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AudioFu Chart · November 2026

Best Behringer Wired In-Ear Components 2026

The top pick is Behringer Powerplay P1 Personal In-Ear Monitor Amplifier ($40). Behringer P24 leads the high end. Ranked by the AudioFu Index from 5 models, prices checked every night.

Last updated: November 7, 2026

5models in this chart
1brands
$189median price
2price drops since Aug

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All Wired In-Ear Components Showing: Behringer · clear

Top 5

Full detail for the 5 highest AudioFu Index scores. Every other model is listed below.

  1. Behringer Powerplay P1 Personal In-Ear Monitor Amplifier

    Powerplay P1 · Behringer

    12 for sale on Reverb1 finish at Thomann

    • Size8"

    If you run in-ear monitors on stage, this small amp lets you control your own mix. You get volume and balance controls, plus a peak limiter to help protect your ears. You will need to buy a 9V battery or a power supply first, since neither comes in the box.

    Pros

    • Two XLR inputs let you feed it from a mixer or receiver
    • Volume and balance controls let each performer set their own mix
    • Mono or stereo mode is switchable to suit your setup

    Cons

    • Needs a 9V battery or separate power supply, neither included
    70AudioFu
    Index
    • Demand76
    • Lineup63
    • Price73
    • Specs50
    • Maker81
    ↓ 7.7%since Aug 17 · lowest so far
    $44 · Aug 17$40 now
    $40€36 at Thomann · in stock
    Check price ↗
  2. Behringer Powerplay P16-M 16-Channel Digital Personal Mixer

    P16-Hq · Behringer

    13 for sale on Reverb1 finish at Thomann

    • Weight0.8 kg

    The P16-Hq is a 16-channel monitoring mixer for people who run stage monitors. You get a backlit selector for each channel, a volume knob, a 3-band EQ and panning on every channel, plus solo and mute. It has a limiter on the output to help protect your hearing, and it can save presets so you can recall a setup fast. If you run a band or a rig with many monitor mixes, this is worth a look.

    Pros

    • Sixteen backlit channel selectors give direct access to each channel
    • Per-channel panorama and 3-band EQ let you shape each mix
    • Ultra-low system latency of less than one millisecond

    Cons

    • Carry bag Art. #490615 is sold separately and not included
    67AudioFu
    Index
    • Demand78
    • Lineup63
    • Price50
    • Specs50
    • Maker81
    Stableno change since Aug 17
    Aug 17$189 now
    $189€169 at Thomann · in stock
    Check price ↗
  3. Behringer Powerplay P2 Personal In-Ear Monitor Headphone Amp

    Powerplay P2 · Behringer

    10 for sale on Reverb1 finish at Thomann

    If you use in-ear monitors and want a small amp that clips to your belt, this one is worth a look. It takes an XLR or jack input and has a switch for stereo or mono sources. You will need to buy AAA batteries or rechargeable batteries separately, which then run it for up to 12 hours.

    Pros

    • Very compact headphone amplifier built for in-ear monitoring
    • XLR and jack input share one lockable combined connection
    • Built-in stereo or mono source switch for flexible setups

    Cons

    • Runs on 2 AAA batteries or rechargeable batteries, which are not included
    57AudioFu
    Index
    • Demand71
    • Lineup63
    • Price50
    • Specs0
    • Maker81
    Stableno change since Aug 17
    Aug 17$37 now
    $37€33 at Thomann · in stock
    Check price ↗
  4. Behringer P24

    Behringer

    Not on Reverb yet2 finishes at Thomann

    • Size8"

    If you want your own mix on stage, this one is worth a look. You get 13 stereo channels, a talkback button, and an intercom so you can talk to the sound engineer and crew. It works with StageConnect gear such as the P24 Hub or Behringer Wing, so it suits a setup already built around that system.

    Pros

    • Thirteen stereo channels with 60 mm faders for mixing your own monitor sound
    • StageConnect 26x6-channel transmission with very low latency and 24-bit uncompressed PCM audio
    • Built-in StageTalk intercom and talkback with a footswitch jack for talking to FOH and stage technicians

    Cons

    • Works best inside the StageConnect system, so it needs a P24 Hub or Behringer Wing
    • Microphone stand adapter for the P16-MB or DP48-MB is sold separately
    55AudioFu
    Index
    • Demand30
    • Lineup100
    • Price50
    • Specs50
    • Maker81
    Stableno change since Aug 17
    Aug 17$200 now
    $200€179 at Thomann · in stock
    Check price ↗
  5. Behringer Powerplay P16-D 16-channel Ultranet Distribution Module

    Powerplay P16D Ultranet · Behringer

    1 for sale on Reverb1 finish at Thomann

    The Powerplay P16D is a smart piece for serious in-ear monitoring rigs. If you're running a larger band with multiple musicians needing individual mixes, this expands your P16 system’s reach without a ton of extra gear. It’s a solid, budget-friendly solution for pro-level IEM control.

