ADDAC 105 4 Voice Cluster

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ADDAC 105 4 Voice Cluster

ADDAC

105 4 Voice Cluster

4.9 Expert Rating

Product Info

Article Number: 491106
Brand: ADDAC
Model: 105 4 Voice Cluster
Price: $137.50

* Prices may vary. Check retailer for current pricing and availability.

The ADDAC 105 is a seriously useful little cluster for anyone wanting a quick and dirty square wave voice with some FM and filter action. It's perfect for experimental soundscapes, drones, or adding rhythmic textures to your modular setup – it’s a budget-friendly way to expand your sonic palette, though don't expect miracles with the limited waveform options.

Product Description

  • ADDAC 105 4 Voice Cluster
  • Eurorack Module
  • 4-Channel square wave oscillator with FM and multimode filter
  • Per channel: Trigger input
  • adjustable decay envelope
  • adjustable frequency and switchable FM through the previous oscillator.
  • Multimode filter with settings for cutoff and resonance
  • Cutoff CV input with bipolar attenuator
  • Filter outputs for low-pass
  • Bandpass and highpass
  • Current consumption: 40 mA (+12 V) / 40 mA (-12 V)
  • Width: 8 HP
  • Depth: 45 mm
PROS
  • • Excellent FM capabilities for evolving, complex tones
  • • Multimode filter offers surprising tonal versatility
  • • Compact 8HP footprint maximizes rack space efficiency
  • • Integrated decay envelopes simplify patching and sequencing
CONS
  • • Square waves only limit harmonic richness and timbre options
  • • Limited modulation destinations restrict advanced sound design
  • • Build quality feels a bit plasticky for more premium modules

Product Video

Key Features

Type Eurorack Oscillator Module
Waveforms Square Wave
HP Width 8
Depth 45 mm
Power Draw +40mA / -40mA
CV Inputs Cutoff Frequency (Bipolar Attenuator)

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Frequently Asked Questions

It's a basic implementation, relying on the previous oscillator’s output to modulate frequency; it’s effective for grit and movement but lacks the nuance of dedicated FM oscillators.
Yes, it can function independently, but its true strength lies in its ability to be integrated into a larger modular patch for more complex sounds.
The decay envelope is relatively short, ideal for percussive sounds and quick envelopes, but may not be suitable for long, sustained tones without external modulation.

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