Seymour Duncan STK-J2N

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Seymour Duncan STK-J2N

Seymour Duncan

STK-J2N

4.4 Expert Rating

Product Info

Article Number: 244427
Model: STK-J2N
Price: $163.90

* Prices may vary. Check retailer for current pricing and availability.

The STK-J2N is a clever pickup—it gives you that sweet, vintage jazz bass tone while killing the hum. If you’re playing funk, fusion, or anything needing a bit more punch and clarity without sacrificing that classic warmth, this is a really solid choice. It’s a great upgrade for players wanting a more modern edge to their J-Bass.

Product Description

Seymour Duncan STK-J2N, Pickup, Hot Jazz stack bass, Fat authentic vintage jazz bass sound while eliminating hum interference, Neck position

PROS
  • • Stacked design effectively eliminates hum, crucial for quiet stages and recording.
  • • Alnico Jazz magnet delivers that classic, warm, and articulate jazz bass tone.
  • • The ceramic lower section provides a noticeable output boost for more aggressive playing.
  • • Seymour Duncan’s quality control ensures consistent performance and reliable long-term durability.
CONS
  • • Stacked construction can sometimes introduce a slight 'quack' in the midrange.
  • • The higher output might be overwhelming for players seeking a truly vintage, mellow sound.
  • • The cover finish, while functional, lacks the premium aesthetic of some higher-end pickups.

Product Video

Key Features

Position Neck
Magnet Alnico Jazz (upper), Ceramic (lower)
Output Level High
DC Resistance 7.5k Ohms
Mounting 4-Hole Standard J-Bass Mount
Cover Stainless Steel

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Frequently Asked Questions

The stacked design provides a brighter, more focused tone with a slight emphasis on the midrange; it's less 'woody' than a traditional Jazz pickup, but still retains its essential character.
While it uses standard J-Bass mounting, measure your pickup cavity – the stacked design can sometimes require slightly more space, especially with older basses.
The ceramic section adds a bit more bite and output, but the Alnico Jazz upper maintains the core vintage tone; it's a balanced combination, not a radical shift.

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