    Pros

    • Extends P16 system capacity significantly, crucial for larger bands
    • Rock-solid Ultranet connectivity minimizes latency and dropouts
    • Integrated power supply simplifies setup, reducing cable clutter

    Cons

    • Limited to the P16 ecosystem; not a universal IEM distribution solution
    • Plastic construction feels less premium than competing models
    36AudioFu
    Index
    • Demand21
    • Lineup63
    • Price50
    • Specs0
    • Maker81
    Stableno change since Aug 17
    Aug 17$132 now
    $132€118 at Thomann · in stock
    Check price ↗

Wired In-Ear Components by the numbers

Measured across all 29 models we track, not a sample.

Size8"

median of 9 models · 4"–9.5"

How to choose the best wired in-ear components

Price

Let's be real-the biggest factor. Behringer's pricing is aggressive, often undercutting the competition by a significant margin. This makes them accessible to a huge swathe of musicians who've previously been priced out of IEMs.

Sound Signature

Generally, these IEMs aim for a relatively neutral sound, though there's a slight emphasis on the lower mids, which can help vocals and bass instruments cut through a live mix. Expect a clear, articulate presentation, but don't expect a super-detailed audiophile experience-it's more about reliability and clarity than sonic nuance.

Build Quality

This is where the budget shows. The cables are serviceable, but not super robust. The connectors can be a little finicky, so be gentle with them. The earbuds themselves are plastic, but surprisingly durable for the price point-they've held up to being crammed into gig bags and tossed around stages.

Wireless System Reliability

The wireless transmitters and receivers are generally reliable, offering a decent range without significant dropouts. However, interference can be an issue in crowded venues with lots of wireless gear - that's a common problem with any wireless system, regardless of price.

Channel Flexibility

Many models offer multiple channels, allowing you to create custom monitor mixes for different band members. This is a huge benefit for bands who want individual control over their sound and don't want to rely on a single, shared mix.

Buying guide

Okay, so you're looking at in-ear monitoring and you're thinking, 'Behringer? Really?' I get it. For years, they were mostly known for budget synths and mixers. But their Wired In-Ear line? It's legitimately surprising-and a serious contender for gigging musicians on a tight budget who want a decent, reliable IEM system without breaking the bank. Let's dive into what makes these things tick and whether they're actually worth the hype.

Look, these aren't going to replace a high-end Shure or Sennheiser system. The cable is the first thing to potentially fail, so consider investing in aftermarket replacements if you're hard on gear. The wireless systems are generally reliable, but be mindful of potential interference.

For the price, though, you're getting a functional, gig-ready IEM system that'll significantly improve your stage monitoring experience without emptying your wallet.

How the AudioFu Index works

Five measured signals and nothing else — no stars from strangers, no “tested by experts” we didn’t do. The weights are fixed and public. We don’t play these instruments; we measure the market around them.

This chart covers 6 wired in-ear components from the Thomann catalogue (of 29 in the category). Before you buy, read hands-on reviews and, where you can, play it. Full methodology.

AudioFu earns a commission when you buy through our Thomann links. It never changes the order — the index does.

  • Demand40%

    How many of this exact model are for sale on Reverb right now — what musicians actually buy and resell.

  • Lineup20%

    How many finishes Thomann stocks — makers expand the models that sell.

  • Price15%

    Where the price has moved since we started tracking in August.

  • Specs15%

    How completely the maker documents it.

  • Maker10%

    How deep the brand’s range is in this category.

Questions

Are Behringer IEMs any good for recording?

They're perfectly fine for recording, especially for tracking vocals or instruments where you need a clear, isolated monitor mix. Just don't expect the same level of detail as higher-end studio headphones.

How do I prevent interference with the wireless transmitter?

Keep the transmitter away from other wireless devices, power cables, and metal objects. Experiment with different channel settings to find a clear frequency.

Can I replace the ear tips?

Absolutely. They use standard sizes, so you can easily swap them out for foam or custom-molded tips for a better fit and improved isolation.

What's the difference between the different models (e.g., ULX100, EUX100)?

The main differences are in the wireless frequency bands they operate on (ULX is UHF, EUX is European UHF). Make sure you choose a model that's legal to use in your region.

Are the cables replaceable if they break?

Yes, they are. They're detachable, which is a huge plus. Replacement cables are readily available and relatively inexpensive, extending the life of the IEMs.

Related charts

#1 · AudioFu Index 70Behringer Powerplay P1 Personal In-Ear Monitor Amplifier · $40€36
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