Overhead Microphones
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Audix F9
Overhead Microphones
Superlux E524/D
Overhead Microphones
Neumann KM185 mt
Overhead Microphones
EV PL 37
Overhead Microphones
Behringer C-2 Stereoset
Overhead Microphones
Audix ADX 40 White
Overhead Microphones
Audio-Technica Pro45
Overhead Microphones
Audio-Technica AT4041
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Audix ADX 40
Overhead Microphones
About Overhead Microphones
Overhead microphones are crucial for capturing a complete, balanced drum kit sound, providing a stereo image of the entire kit. They offer a more natural and cohesive sound than close-mic techniques alone, especially for genres like jazz, acoustic, and rock. Choosing the right overheads can dramatically impact the overall feel and impact of a drum recording or live performance.
Overhead Microphones — Pros & Cons
PROS
- Captures a natural, cohesive drum kit sound.
- Provides a wider stereo image than close mics.
- Reduces the need for excessive close-miking.
- Offers a more 'organic' feel to the drum sound.
CONS
- Can be challenging to dial in a balanced mix.
- More susceptible to room acoustics and bleed.
- May require significant EQ and processing.
- Positioning is critical for optimal results.
Frequently Asked Questions About Overhead Microphones
Cardioid mics reject sound from the rear, reducing bleed, while omni mics offer a more natural, diffuse sound but pick up more room ambience.
A stereo pair (two mics) is standard, but single overheads can work for smaller kits or specific sonic goals. X/Y, spaced pair, and ORTF are common stereo techniques.
Phase coherence ensures the two microphones pick up the sound at similar times, preventing cancellation and maintaining a full, balanced stereo image.
