Takamine GC6CE-Nat
Professional music gear - detailed information and where to buy
Takamine
GC6CE-Nat
Product Info
Article Number:
588565
Brand:
Takamine
Model:
GC6CE-Nat
Category:
4/4 Size Classical Guitars
Price:
$548.90
* Prices may vary. Check retailer for current pricing and availability.
The GC6CE-Nat is a solid choice for intermediate classical guitarists looking for amplified performance. Its solid top provides a surprisingly vibrant voice, and the preamp is genuinely useful for stage or recording. It’s a well-built instrument offering a good balance of quality and affordability, especially suited for students and gigging musicians.
Product Description
- Takamine GC6CE-Nat
- Classical Guitar
- With cutaway
- Top: Solid Spruce
- Back and sides: Walnut
- Mahogany neck
- Fingerboard: Ovangkol
- Scale: 650 mm
- Nut width: 51 mm
- Oval Soundhole
- 20 Frets
- Pickup system: Takamine TK-4D preamp with built-in tuner
- Bridge: Ovangkol
- Colour: Natural high gloss
PROS
- • Solid spruce top delivers a bright, responsive tone with excellent projection.
- • Walnut back and sides add warmth and complexity to the overall sound.
- • The Takamine TK-4D preamp provides accurate amplification with a useful built-in tuner.
- • Ovangkol fingerboard offers a smooth playing experience and contributes to sustain.
CONS
- • High-gloss finish can feel a bit slippery for some players’ preference.
- • Walnut back and sides, while warm, might lack the deep resonance of rosewood.
- • 51mm nut width can feel wide for players accustomed to narrower classical necks.
Product Video
Key Features
Top Wood
Solid Spruce
Back & Sides
Walnut
Neck Material
Mahogany
Fingerboard
Ovangkol
Scale Length
650 mm
Frets
20
Nut Width
51 mm
Weight
Approximately 4.2 lbs
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Frequently Asked Questions
The TK-4D preamp is good, but it won’t match the nuance of Takamine’s higher-end systems; expect a slightly more direct, less colored amplified tone.
The mahogany neck has a standard C-shape profile, but the 51mm nut width might feel a bit bulky for very small hands; it’s best to try it in person if possible.
The oval soundhole offers a slightly more focused projection compared to a traditional round soundhole, helping to cut through in ensemble settings.
