLM capsule delivers surprisingly detailed low-end response.
  • • Switchable filters offer tonal shaping for various drum sounds.
  • • Robust construction feels built to withstand stage rigors.
  • • Included clamp and bag add convenience for gigging musicians.
CONS
  • • Cardioid pattern limits placement flexibility in complex stereo setups.
  • • 280-ohm impedance might require a preamp with sufficient gain.
  • • Limited use beyond low-frequency instruments – not a general-purpose mic.

Product Video

Key Features

Mic Type Dynamic Instrument Microphone
Polar Pattern Cardioid
Frequency Range 25 Hz - 17,000 Hz
Sensitivity 0.842 mVrms
Mounting 3-Pin XLR
Weight 0.266 kg

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Frequently Asked Questions

The D6X offers a slightly more refined low-end with less inherent 'mud' than the D112, but the D112’s aggressive character is still preferred by some.
While primarily designed for kick, it can work on guitar amps or floor toms, but its tailored frequency response makes it less ideal for vocals or overheads.
The filter changes are subtle but useful; the high-pass filter is especially helpful for taming boomy kick drums on less-than-ideal stages.

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